Tag Archives: Nanik Suryani

Fostering Positive Indonesia Australia Relations through Cultural Exchange

Sudibia_Alice Springs                                          Alice Springs – Made Sudibia

Vast and dramatic, yet empty, it’s colours and moods potent, and ever changing – the Top End is one of the world’s extraordinary natural environments. Visitors to the Northern Territory (NT) of Australia are overwhelmed by the space, power, and beauty of this remote and ancient terrain. Until recently, this pristine landscape remained unchartered territory by Indonesian artists.

The Artist’s Camp is a special, biannual initiative that began in 2012, with origins tracing back to the late 1970’s. It has been designed to introduce Indonesian artists to an array of NT landscapes and aboriginal cultures in order to engage and creatively respond to the indigenous environment and people. The 2015 Artist’s Camp has been the most ambitious project to date, with nine foreign artists, mostly Balinese, staying five weeks and traversing the NT 1500 Km’s south from Darwin to Alice Springs and Uluru (Ayers Rock), and crossing the waters north of Darwin to Melville Island.

A view of some of the artwork on display at the NCCA           A view of some of the works by Indonesian artists on display at NCCA

The artists visited and lived with diverse aboriginal communities where they learned about the local cultures, while also painting with the local artists. Touring in the region not only necessitates commitment and preparation, yet also in some instances, special permission from the authorities. Acquiring the deepest insights into the character and wisdom of this foreign environment only became possible along side the indigenous people.

The Balinese artists immediately established strong associations with the aboriginals whose culture is similar to their own, being deeply rooted in the environment and the spiritual world – with parallel universal cosmological views. Their sensitivity to distinctions of the physical and the non-physical worlds of the Top End translated into potent, intuitive artworks.

#2                     A view of work by Indonesian artists on display at the NCCA

The Artists’ Camp Retrospective 2012-2015 Exhibition presented impressions of the NT’s iconic terrains by some of Bali’s most exciting contemporary artists at the Northern Centre for Contemporary Art (NCCA) in Darwin, open from 19 January – 15 February 2018. Thirty-five works and over one hundred photographs revealed the vibrancy and soul of the Top End, while highlighting artistic engagement with the landscape, and the aboriginal culture.

Officiated by the Chief Minister of the Northern Territory, Michael Gunner and the Indonesian Acting Consul Mohhamed Hanifa, the exhibition opened in classical Indonesian style with three hits from an old Javanese gong. The exhibiting artists were I Made Budhiana, I Made Sudibia, Ni Nyoman Sani, I Wayan Wirawan, I Made ‘Dalbo’ Suarimbawa, I Gede Gunada Eka Atmaja, and I Dewa Gede Rata Yoga (Balinese), and East Javanese female painter Suryani, along with Aboriginal artist Lionel Possum and Australian artist Rupert Batheras. The Chief Minister of the NT, the Australia Indonesia Institute, the Indonesian Department of Foreign Affairs and the Commonwealth Bank Indonesia have sponsored the event.

#5                             Art by renowned Balinese artist Made Budhiana

“Being the first exhibition for the year we wanted to start with an exhibition involving Asian engagement and engagement with Indonesia, in particular,” said exhibition curator, long time collector of Indonesian and Aboriginal art and former Director and Chairman of the Board of Museums and Art Galleries in the Northern Territory (MAGNT), Colin McDonald.

“We wanted to highlight the artistic perceptions and aesthetic interpretations by leading Indonesian artists of the landscape of the Northern Territory and responses to living in Aboriginal communities and Aboriginal cultures.”

“I am so glad to learn that those participating artists in the Artists’ Camp have come together to showcase their collaborative works. I can simply say by looking at the paintings that you have worked so well and shown excellent pieces that represent the uniqueness of the Northern Territory,” said Mohhamed Hanifa during his exhibition opening speech.

