Tag Archives: Suryani

The Bali Art Scene 2016 – An Overview

Citra Sh"Torment"

“Torment”  2015 – Citra Sasmita one of the strongest works from the ‘Bali Art Intervention #1’ “Violent Bali”

This overview looks back over the past six months (and more) at exhibitions and happenings of note in the Bali art scene which in the past year has witnessed some critical infrastructure developments.

Closing out 2015 ‘Bali Art Intervention #1’ “Violent Bali”, open 10 November at the Tony Raka Art Gallery in Ubud, featured the work of 60 artists, and was the strongest collective showing of contemporary art in Bali since July 2013’s “Irony in Paradise” by Sanggar Dewata Indonesia at ARMA. Slated to run for a month the exhibition continued into the new year and works by Citra Samsita, Wayan Wirawan, Agus Cahaya, Ida Bagus Putra Adnyana, Pandi Acmadi, Tatang BSP, amongst many others were worthy of mention.

Made Budhiana. "In the Darkness of Night" Image M. O'Riordan “In the Darkness of Night” 2015 – Made Budhiana from the “Cruise Control” Exhibition

“Cruise Control Indonesia – Top End Artist’s Camp Exhibition” 23 January – 13 February 2016 at the Northern Center of Contemporary Art (NCCA) in Darwin, Australia showcased the some of the fruits of the 2015 Artist’s Camp, an engagement by 6 Indonesian artists in the Northern Territory (NT). For five weeks Made Budhiana, Wayan Wirawan, Made Sudibia, Made ‘Dalbo’ Suarimbawa and Ni Nyoman Sani from Bali, and East Javanese artist Suryani were guests of the government of Northern Territory and were exposed to foreign lands and societies, and delved creatively into new visual and conceptual territories.

The biannual Artists Camp, which was first held in 2012 in the NT, and then with two subsequent Camps in Bali (2012 & 2014) is the initiative of Australian art lover Colin MacDonald and Made Budhiana, working with the NCCA, expanding upon the original modal of the Artists Camp that first began back in 1978. The exhibition displayed some outstanding works of cross-cultural engagement and its success in underlined by the support the Chief Minister of the NT government and the Commonwealth Bank of Australia. Despite international political relations between Indonesia and Australia recently weathering stormy seas, art and cultural remain the most important and enduring engagements between the two countries.

TiTian Art Space. Image by Richard Horstman                 TiTian Art Space – Image Featuring works by Teja Astawa & I.B. Purwa

Merging perceptions and practices from the past with the present, along with an innovative vision for the future, Yayasan TiTian Bali (YTB), a new art foundation launched 29 January 2016 at Bentara Budaya Bali cultural center, is setting out to revolutionize Balinese art. Inaugurated on the 80th anniversary of the founding of the Pitamaha artists collective in Ubud, the Balinese artist co-operative TiTian Art Space, located on Jalan Bisma Ubud, will help transform artists into art entrepreneurs within the creative economies.

The brain child of the former 20 years volunteer curator and international liaison officer for Puri Lukisan Museum, Soemantri Widagdo, exhibitions hosted this year have showcased some of the finest Balinese traditional and contemporary artists such as Teja Astawa, Ida Bagus Putu Purwa, Made Griyawan, Aris Sumanta and Gede Widyantara to name a few. The June “Traces Under the Surface – Batuan Painting Exhibition” set 3 generations of Batuan painters from one family side-by-side in a unique expose into the development of Batuan painting. The regular series of exhibitions and workshops along with the revolutionary vision of YTB are an exciting and important addition to the Bali art infrastructure.

With plans to build a Museum of Contemporary Art (Bali MOCA), an international class museum located in Ubud, within the next ten years, exhibiting both old and new work of the highest quality, YTB expects to inspire new directions and achievements in Balinese art, while being the premier hub for Balinese visual arts by 2021.  Balinese traditional art is undergoing an exciting revival underpinned by fresh young talent and strategic collective activity, for example in Batuan led by the formation of the Baturlangan Artist Collective of Batuan.

With the mission to place Balinese art on global platforms the welcome addition of  YTB to the Bali art scene will aid in future consolidation of the current flourishing of Balinese traditional painting. The 21st century ushers in a new paradigm of global thinking and the art world is responding and evolving especially due to the impact of the internet and social media which is empowering individuals to develop global brands and presence. Yayasan TiTian Bali is building a new eco system for Balinese art for the 21st Century.

A.A Gede Anom Sukawati-"Tari Joged Bumbung". Image courtesy of Larasati“Joged Bumbung” 2008 – A.A Gede Anom Sukawati featured in the 1oth Anniversary Larasati Balinese Modern Traditional & Contemporary Art Auction at ARMA Ubud.

