Tag Archives: Angki Purbandono

“Dipping in the Kool Aid” highlights collaborations between contemporary artists & inmates of Bali prisons

Rodney Glick "Pixel Buddha" image courtesy of apexart Gallery New York                                           Pixel Buddha – Rodney Glick

 

What is the value of human life?

How does our society appraise personal endeavour, imagination and creativity when the priority of doctors and medical staff in hospitals is the preservation of life? Governments and penal systems assess prisoners as having little to contribute to community, some electing to terminate the lives of ‘serious offenders’ through capital punishment. Why is it acceptable for governments to execute people, while murder is illegal?

The exhibition “Dipping in the Kool Aid” relates to aspects of prisons and the incarceration system, and opened at Tony Raka Art Gallery, Ubud 4 March. It features the artworks of prisoners, artworks produced from workshops given by contemporary artists in Bali prisons, and independently produced works by some of the invited established and emerging Indonesian and Australian artists.

malaikat copy                                       King Kong’s Land – Malaikat

The works selected from a range of workshops, predominantly in the Klungkung Jail, East Bali, and the Bangli Jail, include installations, paintings, drawings and photographs, along with a painting by a member of the controversial Bali Nine inmates, Renae Lawrence.

“A function of prisons practically everywhere in the world ensures inmates are social outsiders, largely invisible to most citizens,” said Australian artist Mary Lou Pavlovic who organized and curated the exhibition. “Our central concern is to bring aspects of prison life to public view.”

The idea of the exhibition emerged from an art program Pavlovic helped establish with inmates at the Bangli Jail, Central Bali soon after the second round of prisoner executions were ordered by the President of the Republic of Indonesia Joko Widodo in 2015. “Our aim is to cherish and preserve life, the driving motivator for this entire project.”

Mary Lou Pavlovic and prison inmates Mary Lou Pavlovic with input from April, Exyl, Hendra, and Kadek,collaborative installation "Suspended Sentiments" Image courtesy of "Dipping in theSuspended Sentiments – Mary Lou Pavlovic and women inmates from the Klungkung and Bangli jails.

In April 2017 Pavlovic’s proposal written in response to the open call Apex Franchise Exhibition, sponsored by the apexart Gallery New York, offering funded exhibition opportunities, won. More than two hundred international art expert jurors had voted for her proposal to curate an exhibition in Bali about artists and prisoners collaborations arising from prison workshops. A non-profit arts organization in Lower Manhattan, apexart is funded in part by the Andy Warhol Foundation, and offers opportunities to independent curators and emerging and established artists, and challenges ideas about art, its practice, and its curation.

Highlights of “Dipping in the Kool Aid”, in which the cell formation is a theme of the exhibition’s presentation to emphasize the living space – life behind bars within a prison cell, include, the tiny, delicate folded paper birds “Terapi Origami/Orizuru” by Ridwan Fatkhurodin a.k.a. Kriyip on display, yet also given as symbolic gifts to attendees during the opening ceremony, Kenyut Djunaidi’s collaborative etched mirror self-portraits “Kamu Adalah Aku, (You are Me)” and Australian Rodney Glick’s humorously militarized carved wooden icon “Pixel Buddha”. Elizabeth Gower’s “365 Rotations” adds an ethereal element to the show. Multiple circular collages Gower and inmates forged from discarded packaging and advertising material form a constellation of wonderful geometric patterns.

"Angki Purbandono "Out Of the Box" Image courtesy of apexart                                Out of the Box – Angki Purbandono

Popular Indonesian artist Angki Purbandono presents an installation of photographs “Out of the Box” revealing his experience of ‘doing time’. Incarcerated for one year in Yogyakarta during 2013 for smoking marijuana, refusing to accept his imprisonment, Angki declared instead that he was undertaking an artist’s residency, and taught a guard how to take photographs. He also established the Prison Art Programs, a group of inmates and ex-inmates who exhibit art inside and outside the jail; some members are included here.

Three meters by three and a half meters wide, luminescent and sparkling with life “Suspended Sentiments”, features over 1700 individual cells with flowers, leaves, nuts, berries, butterflies, bugs and Christmas decorations embedded within epoxy resin. Pavlovic’s wall installation, the outcome of workshops for women in Klungkung and Bangli Jails is beguiling in beauty and simplicity, yet rich in emotion.