Some of the photos of the Artist's Camp and Made Budhiana's other ventures to the NT at the NCCASome of the photos taken during the Artist’s Camp by Balinese artists Wayan Wirawan & Made Budhiana on display at the NCCA

“I would like to especially thank Colin McDonald who has been bridging and maintaining relationships, not only between the Bali Provincial Government and NT Government, but importantly between the Indonesian/Balinese artists and Australian/Territorian artists.”

Delving into new visual and conceptual territories the artists created vital interpretations of the landscape, from the barren wilderness, to mountain ranges and desert springs, along with responses to aboriginal traditions and livelihood. Some of the highlights were “Munupi & Pukumani Pipes” painted on Melville Island, Wayan Wirawan’s reaction to burial poles of the Tiwi Aboriginal community of Pirlangimpi, Made Budhiana’s “In the Darkness of the Night” is his nocturnal observations of the aboriginals and how at night the greater spirit of the people became evident, and Suryani’s pulsating “Beswick-Darwin” capturing the essence colorful native flora.

Indonesian Acting Consul Mohhamed Hanifa, the Chief Minister of the NT Michael Gunner and Colin McDonaldIndonesian Acting Consul Mohhamed Hanifa, the Chief Minister of the NT Michael Gunner and Colin McDonald during the opening at the NCCA.

The photographs, taken by Budhiana and Wirawan, revealed a compelling story of the artist’s time in the NT as guests, and as impromptu Indonesian cultural ambassadors. From their many light-hearted moments to random snaps taken on the road, while exploring, and art making, to images of their meetings with the public, officials at honorary functions, and the aboriginal people.

“What has stood out to me,” McDonald said, “Is the effortless way that the Indonesians interacted with the Aboriginal people, the positive synergy that evolved and the Indonesian’s immense appreciation for the indigenous traditions and art of the Top End.”

Made Budhiana_"In the Darkness of Night."                                  In the Darkness of Night – Made Budhiana

 

Sani Tiwi landscape                                       Twi Landscape – Nyoman Sani

Wayan Wirawan "Honeymoon Gap". Image M. O'Riordan                                 Honeymoon Gap – Wayan Wirawan

Balinese artists Wayan Wirawan, Made Budhiana, Ni Nyman Sani with Australian Artist Rupert Betheras at the NCCA 23 Jan 2016, Image Budhiana copyBalinese artists Wayan Wirawan, Made Budhiana and Nyoman Sani with Australian artist Rupert Berteras at the NCCA.

 

Words: Richard Horstman

Images: Made Budhiana, Richard Horstman, Colin McDonald & Maurice O’Riordan.

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Bali Artists’ Camp 2016 Exhibition

Made Budhiana "Badak Taman Ujung Karangasem"                Badak Taman Ujung Karangasem – Made Budhiana

Impressions of some of Bali’s most important archeological sites, the 11th century Gunung Kawi temple in Tampaksiring, and the stone reliefs at Yeh Pulu in Bedulu, along with dramatic landscapes depictions from remote East Bali, went on display at the Bali Artists’ Camp 2016 Exhibition.

Open from 8 April – May 22 at the Made Budhiana Gallery, Ubud, and featuring more than 30 paintings, sketches, and installations by local and foreign artists, the exhibition marks the fifth year of engagement between the Northern Territory of Australia and Bali, and Eastern Indonesia.

Gede Gunada "Yeh Pulu"                                       Yeh Pulu – Gede Gunada

An art and cultural engagement that began in 2012, the Bali Artists’ Camp’s vision evolves around engagement with the landscape, nature, and the rich Balinese culture. The event brings together artists from Bali and Indonesia, with their counter parts from Australia, and other foreign countries, to visit inspiring sites throughout Bali, to work on location in a visual art and cross-cultural exchange exercise.

The fruits of the 2016 Bali Artists’ Camp, themed engagement with monumental Bali, produced on separate occasions in May, June, July and September 2016 (collectively a period of seven weeks), will be displayed until 22 May. The vibrant collection includes works by renown Balinese artists Made Budhiana, along with Made Sudibia and Gede Gunada from Bali, and paintings by Freddy Sitorus, born in South Sulawesi, and East Javanese painter Nanik Suryani.

