Tag Archives: Jean Couteau

Balinese artists the highlight of “Selematan Masa Depan” – an exhibition of emerging Indonesian artists in Bali

Art works by Budi Agung Kuswara - Image courtesy of Heri Pemad Bali Balinese Baroque (Discovery Toward Invention), 2018 & Time After Time (Discovery Toward Invention), 2018 by Budi Agung Kuswara

 

Presenting works by some of the finest emerging Indonesian contemporary artists over a one month period, Selematan Masa Depan (A Celebration of the Future) closed 15 January 2019 at the AB•BC Building, Bali Collection Nusa Dua, Bali.

Curators Rifky Effendy and Ignatia Nilu selected forty-seven artists from Bandung (10 artists), Yogyakarta (17) and Bali (20) who contributed a diverse array of seventy-four works in 2 and 3-dimensional forms – sketches, paintings, prints, sculptures, installations, video art and new media art. In the follow-up to the Art • Bali ‘Beyond the Myths’, the exhibition highlighted some of the talent that is currently pushing the boundaries of Indonesian contemporary art.

ART01157Exhibition view of Selematan Masa Depan (A Celebration of the Future) at the AB•BC Building, Bali Collection Nusa Dua, Bali.

 

While such exhibitions that display the contemporary artistic talent from Bali side-by-side with their counterparts from throughout Indonesia may be seen in Java, in Bali these occasions are, unfortunately, too infrequent. Importantly, this allows opportunities for young local artists, students and creatives, who have Internet connectivity and can access the ‘larger art world’, yet may not have the chances to travel outside of Bali, to personally observe some the developments and future direction of the national scene.

Opened by Bali’s new governor Wayan Koster 15 December 2018, Selematan Masa Depan is the second of a series of regular events at the AB•BC Building, which will help to define the location as one of the island’s foremost contemporary art venues, while becoming a new art and creative destination within the ITDC Nusa Dua tourism precinct. The Indonesia Tourism Development Corporation (ITDC) Nusa Dua is a designated location with tourism facilities and many of the island’s largest five-star resorts.

Sketches by Satya Cipta - images courtesy of the artist.                           Chinese ink sketches on paper  by Satya Cipta

 

“Balinese artists contributed some of the strongest works in the exhibition,” said well-known art critic Jean Couteau. “Especially Satya Cipta, Citra Sasmita and Budi Agung Kuswara.”

In Balinese Baroque (Discovery Toward Invention) 2018 and Time After Time (Discovery Toward Invention) 2018 by Budi Agung Kuswara, the artist experiments with the cyanotype technique, a photographic printing process that produces a cyan-blue print onto the paper with sunlight, along with archive photos and cultural items to produce aesthetically unique, and beautiful images.

“His works are highlighted by innovative visual framing, kind of pop art, yet visually refreshing and intellectually articulated around the memory theme,” said Couteau. Budi represents the vanguard of emerging contemporary artists in Bali today.

CITRA SASMITA - METAMORPHOSIS(The Flowers of Carnage) 2018 Acrylic and Oil on Canvas, Image courtesy of the artist          Metamorphosis (The Flowers of Carnage) 2018, by Citra Sasmita

 

Satya Cipta, who has recently captured the attention of the Balinese art world with her premiere solo exhibition A Budding Talent at Ubud’s Puri Lukisan Museum late 2018, presents four beautifully balanced Chinese ink sketches on paper. Drawing is the basic fundamental of Balinese traditional art, and her combination of drawing techniques with modern gender political themes are an exciting, recent development on the Bali art scene. “Satya’s wild exploration of a woman’s demand for control over her own body is formulated in a revamped, imaginative post-traditional line style similar to Gusti Lempad,” said Couteau.