31052365_10155177701881916_4372840048123445248_n                                   Forgiveness #2 – Mangu Putra

“Physical power is defeated by wisdom,” said renowned Balinese painter Agung Mangu Putra of his composition, “Forgiveness 2”. Inspired by an iconic image, originally popularized by Indonesia’s founding father, President Sukarno, who was photographed bowing to his mother, the state symbolically begs the pardon of not only a mother, but of a citizen, instead of the usual power dynamic in which citizens bow before the state. Mangu’s Putra’s painting reveals a state official – a soldier – bowing and begging forgiveness of his mother, who has taken away his gun.

“American jail slang for entering uninvited into a conversation, the phrase “Dipping in the Kool Aid” pays tribute to the discrete Javanese tradition of Pasemon,” Pavlovic said. Reflecting on Indonesia’s revolutionary era of political art that began under the authoritarian President Suharto’s New Order regime (1966-1998), artists and journalists used an indirect form of satire to criticize the government. Pasemon is elegant because it touches the conscience,” she continued. “Correcting without embarrassing authority.”

30706637_10155177599011916_7359454426228064256_n                Terapi Origami/Orizuru  –  Ridwan Fatkhurodin a.k.a. Kriyip

“Values expressed in this exhibition contrast with aspects of the government’s treatment of prisoners recently in Indonesia. Pasemon has created a space for us in which our political positions are clarified without scratching the wound.”

30741219_10155177702336916_1128266463887491072_n              365 Rotations  –  Elizabeth Gower with inmates from Bangli Jail

30703717_10155176985641916_986154805040775168_o               View of “Dipping in the Kool Aid” at the Tony Raka Art Gallery

 

30708338_10155177599166916_6226232579398303744_n        After Hit n Run  –  Herman Yosef Dhyas Aries Utomo (a.k.a. Komeng)

 

Dipping in the Kool Aid”

Open to the public daily 10am – 5pm,

4 – 31 March 2018

Tony Raka Art Gallery,

JI.Raya Mas No. 86 Mas, Ubud, Bali.

 

Words: Richard Horstman

Images courtesy: apexart Gallery New York, Mary Lou Pavlovic & Bima Basudewa

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Upcoming exhibition highlights the collaborations between contemporary artists and inmates of Bali prison

Inmates involved in art workshops at Klungkung jail. - Image Mary Lou Pavlovic              Inmates participating in art making workshop at Klungkung jail.

 

In early April this year Australian contemporary artist, Mary Lou Pavlovic, was advised by the apexart gallery New York that the proposal she’d written in response to their open call Apex Franchise Exhibition, offering four funded exhibition opportunities, had been successful. Pavlovic ranked third out of almost four hundred proposals from sixty-one countries. Over two hundred international art expert jurors had voted for her proposal to curate an exhibition in Bali about artists and prisoners collaborations arising from prison workshops.

Apexart is a non-profit arts organization in Lower Manhattan, NYC, funded in part by the Andy Warhol Foundation, that offers opportunities to independent curators and emerging and established artists, and challenges ideas about art, its practice, and its curation.

“I received an email advising me to contact the apexart Director, Steven Rand, who said he had good news,” Pavlovic said.   “So I thought I’d better call Apex and tell them of a hoax someone was running about them. Then, when I called, to my surprise, they confirmed that I had been selected, and that it wasn’t a hoax at all!”

From 2012-16, when in Bali, Pavlovic had been a regular visitor to inmates inside Balinese jails where she had witnessed the humanitarian benefits of art programs. “Prisoner’s lives are placed on hold and their space confined to the parameters of a prison. I realized, although prisoners couldn’t physically move very far, they could travel great distances with their imaginations by participating in arts activities,” said the artist who lives and works between Bali, and Mittagong, Australia, and completed a PhD at Monash University, Melbourne.

Inmates artworks - flowers and berries set in resin.Image Mary Lou Pavlovicjpg

“Inmates could also learn valuable skills and undertake enjoyable activities to relieve the daily monotony of prison life.”

Pavlovic was also aware that practically universally a function of modern prisons is to hide prisoners away from the rest of society. An exhibition involving prisoners and artists, she thought, would help to break down this barrier. It would allow the public an opportunity to reflect on their own perceptions of prisoners and prisons, along with the prisoners the opportunity to be seen in the role of artistic producers, rather than solely as criminals, and of little value to society.

The upcoming exhibition, organized and curated by Pavlovic, Dipping in the Kool Aid, (American jail slang for entering uninvited into a conversation) will be held at the Tony Raka Art Gallery, in Ubud, Bali, in 4 – 31 March 2018. The show will feature the artworks of prisoners, artworks produced from workshops given by contemporary artists in the Bali prisons, and independently produced studio works by some of the invited artists relating to aspects of prison and the incarceration system.

