Tag Archives: Ida Bagus Made Poleng

Under the hammer: Previewing Larasati’s Traditional, Modern & Contemporary Art Auction, Bali, 21 January 2018

lot #579 Ida Bagus Made Poleng "Stone Mason" Image courtesy of Larasati                             Lot # 579 Stone Mason – Ida Bagus Made Poleng

 

Larasati Auctioneer’s continue to provide excellent support in the development of Indonesian art, especially Balinese traditional painting, to growing local and international markets with its upcoming 21 January 2018 Traditional, Modern and Contemporary Art auction to be held in Ubud, Bali.

Eighty lots of fine art will go under the hammer, including paintings, sketches, a woodcarving and one delightful poster, in an array of categories, and with price accessibility for new buyers, intermediate collectors, and the connoisseurs alike. For the third year running real time, Internet bidding is available through the Larasati website opening the auction to a global audience.

lot #533 Bagong Kussudiardjo "Wanita Wanita Bali" Image courtesy Larasati                      Lot # 533 Wanita Wanita Bali – Bagong Kussudiardjo

This is an exciting sale with some absolute gems featured, along with works by renowned Indonesian and foreign artists, including Balinese master Gusti Nyoman Lempad (1862-1978), Ida Bagus Made Nadera (1910-1998), Ida Bagus Made Togog (1913-1969), Wayan Taweng (1922-2004), Antonio Blanco (1911-1999), Dutchmen Rudolf Bonnet (1895-1978) and Arie Smit (1916-2016) and Australian artist Donald Friend (1914-1980). The auction is highlighted by a special selection of works from the collection of one of the most forward thinking private collectors of Balinese art in the United States, Peggy Williams.

For the new buyer, or novice wishing to add to their collections there are many paintings and drawings priced at lower than US $500 that are very good buys if purchased within their estimates. Two, especially glowing works by recognized female painter Ni Gusti Agung Galuh, lot # 545, Pulang Dari Sawah and lot #546 Sunset with Ducks, both have an estimated price of between Rp. 4 million – 5 million. Lot # 548, Sore Hari di Desa by Gusti Agung Wiranata also has the same estimated price, while lot #524, Ocean Village Scene, an early work by the renown Batuan painter Wayan Bendi has an estimated price of between Rp. 5 million – 7 million and is another excellent opportunity to purchase a strong work. All of these works represent buying value not possible when purchasing paintings direct from the artist’s studio or from a gallery.

lot #524 Wayan Bendi "Ocean Village Scene " Image courtesy of Larasati                       Lot #524 Ocean Village Scene – Wayan Bendi

There are two lots of special interest for collectors and those seeking to purchase something unusual. Charming & Beautiful lot # 539 is a 75cm x 48cm advertising poster by the reputed Dutchman Willem Gerard Hofker (1920-1981), which has an estimated price of between Rp. 10 million – 12 million. Lot # 519, Barong by influential Balinese wood carver Nyoman Tjokot (1888-1971) has an estimated price of between Rp. 30million – 40 million and is a rare find from an artist who was at the forefront after the turn of the 19th century of new sculptural interpretations of icons of the Balinese culture.

Works in the mid price range are many and some strong paintings include groups by twoartists Bagong Kussudiardjo (1928-2004) and Dewa Putu Mokoh (1934-2000). Well known as a choreographer Bagong learned to paint from Indonesian masters Hendra Gunawan and Affandi, among others, before studying painting formerly at ASRI Yogyakarta. Of his four works offered, lot #530 Ibu dan Anak has an estimated price of between Rp. 12 million – 15 million, and Wanita Wanita Bali, lot #533, has an estimated price of between Rp. 45 million – 55 million.

lot#564 Anak Agung Gde Anom Sukawati "Suasana Pasar" Image coutesy Larasati             Lot #564 Suasana Pasar – Anak Agung Gde Anom Sukawati

Four works are on offer by Mokoh, noted for breaking with convention and producing compositions that were quirky, lurid, even intimate and highly unusual. The present owner purchased the paintings directly from the artist, and lot #553, Tajen, a delightful scene of an audience watching a cock fight, has an estimated price of between Rp. 22 million – 32 million.