Metamorphosis (The Flowers of Carnage) 2018, by Citra Sasmita, in her characteristic style of minimal iconography, also ‘speaks’ of gender politics, while communicating through an array of symbols. “In my new painting I adopt nature and nurturing symbols such as stone, cactus, a knife and scissors, a placenta and cloth with gold rose patterns,” Citra said. “I want to visualize to the current generation that they should be aware of, and protect their roots and traditions, for the benefit of the next generation. The future will mean nothing if the next generation do not have any idea about their past and history, and also the philosophies.”

ART01117Exhibition view of Selematan Masa Depan (A Celebration of the Future) at the AB•BC Building, Bali Collection Nusa Dua, Bali.

 

“Citra’s painting is a highlight because she explores and denounces macho vocabulary, and for her feminist statement,” Couteau said.

Selamatan Masa Depan enjoyed increased attendance numbers than the Art • Bali 2018 event because of the tourist high season, and more international and domestic visitors and locals visiting the venue,” said Army Firmansyah, one of the board members of Art • Bali and the AB•BC Building, part of the Heri Pemad Art Management Bali Team.

“Located in the Bali Collection shopping area many visitors see the sculptors and installations outside of the AB•BC Building, become curious and come in. Attendance numbers are important to us because the ticketed entry has to support our event operation costs.”

Putu Wirantawan - "Dimensi Dualitas" - pencil bollpoint on paper (115x141 cm) 2018Putu Wirantawan -Dimensi Dualitas, 2018 – pencil bollpoint on paper by Balinese artist Putu Wirantawan

 

“The idea of contemporary art and creative events as a tourism attraction is new to this area and while foreign tourists are happy to pay entry fees, we have to help change the mind-set and behaviour of domestic visitors to go alternative ticketed cultural events, rather than recreational venues and movies, for example.”

“The management of the AB•BC Building have many challenges to engage with in building the brand of this multifaceted creative space – inclusive within the Bekraf (Agency for Creative Economy Indonesia) vision for the development of the Indonesian creative economy that includes cuisine, design, architecture, and art themed events.”

“As for up coming events in 2019, we are now in progress of preparing 3 shows (including ART • BALI 2019 in October) which will be produced by HPAM. Those shows are in addition to one art exhibition that we are still in discussions with the organizer” he adds.

ART01246Exhibition view of Selematan Masa Depan (A Celebration of the Future) at the AB•BC Building, Bali Collection Nusa Dua, Bali.

 

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Words: Richard Horstman

Images courtesy: Heri Pemad Art Management Bali Team

 

 

 

 

 

 

 

 

 

 

“ArtDenpasar” – Denpasar Art Space

made-budhiana-gunung-dan-kehidupan-2016-acrylic-on-paper                          “Gunung dan Hidupan” 2010 – Made Budhiana

The opening of the Denpasar Art Space (DAS), its potential to stimulate the development of Bali’s art scene, is good reason for optimism within the local art community. Highlighted by the inaugural exhibition “ArtDenpasar” open 20 August, this is a positive signal from the Denpasar City Government in their belief in the value of art, and how it can contribute to the local tourism and creative economies.

“In the spirit of the anniversary of the independence of the Republic of Indonesia on 17 August, from the Denpasar Art Space we present “ArtDenpasar”, the inaugural exhibition marking the start of this venue as a new cultural enclave,” said Chairman of the BPPD (Regenial Board for Tourism Promotion) of the City of Denpasar Ida Bagus Gde Sidharta Putra.

20160916_144445                      “Legong Tapak Dara” 2016 – Ida Bagus Putra Adnyana

“The BPPD evolved two years ago as a partner with the Denpasar City administration to improve the international image of tourism, to increase tourism arrivals, foreign exchange earnings, and to conduct research into business development and tourism.”

Situated in the heart of the city on Jalan Surapati, opposite the popular Lapangan Puputan Badung and the nearby Museum Bali, DAS will complement Denpasar as a cultural destination, while adding excitement to the creative art scene.

“Consolidating the image of tourism while introducing Denpasar as a city heritage, a city of culture and creativity, will make Denpasar more attractive to visitors and art lovers  from around the world,” Sidharta Putra said. “Understanding that art and cultural tourism is important to Bali, the increasing preservation and development of traditional and contemporary art and culture are assets to future tourism development.”

