Tag Archives: Ida Bagus Made Poleng

Celebrating Indonesian Modern Art: the Painting Collection of the Presidential Palace of the Republic of Indonesia – Senandang Ibu Pertiwi

headpic_orig                         The National Gallery of Indonesia, Jakarta

The 2016 inaugural presentation of the Painting Collection of the Presidential Palace of the Republic of Indonesia, 17/71, Goresan Juang Kemerdekaan (The Brushstrokes of the Independence Struggle),  2-30 August at the National Gallery of Indonesia, Jakarta, highlighted the relevance of art and culture to the nation. Officially opened on 17th August by the current Indonesian President Joko Widodo, on the 71st anniversary of the proclamation of independence, the exhibition featured 28 paintings from the collection of over 3000 works assembled by Indonesia’s founding father President Sukarno.

It  featured scenes of the independence struggle by Indonesian maestros such as Affandi, Sudjojono and Raden Saleh alongside pictures of iconic Indonesia by painters such as Srihadi, Rudolf Bonnet and Walter Spies. The painting collection hangs in all six of the Presidential Palaces in Java and Bali.

20170811_135559          Nyi Roro Kidul (Queen of the South Seas) 1950 – Basoeki Abdullah

20170811_140437                         Lelang Ikan (Fish Auction) – Itji Tarmizi

Following on from last year’s historic event which attracted over 30,000 visitors to the National Gallery, the second edition: Senandang Ibu Pertiwi (Songs of the Mother Land) open 2 -30 August as part of the 72nd anniversary celebrations of Indonesian independence. It showcased 48 works by 44  artists from the 19th and 20th centuries with a variety of themes including landscapes, tradition, mythology and religion.

The son of an aristocratic Javanese schoolteacher and his high caste Balinese wife Sukarno was born in Surabaya, East Java, in 1901. From 1921-26 he studied at the Institute of Technology in Bandung,  West Java, graduating as an engineer, focusing on architecture. As the founding father and first President of the Republic of Indonesia, a position retained for almost 21 years, Sukarno was responsible for transforming the physical landscape of the capital city of Jakarta with public art.

1_2_orig“Pribite Nevesti” a painting that depicts a traditional Russian wedding by Russian artist Egorovick Makowsky.

Sukarno was an art lover and a great supporter of Indonesian modern art and Balinese traditional art amassing huge collections. While he enjoyed close relationships with many  artists he was also a talented painter. During his presidencey art was seen as a tool to help build the spirit and character of the nation.

Pribite Nevesti is the first painting that greets visitors upon entry into the foyer of the National Gallery. Painted by Russian artist Egorovick Makowsky (1839-1915) it is believed to be more than 125 years old, and depicts traditional Russian wedding. The painting was given to Sukarno as a gift during his visit to Russia by the leader of the Soviet Union, Nikita Khrushchev. It was exhibited at the Kremlin in Moscow before being brought to the Bogor State Palace in West Java and put on display.

A01_DSCN4907 CRW_9464_Basoeki Abdullah_Pemandangan Flores        Pantai Flores (On the Shores of Flores Island) 1942 – Basoeki Abdullah

20170811_140513              Keluarga Nelayan (Fisherman’s Family) 1950 – Renato Cristiano

Entering the display room the first theme is Nature’s Diversity and features a  variety of  landscape paintings, twelve in number, that immortalize the dramtic and beautiful scenary of Indonesia.  One of the highlights is Pantai Flores (On the Shores of Flores Island) 1942, by Basoeki Abdullah, the painting was originally a watercolor on paper by Sukarno, that was replicated into an oil on canvas work on request by Sukarno. The scene of the beautiful Flores landscape was captured  while he was exiled on the remote Ende Island between 1934 – 38 , sentenced by the Dutch East Indies Colonial Government.

Another highlight was Harimau Minum (Drinking Tiger) 1863 by the father of Javanese modernism Raden Saleh (1811-1880) who after living in Europe for 20 years studying with various european artist, became a portrait painter for the aristracy. The painting portrays a mystical atmosphere that is rich in symbolism and depicts a tiger drinking from a river.