Lots #517, 521, 577 & 580 are by Made Sukada (1945-1982). An artist held in very high esteem, his attention to compositional details and skin tones, set him apart from most and have led to him being a highly sought after painter, especially due to his short career. The idol of Indonesian international contemporary art superstar Nyoman Masriadi, lot #521 by Sukada, Dialog Arjuna dan Kresna has an estimated price of between Rp. 90 million – 110 million. Another beautiful work by Nyoman Kayun, lot #548 Pusupati has an estimated price of between Rp. 40 million – 80 million.

Lot#553 Dewa Putu Mokoh "Tajen" Image courtesy Larasati                             Lot# 553 Tajen – Dewa Putu Mokoh

An early work dated 1989, by Ubud’s most celebrated living painter, Anak Agung Anom Gde Sukawati, lot # 564 Suasana Pasar was painted when he was only 23 years old. While the influence of his father, A.A Gde Meregeg (1912-2000) is obvious, some five years later his work evolved and made a clear departure from his father’s style. With an estimated price of between Rp. 90 million – 110 million, this is an extraordinary piece to collect.

An extremely rare and early masterpiece by, arguably the most talented Balinese painter of the 20th century, Ida Bagus Made Poleng (1915-1999), will receive the attention from connoisseurs. Lot # 579, Stone Mason is offered as the top lot in this auction, with an estimated price between Rp.350 million – 450 million. Probably produced in the early 1940’s as it is painted on Masonite board, the work, which has excellent provenance, reveals his mastery of composition and the strong influence of Rudolf Bonnet is clearly shown in the way he has depicted figures working in the field.

lot #521 Made Sukada "Dialog Arjuna dan Kresna" Image courtesy Larasati                     Lot #521 Dialog Arjuna dan Kresna- Made Sukada

The final lot during the afternoon, lot # 580 by Made Sukada, Bali Life, has an estimated price between Rp. 40 million – 80 million and also comes with excellence provenance. An early work of remarkable beauty, its layered composition reveals fascinating central background features and is another step in Sukada’s journey in the master of anatomy, influenced by Rudolf Bonnet’s signature style of elongated human proportion.

Potential buyers bidding over the phone, or via real-time Internet bidding who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

lot # 580 Made Sukada "Bali Life" Image courtesy Larasati                            Lot #580 Bali Life – Made Sukada

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Open to the public at the Larasati Art Space in the Tebesaya Gallery the auction starts at 2:30 pm Sunday 21 January, while viewing begins from 11am Friday. The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

577                               Lot# 577 Tri Murti – Made Sukada

Viewing:

Friday,         19 January   11am – 7.30pm

Saturday,   20 January     11am – 7.30pm

Sunday,     21 January     11am – 1pm

Auction: Sunday 21 October, from 2:30 pm

 

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneer’s

 

 

 

 

 

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Previewing Larasati’s Traditional, Modern & Contemporary Art Auction, Bali, 8 October 2017

Lot 549 Nyoman Meja "Subali & Sugriwa" 1997 Image courtesy of Larasati                               Lot 549: Subali & Sugriwa – Nyoman Meja

 

Art auctions are an exciting and accessible way to grow your collection. For the curious observer and new buyers auctions are fascinating processes that give insight into the art world that is often perceived to be opaque, mysterious, and even intimidating. Auctions allow opportunities for new buyers to enter the market often at amounts well below gallery prices and cheaper than purchasing directly from the artist’s studio.

Larasati Auctioneer’s upcoming 8 October 2017 Traditional, Modern and Contemporary Art auction to be held in Ubud, Bali offers eighty lots of fine art for sale in varying categories including Indonesian and Balinese art, and catering to the budgets of new buyers, intermediate collectors, and the connoisseurs.

Lot 532 Arifein Neif "Balinese Temple" 1992 Image courtesy of Larasati                                Lot 532: Balinese Temple – Arifein Neif

Since February 2016 real-time Internet bidding has been available through the Larasati website opening the auction to a global audience. Real-time Internet accessibility allows prospective buyers to follow along observing hammer prices to assess the situation of the market and level of interest of a certain class or individual lot, while also allowing for bidding strategies to be revised.

A feature of the twice-yearly Larrasati auction is always the fascinating array of Balinese modern traditional paintings available for sale; the genre that evolved through the influence of the Pitamaha Artist’s Association established in 1936 in Ubud to oversee the growth of this art style catering for new burgeoning markets that quickly developed during the first wave of tourism to embrace Bali.