Pavlovic is interested in taking the exhibition beyond a community type art show in which members of a social group are asked to express themselves through art, and the therapeutic benefits of that process becomes the exhibition theme. “Exhibitions displaying prisoners artworks are common, but I think that if our project’s aim was only to display prisoner’s artworks, regardless of their artistic capabilities, then professional artists may not need to be involved at all,” she said.

Inmates at Klungkung jail art making. Image courtesy M.L. Pavlovic                                    Inmates at Klungkung jail art making

“There are so many highly capable creative people in jails, and so I thought that a more interesting and challenging way to address the exhibition, than a straightforward community art show, would be through a type of artistic laboratory in which the artists and prisoners skills are equally valued.”

With these ideas in mind, Pavlovic invited foreign international artists and Indonesian artists to give a range of workshops predominantly in the Klungkung Prison, East Bali. The workshops began in August, continuing on until March 2018 prior to the exhibition. East Javanese artist Djunaidi Kenyut conducts workshops inviting inmates to etch their own portraits onto postcard size mirrors. The prisoners become active agents in shaping his idea, and the overall work. The outcomes are ghostly etchings with viewers reflected in them.

“In the Klungkung prison there are about 100 inmates of which there is one person who is very enthusiastic to participate in the workshops, and there are others who like to join in. But I am very happy to witness their passion to know and learn to try new activities such as drawing,” Kenyut said.

Pavlovic provides lectures for women inmates involving embedding living things, like flowers leaves and berries in resin, to preserve life. At the prisoner’s request the group have incorporated butterflies, yet as the program continues the prisoners will incorporate items into their works that are important to them, such as family photos.

Other workshops conducted include East Javanese artist Imam Sucahyo who is posting drawings to inmates requesting their input, and Australian contemporary sculptor Rodney Glick, who has invited prisoners to his cafe, Seniman, at the Tony Raka Art Gallery, for work experience and to learn about art.

IMG_20170922_112054

Glick said, the Seniman coffee ethos is to create happiness. “What better way for people who crave freedom than to work a little and enjoy a coffee on the outside!” Other artists included in the upcoming exhibition are internationally renowned Indonesian artists Agung Mangu Putra and Angki Purbandono, along with the Prison Art Program founding members, and Elizabeth Gower, Alannah Russack and Pavlovic.

 

Dipping in the Kool Aid

Upcoming 3 – 21 March 2018

Tony Raka Art Gallery, Mas, Ubud

 

Words: Richard Horstman

Images: Mary Lou Pavlovic

 

 

 

Reviewing ART|JOG|10

"Fashion As A Weapon" Hendra 'Blankon' Priyadhani. Image Richard Horstman             Fashion As A Weapon, 2017 – Hendra “Blangkon” Priyadhani

How may we define Indonesian art?

Unlike other nations, Indonesia is without an international standard museum as a foundation through which its distinct art narratives and identity may be imparted internationally, and locally. We can, however, reference a different platform ART|JOG, the art fair that supports artists over galleries. Celebrating this year its tenth edition, it has grown into an icon, presenting the ‘voice’ of Indonesian contemporary art diversity to the global audience.

ART|JOG|10 Changing Perspective opened with a limited preview 19 May, at the Jogja National Museum (JNM), Yogyakarta, officiated by GKR Mangkubumi, the eldest child of Yogyakarta Governor Sultan Hamengkubuwono. Annually the event attracts additional foreign visitors, this year there were more international art industry insiders, many expressing ideas about future collaborations.

Mulyana Mogus "Silent Prayers"                         Silent Prayers, 2017 – Mulyana Mogus

Running parallel with Jogja Art Weeks, a month-long abundance of events set throughout the Special Regency, and now in its second year, (another organizational feat by Heri Pemad Art Management), ART|JOG is a fixture on the international art map, a boon for cultural tourism in Central Java.

“The combination of an art fair founded for artists by an artist, hosted at the Jogja National Museum, over a relaxed time frame with daily performances and artist interactivity against a backdrop of the uniquely engaging energy of the Yogyakarta arts community is highly inspiring in a world where art fair fatigue is prevalent,” said artists, art historian, curator, gallerist and collector Jane Walker, who is London and Singapore based, also on her first visit to the fair.