20170909_100327                 Harimau Minum (Drinking Tiger) 1863 – Raden Saleh

20170811_110652                 Works dispalyed within the theme of Nature’s Diversity

20170811_140338

The collection of works themed Mythology and Religion offer insights into the historic and cultural influences that have evolved throughout the country over the centuries helping to define Indonesia.

According Senandang Ibu Pertiwi  curators Asikin Hasan, Amir Sidharta, Mikke Susanto and Sally Texania, the exhibtion catalogue: “The archipelago is not only a region that has numerous myths containing mystical and anthropological values, but also a locus that has created elements appropriated by almost all of the major religions in the world. The major kingdoms that prospered in Java, Sumatra, and other large islands are a melting pot for teachings whose artefacts we can still find today.”

Arguably the most iconic painting  within the mythology theme is Nyi Roro Kidul (Queen of the South Seas) 1950 by Basoeki Abdullah, a story that is often described in paintings. In Yogyakarta, there is a widely known story about Nyi Roro Kidul, who is depicted as a beautiful woman and ruler of the South Coast and seas. The myth describes that Kidul is found of the colour green, so the local people and careful not to wear this colour when they venture out into the southern ocean for fear of being taken by the Queen of the South Seas.

20170811_135321                       Offering to the Gods – Gusti Ketut Kobot

20170811_140233                                         Theo Meier

20170811_135453                                   Ida Bagus Made Poleng

20170811_135530

 

Words & Images: Richard Horstman

 

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TiTian Bali Foundation Gives Recognition & Heritage Awards to Balinese Artists

chairman-of-the-indonesian-agency-for-creative-economy-triawan-munaf-with-the-nine-finalists-of-the-2017-titian-art-prize-copyThe Nine Finalists of the TiTian Prize, (from left) Gede Suryawan, Wayan Aris Sarmanta, Wayan Malik, Mangku Muriati Mura, Ida Bagus Suryantara, Gede Sugiada, Made Sutama, Nyoman Arisana and Made Supena pictured with Triawan Munaf, Chairman of the Agency for Creative Economy Indonesia (center).

 

During the first anniversary celebrations of Yayasan TiTian Bali, in Ubud, Sunday 29 January, the Chairman of Agency for Creative Economy Indonesia, Triawan Munaf presented an array of art awards, culminating with the nine finalists, and the winner of the TiTian Prize 2017.

winner-of-the-2017-titian-prize-fight-lust-nyoman-arisana-copy                 Fight LustNyoman Arisana, Winner of the TiTian Prize 2017

Yayasan TiTian Bali (YTB) was established in the belief that Balinese art would flourish as it is integrated into a truly creative economy. “The founders of TiTian believe in continuing the importance of Bali’s history and culture, but we share a concern that the long association of the island’s creative life with tourism, cottage industry, and souvenirs, combine to create static and clichéd perceptions of cultural heritage,” said YTB Director Soemantri Widagdo.

alam-agung-great-whale-ida-bagus-suryantara                              Alam Agung Ida Bagus Suryantara

“We aim to work with Balinese artists, designers, and performers to ensure the long-term cultural, economic, and creative success of Balinese arts, with the highest levels of entrepreneurship in its creation and marketing,” he said. “Our mission is to discover, nurture and develop new talents, helping them achieve their full potential.”

“We are excited to be associated with Yayasan TiTian Bali, it as if TiTian is our arm in Bali,” said Triawan Munaf, Chairman of the Agency for Creative Economy Indonesia. “The mission of the Foundation is inline with our concerns.”

hidup-di-alam-gede-suryawan                             Hidup di Alam Gede Suryawan

“What we are doing now with the agency is developing the eco-systems within each of the 16 sub sectors of the creative economy, including the visual arts,” Munaf said. “We aim to create policies, involving multi ministries, that can make some breakthroughs for our creatives, giving them freedoms and mechanisms of how to enter markets, access finance, and how to register the intellectual property of their creations.”

emotion-ii-installation-made-supena                               Emotion II, Installation – Made Supena