Lot 546 Nyoman Kayun "Suasana di Desa" 2008, Image courtesy of Larasati                              Lot 546: Suasana di Desa – Nyoman Kayun

Two works of interest by masters of the Pitamaha are Lot 565, Perebutan Tirta Kamandalu by Anak Agung Gde Meregeg (1912-2000) with an estimated price between Rp.60,000,000 – 80,000,000, and Lot 575, Sang Hyang Jaran by Tjokorda Oka Gambir (1902-1975) with an estimated price between Rp.20,000,000 – Rp. 25,000,000. These paintings offer excellent buying opportunities if purchased within the undervalued estimated prices. Both artists have had enormous influence on the development of Balinese art, Gambir one of the founders of the Ubud School of painting, while Meregeg, one of the first students of Walter Spies (1895-1942) is the grandfather of the celebrated Ubud painter A.A. Anom Sukawati.

New buyers have excellent opportunities to enter the market with Lot 505, Broken Triangle, 1990 by Made Wianta, which has an estimated price between Rp.5,000,000 – 7,000,000, Lot 510, Dua Wanita Jawa, 1988 by Bagong Kussudiardjo (1928-2004) with an estimated price of between Rp.6,000,000 – 8,000,000, and Lot 511, Figur Wayang, 1990 by Pande Gde Supada which has an estimated price of between Rp. 6,000,000 – 8,000,000. Both Wianta and Supada played formative roles in the shaping Balinese modern and contemporary art in the 1970’s.

Lot 561 Dewa Ketut Rungan "Burung-Burung Surgawi" Image courtesy of Larasati                  Lot 561: Burung-burung di Surgawi – Dewa Ketut Rungan

For buyers prepared to hold works for a 10 – 20 period some good long-term investments are available here; Lot 564, Calonarang is an ink on paper work by the respected Sanur painter Ida Bagus Nyoman Rai (1915-2000) and has an estimated price between Rp.10,000,000 – 12,000,000. Lot 566, Mythological Scene is a stunning work by Dewa Nyoman Leper (1917-1984) with an estimated price between Rp.15,000,000 – 18,000,000. Nineteen-year-old Pande I Made Dwi Artha typifies the talented new generation of Batuan painters that promise an exciting future for the most loved and critically acclaimed genre of Balinese art. His dynamic and fascinating take on the culture of corruption, Lot 534, People Are My Toys has an estimated price of between Rp.7,000,000 – 9,000,000.

The connoisseur’s attention will be upon the later part of the auction, especially the final two lots by Ida Bagus Made Poleng (1915-1999). Lot 579, Kawan Rusa has an estimated price between Rp. 140,000,000 – Rp. 170,000,000, and Lot 580 Tari Baris is estimated between Rp. 150,000,000 – Rp. 200,000,000. Poleng is arguably the most talented Balinese painter of the 20th century. Lot 578, Panen Raya is a rare work by Dewa Putu Bedil (1921-1999) with an estimated price between Rp. 70,000,000 – Rp.90,000,000, and Lot 576, by Ida Bagus Made Nadera (1910-1998) Kehidupan Nelayan has an estimated price of between Rp.65,000,000 – 80,000,000.

Lot 559 Nyoman Gunarsa "Subali & Surgawi" Image courtesy of Larasati                          Lot 559: Subali & Surgawi – Nyoman Gunarsa

The recent passing of pioneering modernist Nyoman Gunarsa in early September was an enormous loss to the Balinese art world. Born in 1944 in East Bali, Gunarsa was instrumental in helping forge new paths in Balinese aesthetics with his own dynamic interpretation of the wayang figures of Classical Balinese painting. His legacy as an artist, art lecturer and art community leader – one of the icons of the island’s cultural landscape – however, will continue on through the generations of artists he has inspired. Lot 559, Subali & Sugriwa is an excellent work by Gunarsa that will attract attention and has an estimated price of between Rp.45,000,000 – 55,000,000.

Other works of note are Lot 532, by Arifein Neif, Lot 546, Suasana di Desa by Nyoman Kayun, Lots 549 & 550, by Nyoman Meja and Lot 561, Burung-Burung Surgawi by Dewa Ketut Rungan. Lot 558, by Arie Smit, Lot 574, Potret Wanita Bali by A.A Gde Sobrat and Lot 572, The Birth of Ganesha, by Gusti Ketut Kobot (1917-1999) with an estimated price between 65,000,000 – 75,000,000. Good works for mid level collectors include Lot 518, by Made Suarsa, Lot 526, by Gusti Agung Wiranata, Lot 540, by Ketut Tagen and Lot 568, by Dewa Ketut Ding.

