Tag Archives: Ichwan Noor

Indonesian artist Ichwan Noor’s Abu Dhabi F1 exposé

Noor's works received large local and international media exposure. Image courtesy I. NoorInternational media shooting in front of Noor’s Beetle Sphere at the 2017 Formula One Etihad Airways Abu Dhabi Grand Prix, held at the Yas Marina Circuit, Abu Dhabi, 23-26 November, 2017.

 

Reaching out to new audiences, across diverse sectors of the society to attract greater appreciation and acceptance of art is an ongoing process for artists, and the art industry. In recent years the Indonesian contemporary art world has held successful events merging with the fashion and design worlds, gaining increased exposure and popularity for the leading brands, including fairs, galleries and the artists themselves.

Yogyakarta based artist Ichwan Noor, recently, had a unique opportunity to capture the attention of a perhaps an unlikely sector of the public – the international Formula One racing industry and F1 fans. He exhibited three of his sculptures at the 2017 Formula One Etihad Airways Abu Dhabi Grand Prix, held at the Yas Marina Circuit, Abu Dhabi, 23-26 November.

Upon invitation from the Yas Marina Circuit Noor exhibited three of his iconic works, inspired by the motor vehicle, in Art@Yas, a side program conducted at the main grandstand during the Middle East’s biggest international event. The final race of the 2017 calendar attracted a crowd of over 60,000 people. Noor’s creations enthralled the local and international audience, many of whom were amazed to see the classic, arguably the most recognizable four-wheeler on the planet, breathtakingly transformed.

Ichwan Noor's three works at Art@Yas, Yas Marina Circuit, Abu Dhabi, United Arab Emirates - Image I. Noor                         Noor’s works at the Yas Marina Circuit

Caste in aluminum, featuring original auto parts of the VW beetle, 180cm in diameter, Beetle Sphere, colored black, and Beetle Sphere, colored grey are a continuation of an on going series the artist began in 2011. First exhibited internationally at Art Basel Hong Kong 2013, the works feature the 1953 Volkswagen Beetle reconfigured in a variety of new shapes, including cubes and spheres. The Beetle Sphere features in the collections of several major national and private institutions in Indonesia, Australia (National Gallery of  Victoria), Germany, China, Turkey, U.S.A., Sweden and India. Noor’s third work, Got Wood, 2017, 495 x 180 x 150 cm, is a to scale replica of a F1 racing car constructed from scraps of mahogany and teak wood.

According to Noor’s artist statement, “The idea behind my sculptures emerged from a insight towards objects that are products of a ‘transportation culture’, which induce signs of spiritual emotion – to behold a vehicle is to have a ‘magical’ or supernatural identity. By combining the techniques of manipulation and substitution, the sculptures form tends towards a realistic distortion allowing fresh interpretations about the object, and a shift in observation creating associative meanings.”

“The VW is familiar to almost everybody across the globe, no matter their age or social status. I see the VW Beetle as one of the most successful designs,” said the artist who graduated from the School of Visual Art at the Indonesia Institute of the Arts (ISI), Yogyakarta, and is a Professor of Fine Arts at the University of Yogyakarta.

F1 fans enjoy Noor's "Got Wood" a wooden replica of a F1 racing car            F1 fans enjoy Noor’s “Got Wood” a wooden replica of a F1 racing car

The works creation process involves Noor first making a polyurethane mould of a genuine Beetle carving a spherical polyurethane replica of the vehicle’s body and then casting it in aluminum. A separate spherical interior is produced and fitted to the cast exterior. The sculpture is then painted, fitted with acrylic windows and genuine trim pieces including lights, wheels and tyres.

Got Wood, (also called boyhood, manliness, or manhood) the artist said, “represents a set of traits, mannerisms, and characteristics associated with boys and men. Speed is an captivating symbol for some men who have great courage, while being a symbol of masculinity for strength, competition, courage and adventure.”

“As we all know, the Indonesian art infrastructure is still fragile so I try to take advantage of existing global infrastructure. With a limited local and world art markets it is important that artists interact with people beyond the artworld and exhibit in public spaces outside of the current gallery and museum system in order to make breakthroughts into new markets and art colections,” said the artist who was born in Jakarta in 1964, and is renowned for his large-scale sculptures of hybrid human, animal and technological forms, working with bronze, stainless steel, aluminum, various used materials and resin.

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The Middle East is no longer foreign to modern art with a lot of modern art being purchaseded by collectors from the region. In the world of contemporary art collections, however, collectors from this region are still lagging behind collectors from Asia. “For me the most important thing is to create a new art map outside of the map that is understood by Indonesian artists. Professionalism, of course, within the globalized art world is a necessity.”

“There is a serious and massive effort from the UAE to participate in the flow of the contemporary art world, which is directly related to their strategy that to raise the prestige of their country. This certainly will create many opportunities for Indonesian artists,” Noor adds, and suggests, “ artists should take the littlest of opportunities of getting involved in the global art infrastructure, and anything goes is a most appropriate expression for contemporary art works that we can take on the positive side.”

 

Words: Richard Horstman

Images Courtesy: IchwanNoor

 

 

 

 

 

ART|JOG|10 – Changing Perspective

RJ Katamsi WIP 5Yogyakarta artists work on the R.J Katamsi statue, a project designed and overseen by Wahyu Santoso, honouring the artist, and one of the founders, and the president director of Akademi Seni Rupa Indonesia (ASRI), the first fine arts campus in Indonesia, opened in 1950 (now known as ISI). The work will be erected at the historical JNM, the original ASRI site.