Results of the special 10th anniversary Larasati Balinese Modern Traditional & Contemporary Art auction at ARMA 28 February confirm that the market for Balinese traditional art is growing steadily while providing excellent value through the low to medium and high price ranges. Emphasizing quality over quantity the 81 items birthday sale featured a parade of beautiful works including sketches, watercolors, wood carvings and paintings by “Old & Young” Balinese masters.

During the past decade, with two auctions per year in Ubud Larasati have opened up an international forum for the trade of high quality traditional Balinese works, especially paintings. By introducing professionalism of an international standard that Bali had yet to experience in its art dealings Larasati has helped create a real, healthy market for traditional Balinese art. The auction included works by popular artists I.B Made Poleng, Gusti Lempad, Made Sukada, A.A Gede Anom Sukawati, and I.B Nyana to name a few.

A feature of the sale was Larasati Auctioneers providing for the first ever real-time data over the internet allowing easy, direct access to buying opportunities for a global audience. The auction audience revealed more foreigners in attendance than Indonesians being a testament to the developing international market of the Balinese art which is considered by experts to be undervalued. Larasati CEO Daniel Komala confirmed that the outcome of first ten years of auctions have exceeded all expectations.

I GAK MURNIASIH - SEDANG ACTION - AOC - 100 x 100cm - 2003                                                  “Sedang Action” –  I GAK Murniasih

“Merayakan Murni / Celebrating Murni”, a project gathering local and regional artists to create works in response to the legacy of the iconic female Balinese artist I GAK Murniasih (1966-2006) “Murni” started 8 December 2015 at the innovative new art space Ketemu Project Space in Sukawati. Punctuating the beginning of the 6 month plus program of events, culminating with the group exhibition at Sudakara Art Space Sanur 16 July 2016, the 8 December event was an intimate evening of discussions.  Featuring friends and colleagues of Murni’s, while introducing some of the breadth of her work, and the schedule of up coming events was reveled that included artist in residency programs and curator discussions. This highly anticipated exhibition will be the most important of the 2016 art calendar.

AJI02649_1-1_LR“Forgotten Optical Satsuma Filters” – Ashley Bickerton at Rumah Topeng dan Wayang Setiadharma

Kayu, a series of exhibitions that began in 2014 presented by French art worker Lucie Fontaine at Rumah Topeng dan Wayang Setiadharma in Mas, has been a highly valuable contribution to the appreciation of contemporary art in Bali. Organized and curated by Italian artist and Ubud resident Marco Cassani, Kayu showcased both local and international artist in cross cultural collaborations, group and solo exhibitions. Kayu aims to support the growth and awareness of contemporary art in Indonesia through experimental and conceptual projects and operations as an incubation facility to give the opportunity for information and knowledge exchange between Bali and Indonesia with the outside art world. Projects have included artists Corrado Levi, Radu Cosma, Entang Wiharso and Luigi Ontani.

The exhibition space at Rumah Topeng, a traditional Javanese teak warehouse is a unique setting for the presentation of contemporary art allowing the ambience of cultural design elements and raw timber to enhance the presence of the art. Despite not being well attended by the local art community, importantly Kayu allowed an opportunity for people to enjoy art in an alternative exhibition setting, in contrast to the often “sterile” gallery spaces, while positively contributing to the viewer experience. The program culminated in April with Ashley Bickerton’s first ever solo exhibition in Indonesia “Forgotten Optical Satsuma Filters” that featured his experimental “non commercial” color creations.

DSCF4872             “King Udayana : A Visual Epic” 2016 – Ketut Budiana at Bentara Budaya Bali

The historical collaboration between the Udayana University of Bali and the Bentara Budaya Bali Cultural Center, Denpasar on Friday 15 April highlighted a landmark event in Balinese painting, presenting the works of Balinese master artist Ketut Budiana. Officiated by the Governor of Bali, Made Mangku Pastika, the exhibition “King Udayana : A Visual Epic” featured an enormous narrative canvas, 8339 x 140 cm spanning the walls of the pavilion paying homage to the lifetime journey of the 10th century Balinese King Udayana.

Budiana invited the audience to wonder clockwise around the pavilion to engage with this poetic work laid out in such as way as to occupy the four directions of the compass, with their respective gods, and colors, symbolically linking the human existence with the cosmos. Often described as a “fantastic’ painter” Budiana communicates stories that appear to come from the subconscious in dream like imagery that often evolves from swirling clouds of energy. Post exhibition the work was installed within the Rectorate’s hall of the Udayana University in Jimbaran.