Lot 579 Ida Bagus Made Poleng "Kawanan Rusa" Image courtesy of Larasati                           Lot 579: Kawan Rusa – Ida Bagus Made Poleng

Prospective buyers bidding over the phone, or via real-time Internet bidding who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Lot 576 Ida Bagus Made Nadera "Kehidupan Nelayan" 1950 Image courtesy of Larasati                          Lot 576: Kehidupan Nelayan – Ida Bagus Made Nadera

Open to the public at the Larasati Art Space in the Tebesaya Gallery the auction starts at 2:30 pm Sunday 8 October, while viewing begins from 11am 6 Friday.

The online catalogue is available at: www.larasati.com

 

Viewing:

Friday,           6 October   11am – 7.30pm

Saturday,   7 October     11am – 7.30pm

Sunday,     8 October     11am – 1pm

Auction: Sunday 8 October, from 2:30 pm

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneer’s

 

 

Celebrating Indonesian Modern Art: the Painting Collection of the Presidential Palace of the Republic of Indonesia – Senandang Ibu Pertiwi

headpic_orig                         The National Gallery of Indonesia, Jakarta

The 2016 inaugural presentation of the Painting Collection of the Presidential Palace of the Republic of Indonesia, 17/71, Goresan Juang Kemerdekaan (The Brushstrokes of the Independence Struggle),  2-30 August at the National Gallery of Indonesia, Jakarta, highlighted the relevance of art and culture to the nation. Officially opened on 17th August by the current Indonesian President Joko Widodo, on the 71st anniversary of the proclamation of independence, the exhibition featured 28 paintings from the collection of over 3000 works assembled by Indonesia’s founding father President Sukarno.

It  featured scenes of the independence struggle by Indonesian maestros such as Affandi, Sudjojono and Raden Saleh alongside pictures of iconic Indonesia by painters such as Srihadi, Rudolf Bonnet and Walter Spies. The painting collection hangs in all six of the Presidential Palaces in Java and Bali.

20170811_135559          Nyi Roro Kidul (Queen of the South Seas) 1950 – Basoeki Abdullah

20170811_140437                         Lelang Ikan (Fish Auction) – Itji Tarmizi

Following on from last year’s historic event which attracted over 30,000 visitors to the National Gallery, the second edition: Senandang Ibu Pertiwi (Songs of the Mother Land) open 2 -30 August as part of the 72nd anniversary celebrations of Indonesian independence. It showcased 48 works by 44  artists from the 19th and 20th centuries with a variety of themes including landscapes, tradition, mythology and religion.

The son of an aristocratic Javanese schoolteacher and his high caste Balinese wife Sukarno was born in Surabaya, East Java, in 1901. From 1921-26 he studied at the Institute of Technology in Bandung,  West Java, graduating as an engineer, focusing on architecture. As the founding father and first President of the Republic of Indonesia, a position retained for almost 21 years, Sukarno was responsible for transforming the physical landscape of the capital city of Jakarta with public art.

1_2_orig“Pribite Nevesti” a painting that depicts a traditional Russian wedding by Russian artist Egorovick Makowsky.

Sukarno was an art lover and a great supporter of Indonesian modern art and Balinese traditional art amassing huge collections. While he enjoyed close relationships with many  artists he was also a talented painter. During his presidencey art was seen as a tool to help build the spirit and character of the nation.

Pribite Nevesti is the first painting that greets visitors upon entry into the foyer of the National Gallery. Painted by Russian artist Egorovick Makowsky (1839-1915) it is believed to be more than 125 years old, and depicts traditional Russian wedding. The painting was given to Sukarno as a gift during his visit to Russia by the leader of the Soviet Union, Nikita Khrushchev. It was exhibited at the Kremlin in Moscow before being brought to the Bogor State Palace in West Java and put on display.