20160916_144316                                     “Heritage” 2016 – Romi Sukadana

Well known historian and art critic Jean Couteau said, “ Of course a venue such as the Denpasar Art Space is much needed, with a team of curators, budget, autonomy, and with a strong future vision. Its ability to create large-scale and collaborative events in other venues is also important.”

ArtDenpasar, which continues through until 20 September features works by well-known local artists within the Bali art scene including Achmad Pandi, Apel Hendrawan, Ari Winata, Tjandra Kirana, Dayu Bulan Oka, DP Arsa, Gung Man, Gus Alit, I.B Ari Munartha, I.B Putu Purwa, I.B Putra Adnyana, I.B Putu Gede Sutama, Jango Pramartha, Listya Wahyuni, Made Budhiana, Made Duatmika, Made Wianta, Made Wiradana, Ni Nyoman Sani, Nyoman Wirata, Romi Sukadana, Teja Astawa, Uuk Paramahita, Wayan Paramartha and Wayan Redika. The opening was punctuated with a performance by renowned Bali based, Japanese choreographer and dancer Jasmine Okubo.

20160916_142906     “When She’s Thirsty I Give Her My Bloodstain” 2016 – Dayu Bulan Oka

Made Budhiana (b. Denpasar1959) is responsible for creating a fresh, new direction in Balinese abstract art. “Gunung & Kehidupan” 2010, mixed media on canvas, is a fine example where colorful, angular and abstract forms combine and contrast against blank areas of canvas. The negative spaces formed in the composition become powerful and interesting visual features. His style allows both form and color greater freedom to become individual features within his compositions, while adding to the overall aesthetic impact.

Ni Nyoman Sani is widely respected as a multi disciplined Balinese female artist, recently, however she has been quiet on the local art scene and her participation in ArtDenpasar is a welcome respite. Sani exhibits “Present” 2016, a panel of four 30 x 21 cm charcoal on paper sketches featuring simplified angular figurative forms in fashion designs.

20160916_143013                             “Negeriku Indonesia” 2016 – Achmad Pandi

Romi Sukanda is a talented and versatile Sanur born painter. “Heritage” 2016, is an oil on canvas composition of traditional Balinese jukung fishing boats, featuring the characteristic Gajah Mina forms decorating the bow. Once a common sight along the beaches of Bali’s the iconic Gajah Mina, or elephant fish, is a mythical guardian creature taken from local folklore tasked with fortifying the boat during its journeys out on the seas.

Contemporary art photographer DP Arsa highlights the strength and durability of Indonesian women in his photo installation “Super Mom” featuring images of women carrying enormous loads upon their heads, each printed on round steel plates.

20160916_144539                                    “Tainted Love” 2016 – Jango Pramartha

Dayu Bulan Oka is also another talented local female artist and her acrylic and oil composition “When She’s Thirsty I Give Her My Bloodstains” 2016 is a vibrant and potent work. Her thought-provoking observation about urban and city life features a naïve composition of a cat with big eyes and long white claws, dark red contrast against blue and black coloration giving the work strong visual tension. The cat’s body is decorated with crude forms resembling buildings and physical structures.

Ida Bagus Putu Purwa contributes “Body Movements, The Series” 2015, a dynamic and spontaneous figurative work in his popular signature style. Renowned for his humorous and satirical cartoons in Bali’s iconic Bog-Bog Magazine Jango Pramartha’s naïve “Tainted Love” 2016, is a highlight of the exhibition. This refreshing acrylic and charcoal work on paper is both balanced and restrained in its coloration and composition structure.