13173813_10153830185898778_8308656514481768488_n     “Kartini” – Cherographed by Jasmine Okubo, May 2016, image by Dewandra Djelantik

Long time collaborator with Indonesian artists, Japanese choreographer, dancer and performer Jasmine Okubo continues to push the art performance genre into new and exciting realms. Her performance during the opening of Rie m’s April exhibition “Conexion & Contradiccion” at the Villa Pandan Harum, Ubud was captivating, as were other during the year. While Rie’s exhibition of cross cultural infusions was outstanding, and importantly introducing the art of collage in a fresh and highly sensitive manner to the local art community, Jasmine’s performance, melding the futuristic aesthetics with Balinese and Japanese flavors typifies her extraordinary talent.

Okubo’s 5 June performance at Rumah Sanur in a silent enclosed space brought into dynamic, otherworldly life with excellent visual aesthetics via video mapping during the Art Ritual, themed about the transition from WATER to AGNI for the 2017 Sprites Bali Art & Creative Biennale broke new ground for the performer and the audience alike.

DSCF5736                               “Questioning Balinese Painting” 2016 – Kemal Ezedine

 

Neo Pitamaha art collective headed by Gede Mahendra Yasa and Kemal Ezedine brings a fresh, strategic, intellectual approach to the art explorations in the historical development of Balinese traditional painting. Beginning in 2013, inspired to investigate a new paradigm of Balinese painting, since 2014 they have been exhibiting in high-profile events in Bandung, Semarang and ArtJog in Yogyakarta. During 2016 they have been increasingly focusing their attention outside of Bali especially engaging with curators, collectors, along with larger audiences. Mahendra Yasa and Ezedine both held solo exhibitions at Langgeng Art Foundation, during the Jogja Art Weeks June/July art extravaganza for the local and international audiences gathered in Yogyakarta for the opening of ArtJog9.

The Neo Pitamaha’s critical and strategic approach is building positive momentum, importantly raising the bar of what Bali based collectives may achieve, while setting a potent example for others to learn from. Ezedine’s enormous 2016 mural project, highlighting his graphic illustration and dynamic color design skills, upon ceiling panels of the café dining area the new Artotel in Sanur is a visual feast for the eyes while helping to define the uniqueness of Bali’s first art themed hotel.

DSCF4884Detail from Gusti Agung Mangu  Putra’s 2016 painting of the 1906 Pupatan in Denpasar at Gwangju Art Museum, South Korea

Social issues and important Balinese historical events are themes close to Gusti Agung Mangu Putra’s heart. In the May 2016 “In Commemoration of the 36th Anniversary of the May 18th Democratization Movement 2016 Asian Democracy, Human Rights, Peace Exhibition – The Truth To Turn it Over” at the Gwangju Art Museum, South Korea he exhibited his painting of the 1906 Pupatan in Denpasar  Bali. Following from his research early in 2016 he reconstructed a scene post puputan killings that depicts leaders of the Dutch military battalion posing with the body of the Raja of Denpasar.

IMG-20160609-WA003       The WOI (Wall of Indonesia) Exhibition at Bloo Art Space, Padang Bai, East Bali

The prevalence of artist run initiatives such as Cata Odata in Ubud, Ketemu Project Space (who via their regional approach, professionalism and highly structured methodology have raised the bar high in Bali for others to be inspired), Luden House in Ubud, and the recently renamed Bloo Art Space located at the Bloo Lagoon Eco Resort and Villas in Padang Bai (also managed by Cata Odata), have become major forces within the development of art in Bali. While these community focused organizations embrace and grow through the dynamic connectivity of social media and the internet what is essential is that there are venues outside of the gallery commercial modal that continue to grow and survive as essential pillars of the art infrastructure in Bali.

 

 

 

 

 

One Heart – the Sureal Art Group

Suryani, "Mother & Daughter" Oil on Canvas, Image R. Horstman                                     Mother & Daughter – Suryani

 

In the media we often hear about the plight of West Papua and its people striving for independence from the Indonesian occupation, its wealth of mineral resources, or deforestation that is threatening indigenous cultures. Modern and contemporary artists from this region, however rarely gain exposure. One Heart, an exhibition by the Sureal Art Group, open at the Karja Art Space in Ubud on 12 November features four artists from different parts of the archipelago, including West Papua, exhibiting side by side.

“The name the “Sureal Art Group” is an amalgamation of letters from each of the artists names,” explains exhibition organizer and charismatic West Papuan artist Ellya Alexander Tebay. “It’s also derived from two words – sure and real – that underline our philosophy. If you wish to make something real – you must be sure.” One Heart features paintings by Balinese artist Gede Suryawan, female painter from East Java Suryani, Editya Lau from Timor along with Tebay.