A01_DSCN4907 CRW_9464_Basoeki Abdullah_Pemandangan Flores        Pantai Flores (On the Shores of Flores Island) 1942 – Basoeki Abdullah

20170811_140513              Keluarga Nelayan (Fisherman’s Family) 1950 – Renato Cristiano

Entering the display room the first theme is Nature’s Diversity and features a  variety of  landscape paintings, twelve in number, that immortalize the dramtic and beautiful scenary of Indonesia.  One of the highlights is Pantai Flores (On the Shores of Flores Island) 1942, by Basoeki Abdullah, the painting was originally a watercolor on paper by Sukarno, that was replicated into an oil on canvas work on request by Sukarno. The scene of the beautiful Flores landscape was captured  while he was exiled on the remote Ende Island between 1934 – 38 , sentenced by the Dutch East Indies Colonial Government.

Another highlight was Harimau Minum (Drinking Tiger) 1863 by the father of Javanese modernism Raden Saleh (1811-1880) who after living in Europe for 20 years studying with various european artist, became a portrait painter for the aristracy. The painting portrays a mystical atmosphere that is rich in symbolism and depicts a tiger drinking from a river.

20170909_100327                 Harimau Minum (Drinking Tiger) 1863 – Raden Saleh

20170811_110652                 Works dispalyed within the theme of Nature’s Diversity

20170811_140338

The collection of works themed Mythology and Religion offer insights into the historic and cultural influences that have evolved throughout the country over the centuries helping to define Indonesia.

According Senandang Ibu Pertiwi  curators Asikin Hasan, Amir Sidharta, Mikke Susanto and Sally Texania, the exhibtion catalogue: “The archipelago is not only a region that has numerous myths containing mystical and anthropological values, but also a locus that has created elements appropriated by almost all of the major religions in the world. The major kingdoms that prospered in Java, Sumatra, and other large islands are a melting pot for teachings whose artefacts we can still find today.”

Arguably the most iconic painting  within the mythology theme is Nyi Roro Kidul (Queen of the South Seas) 1950 by Basoeki Abdullah, a story that is often described in paintings. In Yogyakarta, there is a widely known story about Nyi Roro Kidul, who is depicted as a beautiful woman and ruler of the South Coast and seas. The myth describes that Kidul is found of the colour green, so the local people and careful not to wear this colour when they venture out into the southern ocean for fear of being taken by the Queen of the South Seas.

20170811_135321                       Offering to the Gods – Gusti Ketut Kobot

20170811_140233                                         Theo Meier

20170811_135453                                   Ida Bagus Made Poleng

20170811_135530

 

Words & Images: Richard Horstman

 

TiTian Bali Foundation Gives Recognition & Heritage Awards to Balinese Artists

chairman-of-the-indonesian-agency-for-creative-economy-triawan-munaf-with-the-nine-finalists-of-the-2017-titian-art-prize-copyThe Nine Finalists of the TiTian Prize, (from left) Gede Suryawan, Wayan Aris Sarmanta, Wayan Malik, Mangku Muriati Mura, Ida Bagus Suryantara, Gede Sugiada, Made Sutama, Nyoman Arisana and Made Supena pictured with Triawan Munaf, Chairman of the Agency for Creative Economy Indonesia (center).

 

During the first anniversary celebrations of Yayasan TiTian Bali, in Ubud, Sunday 29 January, the Chairman of Agency for Creative Economy Indonesia, Triawan Munaf presented an array of art awards, culminating with the nine finalists, and the winner of the TiTian Prize 2017.

winner-of-the-2017-titian-prize-fight-lust-nyoman-arisana-copy                 Fight LustNyoman Arisana, Winner of the TiTian Prize 2017

Yayasan TiTian Bali (YTB) was established in the belief that Balinese art would flourish as it is integrated into a truly creative economy. “The founders of TiTian believe in continuing the importance of Bali’s history and culture, but we share a concern that the long association of the island’s creative life with tourism, cottage industry, and souvenirs, combine to create static and clichéd perceptions of cultural heritage,” said YTB Director Soemantri Widagdo.

alam-agung-great-whale-ida-bagus-suryantara                              Alam Agung Ida Bagus Suryantara

“We aim to work with Balinese artists, designers, and performers to ensure the long-term cultural, economic, and creative success of Balinese arts, with the highest levels of entrepreneurship in its creation and marketing,” he said. “Our mission is to discover, nurture and develop new talents, helping them achieve their full potential.”