Nanik Suryani "Gunung Kawi"                                       Gunung Kawi – Nanik Suryani

The foreign artist’s contributions reflect different artistic approaches and backgrounds, Japanese artist Rie Mandala’s offerings are delicate works in ink on paper. Well-known Australian artist Michael Downs’ compositions have both surreal and abstract sensibilities, fellow countryman Ivor Cole prefers to works in oil, in his realism paintings, while Australian Mary Lou Pavlovic’s presentations are forged from an array of media, including timber and plastic, with the addition of paint and other decorative media.

Ivor Cole said of his experience, “the cultural divide between the artists is quickly wiped away. There is no separation, we are here to absorb and translate the best we can through the visual image, the emotional, spiritual state of this place and this time.”

Ivor Cole                                        Puri Prima – Ivor Cole

“The Northern Territory – Indonesia relationship has a long history of trade and cultural exchange,” said Michael Gunner, the Chief Minister of the Northern Territory, who is one of the co sponsors of the event.

“For hundreds of years trade and cultural exchange flourished between the Macassans (people from present day Sulawesi and related islands) and aboriginals of the Northern Territory. Since the birth of the Republic of Indonesia, and the attainment of Self- Government for the Northern Territory in 1978, there has been an increased focus on acknowledging and strengthening our economic, cultural and social ties within the region,” Gunner adds.

Made Sudibia - "Perwujdudan Dewi Kesuburan"                                 Perwududan Dewi – Made Sudibia

“I had the honor of traveling through the lush tropical landscape with the local artists visiting spectacular temples and monuments,” Mary Lou Pavlovic said. “And I was struck by how close to nature the Balinese and Indonesian artists were, everywhere we went they knew all the fruit and medicinal herbs. I realized although I long to feel this affinity with nature, I am not from a culture that exists in the same way with nature.”

The Bali Artists’ Camp compliments the Artists’ Camp art engagement project run in alternative years by the Northern Center For Contemporary Art (NCCA) in Darwin.      “The Artists’ Camp involves Balinese and Indonesian artists traveling to the Top End of the Northern Territory and interpreting its rugged and diverse landscape, together with an artistic and cultural interaction with Aboriginal artists,” said the founder of the Made Budhiana Gallery, Australian Colin MacDonald.

Michael Downs "Gambelan Landscape"                           Gambelan Landscape – Michael Downs

“The camp started as a concept with the original Director of Museums and Art Galleries in the Northern Territory (MAGNT), Dr Colin Jack Hinton back in 1978.” MacDonald, the former Director and Chairman of the Board of MAGNT, developed the concept further when he took Balinese artist Made Budhiana to the NT to participate in the first international Artists’ Camp, along with Australian and Malaysian artists in 1990.

The vision of the ten-year program of the Artists’ Camp is that the Chief Minister of the Northern Territory, the Australian Prime Minister and the Indonesian President will open a touring exhibition at the Australian National Gallery that will include the first retrospective of the Australian-Indonesian artists’ engagement.

Study for a Monument of Flowers             Study for a Monument of Flowers – May Lou Pavlovic

 

The Bali Governor, Made Pastika, who is also a supporter of the event, will visit the exhibition in early May to meet the artists, and to be presented works by the artists.

This project has had the on-going and enthusiastic support from the Indonesian Foreign Affairs Department, the Australia Indonesia Institute and the Australian Department of Foreign Affairs, especially successive Australian Consul Generals.

20170414_085327                                    Batur – Gede Gunada

Made Budhiana Gallery

Villa Pandan Harum

Jl. Anak Agung Gede Rai

Banjar Abian Semal

Gang Pandan Harum

Lotonduh, Ubud

Tel: 0361 981624

Words & Images: Richard Horstman