The TiTian Prize 2017, open to all Balinese visual artists in the genres of painting, sculpture, installation and photography, received 82 entries from all regencies in Bali, plus entries from Lombok and Yogyakarta, 9 works were submitted by women. The finalists ranged in age from 21 – 53, reflecting the talent of both emerging and established artists. Genres varied from the traditional Kamasan, Batuan and Keliki styles, works influenced by modern and contemporary painting, and one wood carving installation.

lot-364-sutama-i-made                                    World of DreamsMade Sutama

Fight Lust, the winning painting by twenty-seven year old Gianyar painter Nyoman Arisana, an eye-catching composition of contrasts and tension featured a complex laying of visual elements, in both mono chrome and color, from the Balinese tradition, along with modern and contemporary art.

bhineka-tunggal-ika-mungku-muriarti-mura                         Bhineka Tunggal Ika – Mangku Muriati Mura

The work sets demonic creatures at war with one another, symbolizing, according the artist our human behavior. “Lust greatly influences human life and survival, greed, jealousy and envy are common, yet our desire to do good may also be perceived as lust,” Arisana said.

kasih-ibu-mothers-love-wayan-malik                                 Kasih IbuWayan Malik

The presentations at Titian Art Space Bali included the second annual Anugrah Pusaka Seni (Art Heritage) Award to ten artists and a patron who have made extraordinary contributions to the Balinese Arts. Some of the honored were Nyoman Ngendon (1906-1946), Ida Bagus Togog (1913-1989) and Ida Bagus Njana (1912-1985).

female-male-gede-sugiada                             Female & MaleGede Sugiada

The Patron Award (Life Achievement) went to Ni Made Kadjeng, founder of the Secondary School for the Arts of Batubulan. The event included the launch of the Indonesian language edition of Ida Bagus Made: The Art of Devotion, a book that focuses on paintings from the estate of the esteemed Balinese artist Ida Bagus Made Poleng (1915-1999).

nature-tease-wayan-aris-sarmanta                                Nature TeaseWayan Aris Sarmanta

“We are already working with Bali’s village artists’ associations, schools, individual artists, and other arts organizations for all our activities. Our approach is inclusive rather than exclusive,” Widagdo said.  “The long-term goal is to build the Bali Museum of Contemporary Art (Bali MOCA), exhibiting old and new work of the finest quality, supported by programs to inspire new directions and achievements in Balinese visual arts.”

Nine Finalists of the First TiTian Prize

Exhibition open 29 January – 26 February 2017

TiTian Bali Art Space, Jalan Bisma 88, Ubud, Bali.

http://www.titianartspace.com

Words & Images: Richard Horstman

 

 

Review – Larasati 10th Anniversary Balinese Modern Traditional & Contemporary Art Auction

"Patih Lahwel" Ida Bagus Made Togog.Sold for Rp. 40,000,000. Image courtesy of Larasati                                              “Patih Lahwel”  –  Ida Bagus Made Togog

Results of the special 10th anniversary Larasati Balinese Modern Traditional & Contemporary Art auction at Ubud’s ARMA museum 28 February confirm that the market for Balinese traditional art is growing steadily while providing excellent value through the low to medium and high price ranges.

For sale amongst the 81 lots were wood cravings, one contemporary sculpture, sets of lithographs, watercolours, pastels and ink sketches on paper, and paintings on canvas in natural colours, oils and acrylics at prices beginning at a low Rp. 1.5 million (all sold works incur a buyers premium added on top of the hammer price).

An exciting feature of the sale was Larasati Auctioneers providing for the first ever real time data over the internet allowing easy, direct access to buying opportunities for a global audience. With 90% of the works sold (including 3 over the internet), along with the enormous response by bidders on the phone, (more 25% of the works sold), and all the major lots of “Young & Old Masters” selling, the auction was a huge success.

Wayan Sudana, "Tari Arja", 120x150cm, Acrylic on canvas. sold for Rp. 65,000,000                                                         “Tari Arja”  –  Wayan Sudana

“When we started our Bali auctions 10 years ago the buyers were 95% Indonesians,” said Daniel Komala CEO of Larasati Auctioneers, who was very happy with the auction’s results. “In attendance at the auction was a great mix of people, the majority non-Indonesians, and even though the Balinese traditional market is a small niche market, it is truly an international market. Our first experience with real time online platform functioned excellently and we are excited about the future prospects for the growing pool international collectors.”