 

A milestone in Indonesian art will be celebrated in May during the Grand Opening of ART|JOG|10, marking a decade in the ART|JOG journey, beginning 19 May at the Jogja National Museum (JNM). Themed: Changing Perspective, the fair will exhibit immerging and established artists side-by-side, while featuring some of Indonesia’s hottest contemporary talent.

An initiative born from the collective will of the Yogyakarta art community, ART|JOG’s significance is its model: a supporting and promotional platform for artists, not galleries, introducing fresh names to the market. The vision of Heri Pemad, who through his support of the local art scene starting some 20 years ago developed strong relationships of trust within the community, the springboard for bigger and brighter things.

"Floating Eyes" Wedhar Riyadi, Jogja National Museum front entry. Image by Richard HorstmanART|JOG|10 2017 commissioned art work “Floating Eyes” by Yogyakarta artist Wedhar Riyadi, at the front facade of the Jogja National Museum.

“ART | JOG has grown quickly since 2008, when it was Jogja Art Fair (JAF). From 2009 we included curators, selected special themes, and artists, and commissioned artists to remodel the façade of the building, originally Taman Budaya Yogyakarta. Wanting to create an international event, in 2010 we renamed it ART | JOG,” said CEO and founder of ART|JOG Heri Pemad.

“We attracted more and more international visitors in 2011 due to increasingly widespread publication, and began inviting international artists for special presentations. From 2012 our curatorial themes evolved. In short, ART | JOG has grown along with the development of the art world itself, because it has presented the development of artwork from Indonesia and the world.”

A Decade of ArtJog's Journey. Image Richard Horstman                                    A decade of ART|JOG’s journey

With a keen eye for the artist’s needs, Pemad launched Heri Pemad Art Management (HPAM) in 2004, an organization that evolved out of his personalized art services. HPAM has since played a defining role in the development of Indonesian contemporary art. This year ART|JOG|10 will exhibit over 120 artworks; 2 & 3 dimensional works, installations, videos, site-specific objects, and performances.

ART|JOG is the anchor event for the Jogja Art Weeks, a month long abundance of openings and events around the Yogyakarta Special Regency, which has developed into an art and cultural tourism boon, attracting national and international art lovers, industry insiders, and collectors.

20170519_125233                                   Poor Yorick – Ichwan Noor

“We have selected 73, national and international artists, this year, via our Open Call Application, whether by invitation, or those who self-applied,” said ART|JOG|10 co-curator Ignatia Nilu. “Our selection process is not only based on the compatibility between the artwork and curatorial concept, but also the presentation method, and the freshness of the artistic concept.” Nilu adds, “The Open Call program is an unsurpassed way to scout the best young talent.”

ART|JOG|10’s main program includes the exhibition by Indonesian, and also artists from Singapore, Japan, England, USA and Australia. Some of the local names showing are Angki Purbandono in collaboration with Nicholas Saputra, Agus Suwage, I Nyoman Masriadi, Tromarama and Agan Harahap. This year’s Commissioned Works are by Wedhar Riyadi, a young Yogyakarta artist, presenting his balloons installation, decorated with eye icons, transforming the main facade of JNM.

20170519_125333.jpg                   Souvenir from Tangahan – Angki Purbandono

“Through the theme, Changing Perspectives: The Challenge For The Artist, we dare the artists to take a fresh look at how they work from various point of views,” said Bambang “Toko” Witjaksono, of the curatorial team. “Not only from technical aspect, but also the interpretation, to hopefully enhance, and achieve beyond what we have had, and have experienced to now.”

A new and special highlight of ART|JOG|10 is The Making Of The Statue Of R.J Katamsi, a 2.5 bronze made in conjunction with Wahyu Santoso. The statue honours the artist, and one of the founders, and the president director of Akademi Seni Rupa Indonesia (ASRI), the first fine arts campus in Indonesia, opened in 1950 (now known as ISI). The work will be erected at the historical JNM, the original ASRI site.

20170519_125429                                   Dasar – Rudi Mantofani

The event’s Supporting Program includes an Open Air Cinema, a collaboration with Jogja-Netpac Asian Film Festival (JAFF). The Young Artist Award, an award for the best young participating artists under 33 years old or below. Jogja Art Weeks, a publication providing comprehensive information about art and cultural happenings in Yogyakarta from May-June, (the free guide book will enhance the visitor experience, while being an essential supportive platform for the art tourism program), and the Merchandise Project has invited 20 artists, including Eko Nugroho, Papermoon Theatre, Oky Rey Montha, Farid Stevy, and Bob Sick Yudhita to create special buyables.

For ART|JOG|10 VIP guests the special preview on 19 May begins 5 hours prior to the exhibition officially opens.

Supporting Program Time & Dates:

Curatorial Tours: Saturday, 27 May & 10 June, 3 PM, Sunday, 4 & 18 June, 3 PM.

Meet The Artists: Sunday 28 May & 11 June, 3 PM, Santurday, 3 & 17 June, 3 PM.

Open Air Cinema: Tuesday 23 & 30 May, 6 & 13 June, 7:30 PM.

ASRI Tours: Tueday 6 & 13 June, 3 PM.

20170519_130238                              Be Ready – Nyoman Masriadi

ART|JOG|10

Open from 7pm 19 May

Continuing through to 19 June 2017

Daily from 9am – 5pm

Jogja National Museum

Jalan Prof. Ki Amri Yahya No. 1, Yogyakarta

www.artjog.co.id

Words: Richard Horstman

Images: Courtesy ArtJog10 & Richard Horstman

20170519_132451Study of convex and concave by M.C Escher, 1955 – Agung Prabowo