“We are excited to be associated with Yayasan TiTian Bali, it as if TiTian is our arm in Bali,” said Triawan Munaf, Chairman of the Agency for Creative Economy Indonesia. “The mission of the Foundation is inline with our concerns.”

hidup-di-alam-gede-suryawan                             Hidup di Alam Gede Suryawan

“What we are doing now with the agency is developing the eco-systems within each of the 16 sub sectors of the creative economy, including the visual arts,” Munaf said. “We aim to create policies, involving multi ministries, that can make some breakthroughs for our creatives, giving them freedoms and mechanisms of how to enter markets, access finance, and how to register the intellectual property of their creations.”

emotion-ii-installation-made-supena                               Emotion II, Installation – Made Supena

The TiTian Prize 2017, open to all Balinese visual artists in the genres of painting, sculpture, installation and photography, received 82 entries from all regencies in Bali, plus entries from Lombok and Yogyakarta, 9 works were submitted by women. The finalists ranged in age from 21 – 53, reflecting the talent of both emerging and established artists. Genres varied from the traditional Kamasan, Batuan and Keliki styles, works influenced by modern and contemporary painting, and one wood carving installation.

lot-364-sutama-i-made                                    World of DreamsMade Sutama

Fight Lust, the winning painting by twenty-seven year old Gianyar painter Nyoman Arisana, an eye-catching composition of contrasts and tension featured a complex laying of visual elements, in both mono chrome and color, from the Balinese tradition, along with modern and contemporary art.

bhineka-tunggal-ika-mungku-muriarti-mura                         Bhineka Tunggal Ika – Mangku Muriati Mura

The work sets demonic creatures at war with one another, symbolizing, according the artist our human behavior. “Lust greatly influences human life and survival, greed, jealousy and envy are common, yet our desire to do good may also be perceived as lust,” Arisana said.

kasih-ibu-mothers-love-wayan-malik                                 Kasih IbuWayan Malik

The presentations at Titian Art Space Bali included the second annual Anugrah Pusaka Seni (Art Heritage) Award to ten artists and a patron who have made extraordinary contributions to the Balinese Arts. Some of the honored were Nyoman Ngendon (1906-1946), Ida Bagus Togog (1913-1989) and Ida Bagus Njana (1912-1985).

female-male-gede-sugiada                             Female & MaleGede Sugiada

The Patron Award (Life Achievement) went to Ni Made Kadjeng, founder of the Secondary School for the Arts of Batubulan. The event included the launch of the Indonesian language edition of Ida Bagus Made: The Art of Devotion, a book that focuses on paintings from the estate of the esteemed Balinese artist Ida Bagus Made Poleng (1915-1999).

nature-tease-wayan-aris-sarmanta                                Nature TeaseWayan Aris Sarmanta

“We are already working with Bali’s village artists’ associations, schools, individual artists, and other arts organizations for all our activities. Our approach is inclusive rather than exclusive,” Widagdo said.  “The long-term goal is to build the Bali Museum of Contemporary Art (Bali MOCA), exhibiting old and new work of the finest quality, supported by programs to inspire new directions and achievements in Balinese visual arts.”

Nine Finalists of the First TiTian Prize

Exhibition open 29 January – 26 February 2017

TiTian Bali Art Space, Jalan Bisma 88, Ubud, Bali.

http://www.titianartspace.com

Words & Images: Richard Horstman

 

 

Review – Larasati 10th Anniversary Balinese Modern Traditional & Contemporary Art Auction

"Patih Lahwel" Ida Bagus Made Togog.Sold for Rp. 40,000,000. Image courtesy of Larasati                                              “Patih Lahwel”  –  Ida Bagus Made Togog

Results of the special 10th anniversary Larasati Balinese Modern Traditional & Contemporary Art auction at Ubud’s ARMA museum 28 February confirm that the market for Balinese traditional art is growing steadily while providing excellent value through the low to medium and high price ranges.

For sale amongst the 81 lots were wood cravings, one contemporary sculpture, sets of lithographs, watercolours, pastels and ink sketches on paper, and paintings on canvas in natural colours, oils and acrylics at prices beginning at a low Rp. 1.5 million (all sold works incur a buyers premium added on top of the hammer price).

An exciting feature of the sale was Larasati Auctioneers providing for the first ever real time data over the internet allowing easy, direct access to buying opportunities for a global audience. With 90% of the works sold (including 3 over the internet), along with the enormous response by bidders on the phone, (more 25% of the works sold), and all the major lots of “Young & Old Masters” selling, the auction was a huge success.