20160916_142943                                  “Denpasar Moon” 2016 – Nyoman Wirata

One of the highlights of the ArtDenpasar  exhibition is “Denpasar Moon” by Nyoman Wirata. Dynamic coloration and  abstract elements combine to  dominate the composition that at a glance is both mysterious and intriguing. Upon closer inspection, symbolic forms are revealed from within the depths of its milieu referencing the Balinese Hindu culture. Three distinctive layers form the composition, symbolic of  heaven, earth and the underworld, flowers and  figurative forms appear as if floating and dancing around the composition. “Denpasar Moon” reflects the endless process of birth, destruction and renewal.

Incredible detail and technical skill are highlighted in Wayan Redika’s painting “Ayah Dari Bunda Jauh”, while Ari Winata’s two contributions reveal his versatility and talent as well. Three dimensional works add to the strength of the exhibition, including the wood craving “Mari Menari” by Ida Bagus Ari Munartha, a wonderfully balanced figurative composition, “Taksu Segara” 2016 by Apel Hendrawan, Ida Bagus Alit’s humorous and eccentric large breasted figure “Nyonyo Lambih”, and Ida Bagus Putu Gede Sutama’s contemporary work made from timber and steel “Terkoyak” 2016.

Words & Images: Richard Horstman

20160915_132005                                   “Taksu Segara” 2016 – Apel Hendrawan

20160916_143320                                    “Bluish Calligraphy” 2014 – Made Wianta

20160916_144031                                             Painting by Ari Winata

20160916_144514                                            “Super Mom!” 2016 – DP Arsa

20160916_143345                         “Ayah Dari Bunda Jauh” 2016 – Wayan Redika

 

 

 

 

 

“Merayakan Murni” – Celebrating Indonesia’s Most Important Woman Artist

I GAK MURNIASIH - SEDANG ACTION - AOC - 100 x 100cm - 2003                                                 “Sedang Action” – Murni

Promising to be the most important exhibition of the 2016 Bali art calendar “Merayakan Murni” (Celebrating Murni) opened 16 July at Sudakara Art Space, Sanur. Contextualizing the relevance, and celebrating the legacy of female Balinese artist I GAK Murniasih (1966-2006) who this July would have turned 50; the exhibition brings together the work of Murni along with 15 other local and international artists.

I GAK MURNIASIH- BENDERA KEMENANGAN- AOC-71 X 71 cm - 2003                                           “Bendera Kemenangan” – Murni

An enormous project that from the conceptualization to the inception of a series of pre event “gatherings” late in 2015 consumed the passage of 2 years, Merayakan Murni’s has been successful due to community engagement. Organized by Ketemu Project Space – a new art facility in Bali under the special advisory committee of regional art maverick Valentine Willie, historian and art critic Jean Couteau and Murni’s life partner, Italian artist Mondo Zanolini – the exhibition is supported by a series of discussions and workshops, and closes 18th September.

"Pure Passion" (For Murni) Mella Jaarsma, mixed media & Mondo Zannolini , Murni's life partner. Image Richard Horstman                            “Pure Passion” (For Murni) – Mella Jaarsma

For collectors this exhibition offers opportunities to purchase some outstanding contemporary artworks by the invited artists in the genres of painting, installations, video and photography. Including “outsider” artworks by Murni’s contemporaries Putu Dewa Mokoh (1934-2010) and Oototol (1942-?), along with 50 works by Murni, the sale of Murni’s works being a 70-30 split, 70% going into the conserving and building of Murni’s archives.

IMHATTHAI SUWWATHANASILP - "MURNI'S TEMPLE" - MIXED MEDIA (human hair, thread, wood, glue) - 31 X 18 X 10 CM Image courtesy of Ketemu Project Space                          “Murni’s Temple” –  Imhathai Suwatthanaslip

Speaking” on local and global issues, gender politics, and the language of the sub conscious mind; Murni’s outsider art is confrontational and daring, yet electrifying as well. “Murni’s artworks have the power to start conversations on topics critical to our society,” said co-founder of Ketemu Samantha Tio. “Our goal is to enable artists in the local and international community to give a voice to these subjects, so that they in turn can generate diverse perspectives and inspire their own social circles.”