ART|JOG|10’s Open Call Application granted fifteen artists eligibility, while invited artists numbered 58 of a total of 73. One of the most enjoyable features of its format is the freedom to observe works without any presence/pressure of sales, gallery staff, and infrastructure.

J Aryadhitya Pramuhendra - Holy Lamb               Holy Lamb, 2017 – J Aryahitya Pramuhendra

Both local and foreign, emerging and established artists exhibit side-by-side over 3 floors. The JNM’s design of alternative shaped showrooms offers possibilities for varying art encounters. Artists granted individual space, who understood how to capitalize upon this creating intimate art experiences, were generally the most memorable.

A giant batik parasol depicting the sky spans the ceiling and a mural rendered in clay revealing order and disorder are the two prominent features of Seti Legu’s installation, Universal Syndrome. Observers are immersed within an intriguing reconstruction of opposing positive and negative forces – the world according to Javanese cosmology – where human and environmental exploitation contrasts with ideology, religion and materialism; the modern world in conflict with the past. Legu sits and reads poetry aloud, while a traditionally attired elderly musician completes the distinctive ambience.

Invited Chinese artist Geng Xue presents a 13-minute animation, Mr Sea. Her two characters, set within a surreal forest landscape are all made from porcelain. In this extraordinarily sensitive tale, that takes the art form to wonderful innovative heights, breath-taking beauty and tragedy go hand-in-hand. This is a mesmerizing, emotional journey.

"Mr. Sea" Geng Xue, 13 minute porcelain animation. Image Richard Horstman                                Mr. Sea, 2014 – Geng Xue

Syagini Ratna Wulan’s Chromatic Chimera, and Chromatic Myth 1,2&3 together create a tangible atmosphere. Her ‘gloomy’ skyscapes feature tiny colored ‘figures’ floating seemingly without purpose. A hanging geometric form projected with colored light creates beautiful patterns up into a corner, its energetic distinctions, married with her painted compositions create a potent, mysterious abstract experience. While other artists exhibit abstract works, many fail to excite, Wulan’s imagination, however fully engages our senses via the subtle powers of suggestion.

Season In The Abyss, Jim Allen Abel’s commemorative installation honoring 102 people lost in 2007 on an Adam Air flight from Surabaya, East Java to Manado is thought provoking, and ultimately touching. At front a display case presents facts and details including archive photos. Within the darkened space the installation merges elements, projected images, and flashing lights reflect upon mirrors from the ceiling to the floor, and wall. The experience is intriguing and upsetting, yet beautiful as well. Such a thematic is bold, revealing artistic maturity.

ArtJog 10 Merchandise Project - Wearable Art. Scarf by Radi Arwinda, Image by Richard Horstman       ArtJog 10 Merchandise Project – Wearable Art, Scarf by Radi Arwinda

Angki Purbandono collaborated with adventure traveller/actor and advocate for the preservation of Indonesia’s endangered Sumatran elephant, Nicholas Saputra, to make a documentary describing the alarming decline of this specie. Post Jungle – Tangkahan Project introduces an alternative story, in a visual art language aimed to incite the public’s curiosity and concern towards grave Indonesian environmental issues.

Floating Eyes, the commissioned work by Wedhar Riyadi of giant eyeballs floating in water is spectacular. Positioned at the front façade of JNM, evening time it contrasts wonderfully against the white building and the night sky, in the presence of the new, honorary R.J Katamsi statue, flanked by majestic banyan trees. The work, however, lacks local iconography.

Some other works of note include J Aryadhitya Pramuhendra’s Holy Lamb, Mulyana Mogus’ beguiling visual world, Silent Prayers, Agung Prabowo’s linocut reduction print on handmade paper, Study of Convex and Concave by M.C Escher 1955, and Hendra “Blangkon” Priyadhani’s, Fashion As A Weapon. Recipients of this year’s Young Artists Award, a program open to artists under 33 years in appreciation of artistic endeavour are Bagus Pandega and Syaiful Garibaldi.

Indonesian artists, including Wedhar Riyadi, along with art lovers, with "Floating Eyes" JNM. Image Richard HorstmanIndonesian artists, including Wedhar Riyadi, center, along with art lovers, with “Floating Eyes”, Riyadi’s commissioned work.

The popular Fringe Program, headlined by the Curator’s Tour, Meet The Artists, and the ASRI Historical Tour, enhanced the public’s engagement. This year’s new Merchandise Project presents selected local creative communities and artists to showcase their signature works. The strong line-up of Daily Performances including performance art, music, dance, fashion shows and theatre, featured well-known artists Melati Suryodharmo, Garin Nugroho and Rahayu Supanggah, Bimo Wiwohatmo and Astri Kusuma Wardani.