Wayan Sudana, "Tari Arja", 120x150cm, Acrylic on canvas. sold for Rp. 65,000,000                                                         “Tari Arja”  –  Wayan Sudana

“When we started our Bali auctions 10 years ago the buyers were 95% Indonesians,” said Daniel Komala CEO of Larasati Auctioneers, who was very happy with the auction’s results. “In attendance at the auction was a great mix of people, the majority non-Indonesians, and even though the Balinese traditional market is a small niche market, it is truly an international market. Our first experience with real time online platform functioned excellently and we are excited about the future prospects for the growing pool international collectors.”

Paintings by A.A Gede Anom Sukawati (b.1966 Ubud) are rarely available to either the primary or secondary markets (new works and pre-owned). Renowned as one of the finest “Young Masters” Lot #40 “Tari Joged Bumbung”, 2008, with a low estimate price between Rp. 80,000,000 – 120,000,000 sold for Rp. 180,000,000, being one of the most highly prized works of the day. Lot # 39 “Pementasan Calon Arang” by Ida Bagus Putu Sena (b.1966 Ubud) is also a work of extraordinary quality by an artists whose works are difficult to find and sold at the top end of the estimate price at Rp. 200,000,000.

Another highly sought after painting by bidders on the floor and the phone, pushing the price well above the estimated price was Lot #38 “Arja Dance” by Wayan Sudana (1966 Peliatan). This vibrant 120 x 150 cm acrylic on canvas composition sold for Rp. 65,000,000. Considered a ritual specialist from a high caste Brahmin priest family Ida Bagus Made Poleng (1915-1999 Tebesaya) had a special relationship with his paintings, calling them “his children” and rarely sold his works. The most prized of all Balinese painters, Lot #80 his “Legong Dance”, received much attention from phone bidders and sold for Rp. 750,000,000.

Gusti Nyoman Lempad, "The Witch and the Servant" Ink on paper. sold for Rp. 120,000,000 Image courtesy of Larasati                        “The Witch and the Servant”  –  Gusti Nyoman Lempad

Good buys were definitely available at the top end of the auction and Lot # 79,“The Witch and the Servant”, an ink sketch on paper by Gusti Nyoman Lempad (1862-1978 Ubud), considered ‘the’ modern master of Balinese art, sold for Rp. 120,000,000 just under the estimated price. As too was Lot # 66 “Playing Domino’s” by Ida bagus Made Nadera (1915-1989) “Playing Dominos”, estimated by between Rp.10,000,000 -15,000,000 and selling at Rp.10,000,000, Lot # 76 “Upcara Potong Gigi” Ida Bagus Made Widja (1912-1992 Batuan) selling at 18,000,000, and a glowing flora and fauna composition in the Pengosekan style Lot #65 “Harmoni Kehidupan” by Ketut Gelgel, which sold at Rp. 65,000,000. Each of these works are museum quality.

Three of the most highly coveted works in the auction all sold within their estimated prices, Lot # 77, “Blissfully Sleeping” by the maestro of wood carving from Mas village, Ida Bagus Nyana (1912-1985) at Rp.280,000,000, Lot #81 “Boy With Bamboo Stick”, by Made Sukada (1945-1982) hammered down at Rp. 105,000,000 and Lot #78 “Triwikrama” by Gusti Ketut Kobot (1917-1999) which sold for Rp. 80,000,000. Lot #75, however, by Ida Bagus Made Togog (1913-1989 Batuan) an extraordinary black and grey ink sketch on paper “Patih Lahwel” was a hot item selling at more than twice its estimate, at Rp. 40,000,0000 – a rare and special work.

“Harmoni Kehidupan”  Ketut Gelgel, sold for Rp. 65,000,000. Image courtesy Larasati                                         “Harmoni Kehidupan”  –  Ketut Gelgel

For new collectors to the market there were good works by favoured artists available at low prices and it must be noted that works are obtainable via auction cheaper than buying directly from artist’s studios. A 10 year future projection of current prices would confirm that buying now is a sound investment, while researching prices from the Larasati auctions 10 years ago confirm this to be true.

Balinese traditional art offers enormous scope for the astute investor to capitalize. The prices for the old masters of Balinese art remain strong and the market is expanding in a healthy way. The fact that the market is growing slowly, yet solidly is a fine achievement for Larasati Auctioneers.

A.A Gede Anom Sukawati-"Tari Joged Bumbung". Image courtesy of Larasati                               “Tari Joged Bumbung”  –  A.A. Gede Anom Sukawati