Paintings by A.A Gede Anom Sukawati (b.1966 Ubud) are rarely available to either the primary or secondary markets (new works and pre-owned). Renowned as one of the finest “Young Masters” Lot #40 “Tari Joged Bumbung”, 2008, with a low estimate price between Rp. 80,000,000 – 120,000,000 sold for Rp. 180,000,000, being one of the most highly prized works of the day. Lot # 39 “Pementasan Calon Arang” by Ida Bagus Putu Sena (b.1966 Ubud) is also a work of extraordinary quality by an artists whose works are difficult to find and sold at the top end of the estimate price at Rp. 200,000,000.

Another highly sought after painting by bidders on the floor and the phone, pushing the price well above the estimated price was Lot #38 “Arja Dance” by Wayan Sudana (1966 Peliatan). This vibrant 120 x 150 cm acrylic on canvas composition sold for Rp. 65,000,000. Considered a ritual specialist from a high caste Brahmin priest family Ida Bagus Made Poleng (1915-1999 Tebesaya) had a special relationship with his paintings, calling them “his children” and rarely sold his works. The most prized of all Balinese painters, Lot #80 his “Legong Dance”, received much attention from phone bidders and sold for Rp. 750,000,000.

Gusti Nyoman Lempad, "The Witch and the Servant" Ink on paper. sold for Rp. 120,000,000 Image courtesy of Larasati                        “The Witch and the Servant”  –  Gusti Nyoman Lempad

Good buys were definitely available at the top end of the auction and Lot # 79,“The Witch and the Servant”, an ink sketch on paper by Gusti Nyoman Lempad (1862-1978 Ubud), considered ‘the’ modern master of Balinese art, sold for Rp. 120,000,000 just under the estimated price. As too was Lot # 66 “Playing Domino’s” by Ida bagus Made Nadera (1915-1989) “Playing Dominos”, estimated by between Rp.10,000,000 -15,000,000 and selling at Rp.10,000,000, Lot # 76 “Upcara Potong Gigi” Ida Bagus Made Widja (1912-1992 Batuan) selling at 18,000,000, and a glowing flora and fauna composition in the Pengosekan style Lot #65 “Harmoni Kehidupan” by Ketut Gelgel, which sold at Rp. 65,000,000. Each of these works are museum quality.

Three of the most highly coveted works in the auction all sold within their estimated prices, Lot # 77, “Blissfully Sleeping” by the maestro of wood carving from Mas village, Ida Bagus Nyana (1912-1985) at Rp.280,000,000, Lot #81 “Boy With Bamboo Stick”, by Made Sukada (1945-1982) hammered down at Rp. 105,000,000 and Lot #78 “Triwikrama” by Gusti Ketut Kobot (1917-1999) which sold for Rp. 80,000,000. Lot #75, however, by Ida Bagus Made Togog (1913-1989 Batuan) an extraordinary black and grey ink sketch on paper “Patih Lahwel” was a hot item selling at more than twice its estimate, at Rp. 40,000,0000 – a rare and special work.

“Harmoni Kehidupan”  Ketut Gelgel, sold for Rp. 65,000,000. Image courtesy Larasati                                         “Harmoni Kehidupan”  –  Ketut Gelgel

For new collectors to the market there were good works by favoured artists available at low prices and it must be noted that works are obtainable via auction cheaper than buying directly from artist’s studios. A 10 year future projection of current prices would confirm that buying now is a sound investment, while researching prices from the Larasati auctions 10 years ago confirm this to be true.

Balinese traditional art offers enormous scope for the astute investor to capitalize. The prices for the old masters of Balinese art remain strong and the market is expanding in a healthy way. The fact that the market is growing slowly, yet solidly is a fine achievement for Larasati Auctioneers.

A.A Gede Anom Sukawati-"Tari Joged Bumbung". Image courtesy of Larasati                               “Tari Joged Bumbung”  –  A.A. Gede Anom Sukawati