Punia Atmaja Installation. 2016                                   “Satelit Purba” –  Punia Atamaja

Explicit and naïve, even violent Murni’s visual language evolved through her search for identity and reconciliation with her traumatic past. Suffering from the recollection of being raped by her own father, as well as other experiences of womanhood her compositions are an exploration into her sexuality and biographic fantasies.

“For Murni art as a therapy, art as a diary, art as a retelling of a personal history, not in a narrative but picking very strong symbols; scissors, high heels, the penis, she discovered this as a way of expressing herself,” said Valentine Willie.

“I paint to feel that I exist”, Murni was quoted as saying.

MARIEKE WARMELINK - Marieke Warmelink, Acting tough - being strong, Interventions in daily - video - 2016 (2)                        “Acting Tough : Being Strong”  –  Mareike Warmelink

Singaporean performance artist Ila presented “Ruang”, the most potent work of the exhibition. Enclosed within a confined two meter square, dark space one at a time audience members entered while she performed in a traditional Balinese costume owned by Murni, slowly adding decorative pieces to her attire. A pulsating strobe light assaults the senses, while the atmosphere is dank and claustrophobic. Dripping in sweat Ila stoically performed her routine for four hours, bringing to “life” the emotional anguish of life within a harsh patriarchal society.

Citra Sasmita "Mea Vulva Maxima Vulva" 2016 Ceramic & mixed media Image richard Horstman                           “Mea Vulva, Maxima Vulva” – Citra Sasmita

“”Pure Passion” challenges the viewer to ‘experience’ and ‘feel’ the cruel, the scary, the funny, the erotic, the taboo, the real, the fake,” said renowned Dutch born “Indonesian” artist Mella Jaarsma of her 2016 work inspired by Murni’s 1997 painting “I am Longing for a Couple of Kids”. Materials utilized in Jaarsma’s include goat’s leather, stuffed crocodiles, and plastic plants.

Macabre? Unusual at least. Thai artist Imhathai Suwatthanaslip exhibits 4 works, in both two and 3 dimensional format, created by weaving and crocheting human hair, utilizing some of Murni’s hair, to reflect on the nature of family ties and domestic life, the female body and feminine identity. Other works of note are by Dutch artist Mareike Warmelink, Indonesian artists Natasha Lubis, Punia Atmaja and Ngakan Putu Agus Arta Wijaya (NPAW). Included in the exhibition is an “archival like” presentation of Murni’s sketches and relics, and the 15 minute documentary “Lost Murni”, a heart rending, yet beautiful insight into the final days of her passage of life.

13669344_1135530413136721_5070896626457661361_o                                                            “Ruang” – Ila

For the astute collector wishing to purchase a work of unique imagination by today’s most prominent female Balinese artist, Citra Sasmita’s, her installation “Mea Vulva, Maxima Vulva” features ceramic vagina’s within a set of scales and comments upon social class distinctions.

“Murni is an “outsider” artist of a different genre. Raised in poverty in the Celebes, she bumped by accident, back in Bali, into the post-traditional painting world of the island to unwittingly become a foremost exponent of the women’s condition,” said Jean Couteau. “Feminist in a twisty raw way: not as discourse or protest, but as a partaking of the multifarious forms of the psychic experience.”

OOTOTOL - UNTITLED #1 - AOC - 50 x 79 cm - year not stated                                                  “Untitled” – Ootolol

Preceded by a rare buzz of anticipation, emphasized by the aura of an icon – Indonesia’s most important female artist, it is hoped that the event will continue into 2017 as roving exhibition to Yogyakarta, Jakarta and Singapore.

Words & Images: Richard Horstman

“Merayakan Murni”

16 July – 18 September 2016

Open Daily 10am – 7pm

Sudakara Art Space, Sudamala Suites and Villas

Jalan Sudamala #20, Sanur, Bali

20160715_170105                                                Photos of Murni & Dolls by Murni