“One Heart is an perfect theme for this exhibition,” Tebay continues. “It emphasizes the attributes that bind our group together, and the values that make us who we are. Humanity is one big family and we all share experiences, feelings and emotions. We are inseparable and together we embody one love and one heart. Art has a unique power that can unite people. I believe artists have a special gift to share.” The artist’s narratives and themes in the exhibition tell of their identities and values, their passions and concerns, along the power of the imagination – stories that are dear to the artist’s hearts.  “It is our wish to inspire our audience and make them reflect on their own lives and values. I represent the West Papuan people, and I wish to communicate a message for global peace.”

Gede Suryawan. 'Starling in Green" Acrylic on Canvas, Image R. horstman                             Starling in Green – Gede Suryawan

“Social media has been the vital key to the Sureal Art Group,” Tebay adds. “It has enabled us to communicate over time, across vast distances.” Tebay first met Gede Suryawan 1997 in Bali at art school. Then Editya Lau at the Indonesian Art Institute (ISI) in Depasar in 2001, where Tebay studied art for 6 years, along with Suryawan and Lau. He met Suryani through Facebook, yet his first meeting in person was during the preparations for this exhibition. Renowned Balinese abstract artist Wayan Karja, owner of Karja Art Space, which opened in 2000 as a multi purpose facility available to the public, yet with an emphasis on supporting young artists, has been influential upon these three male artists as an art lecturer and administrator at ISI Denpasar.

Suryawan, (b. Ubud 1983) exhibits four paintings, all featuring animals as the subject, yet with cultural references. In “Starling in Green” he depicts the famous white Bali Starling, Bali’s regional mascot, yet due to its value on the black market has become critically endangered. At a glance his works appear like a mosaic of shapes arranged together, similar to a batik design, pulsating with colour and life. Closer inspection however, reveals his works are a combination of Balinese traditional painting techniques, along with his own modern ideas.

Self taught painter Suryani (b. 1974 Banyuwangi, East Java) became inspired to learn painting in 2007. She divides her compositions into an arrangement of squares and rectangles into which she applies oil and acrylic paints. Each correlating segment contains variations in colour tonality and hues, being either vibrant or restrained. Her themes are feminine, with titles such as “Fall in Love” and “Mother & Daughter”. “Perfect with Sampoerna”, however features a man and woman both enjoying a cigarette, and underlines how for many, smoking is an essential and pleasurable part of life. In the hand of the woman she has attached the front of a Sampoerna cigarette box.

Editya Lau, "Salam" Oil on Canvas, Image R. Horstman                                   Salam – Editya Lau

The paintings of Editya Lau (b. 1979, Kupang, Timor) reveal an artist with strong technical ability and ideas who combines the styles of both realism and abstract expression within his compositions. This combination highlights the faces of the subjects, young girls, however in “Penantian” (Waiting) & “Salam” (Greetings) provides added contrast and visual tension. Lau’s gift is to translate his sensitivity into the eyes of the subjects. This essence then mysteriously reaches out from the canvas and captures our attention – the eyes are the window of the soul. Even though this is only Lau’s second exhibition his works communicate a powerful sense of humanity.

Born in Nabire, West Papua in 1979, Tebay is also an excellent technician and communicator of strong ideas. The sweet potato is the staple food of his people and one of the main subjects in his main subjects in his paintings. The plant and vegetable he renders in realistic imagery that then transforms into colourful surreal, even abstract organic forms that weave and flow through his compositions. Perhaps Tebay’s strongest work, “To Grab the Star”, is designed to inspire his audience, the artist says, encouraging them to dream and think big. He depicts the smiling face of his younger brother, his thoughts appear to flow up and out of his head in colourful abstract verve, while suggesting a strange science fiction like alien form.

Ellya Alexander Tebay, "To Grab the Star", oil on canvas, Image richard Horstman                         To Grab the Star – Ellya Alexander Tebay

In the constantly evolving art landscape of Ubud, the cultural and artistic heartland of Bali, now more than ever artist owned and run creative spaces are making a telling impact. They serve as creative spaces for workshops, discussions and exhibitions, artist in residency programs and internships, even hubs for art management. They are one of the major drivers behind the development of contemporary art. With the closure of one prominent fine art gallery in the area and others being less active, while having agendas that are highly selective, opportunities for most artists to present their work are increasingly difficult.

In the past few years new art spaces have opened in Ubud, Cata Odata and Kupu Kupu being the most active, while the Sika Contemporary Art Gallery and Karja Art Space play important roles. Without the presence of such venues talented, yet unknown artists, such as Tebay and Lau are without the essential platforms to share their ‘voice’ with the greater community, while attracting the media attention they rightly deserve.

 

“One Heart”

Continues through to 28 November

Karja Art Space

Banjar Penestanan Kaja, Ubud, Bali.

Tel: 0361 977810

Words & Images: RichardHorstman