Post preview consensus was, however, the quality of art was down from 2016. “The works were less innovative and less challenging this year compared to last,” said art critic Jean Couteau. “While the local component was minor, the visual and symbolic language is global.”

A deacade of ART|JOG is a huge distinction. Such an event faces great challenges, both internal and external. The vision of Heri Pemad, along with the vigor of Heri Pemad Art Management deserves enormous credit. Indonesia, and the global art world please take note!

20170519_130530                        Universal Syndrome, 2017 – Seti Legu

20170519_125340                             Angki Purbandono, 2017

20170519_131058                Situ Ciburuy; Museum Plan, 2017  – Aliansyah Chaniago

20170519_132125                  Season In The Abyss, 2017 – Jim Allen Abel

20170519_134058                  On the Way, 2017 – “SurantoKenyang

 

ART|JOG|10

19 May – 19 June 2017

Jogja National Museum

Jalan Prof. Ki Amri Yahya No. 1, Yogyakarta

www.artjog.co.id

Words & Images: Richard Horstman

 

 

ART|JOG|10 – Changing Perspective

RJ Katamsi WIP 5Yogyakarta artists work on the R.J Katamsi statue, a project designed and overseen by Wahyu Santoso, honouring the artist, and one of the founders, and the president director of Akademi Seni Rupa Indonesia (ASRI), the first fine arts campus in Indonesia, opened in 1950 (now known as ISI). The work will be erected at the historical JNM, the original ASRI site.

 

A milestone in Indonesian art will be celebrated in May during the Grand Opening of ART|JOG|10, marking a decade in the ART|JOG journey, beginning 19 May at the Jogja National Museum (JNM). Themed: Changing Perspective, the fair will exhibit immerging and established artists side-by-side, while featuring some of Indonesia’s hottest contemporary talent.

An initiative born from the collective will of the Yogyakarta art community, ART|JOG’s significance is its model: a supporting and promotional platform for artists, not galleries, introducing fresh names to the market. The vision of Heri Pemad, who through his support of the local art scene starting some 20 years ago developed strong relationships of trust within the community, the springboard for bigger and brighter things.

"Floating Eyes" Wedhar Riyadi, Jogja National Museum front entry. Image by Richard HorstmanART|JOG|10 2017 commissioned art work “Floating Eyes” by Yogyakarta artist Wedhar Riyadi, at the front facade of the Jogja National Museum.

“ART | JOG has grown quickly since 2008, when it was Jogja Art Fair (JAF). From 2009 we included curators, selected special themes, and artists, and commissioned artists to remodel the façade of the building, originally Taman Budaya Yogyakarta. Wanting to create an international event, in 2010 we renamed it ART | JOG,” said CEO and founder of ART|JOG Heri Pemad.

“We attracted more and more international visitors in 2011 due to increasingly widespread publication, and began inviting international artists for special presentations. From 2012 our curatorial themes evolved. In short, ART | JOG has grown along with the development of the art world itself, because it has presented the development of artwork from Indonesia and the world.”

A Decade of ArtJog's Journey. Image Richard Horstman                                    A decade of ART|JOG’s journey

With a keen eye for the artist’s needs, Pemad launched Heri Pemad Art Management (HPAM) in 2004, an organization that evolved out of his personalized art services. HPAM has since played a defining role in the development of Indonesian contemporary art. This year ART|JOG|10 will exhibit over 120 artworks; 2 & 3 dimensional works, installations, videos, site-specific objects, and performances.

ART|JOG is the anchor event for the Jogja Art Weeks, a month long abundance of openings and events around the Yogyakarta Special Regency, which has developed into an art and cultural tourism boon, attracting national and international art lovers, industry insiders, and collectors.

20170519_125233                                   Poor Yorick – Ichwan Noor

“We have selected 73, national and international artists, this year, via our Open Call Application, whether by invitation, or those who self-applied,” said ART|JOG|10 co-curator Ignatia Nilu. “Our selection process is not only based on the compatibility between the artwork and curatorial concept, but also the presentation method, and the freshness of the artistic concept.” Nilu adds, “The Open Call program is an unsurpassed way to scout the best young talent.”

ART|JOG|10’s main program includes the exhibition by Indonesian, and also artists from Singapore, Japan, England, USA and Australia. Some of the local names showing are Angki Purbandono in collaboration with Nicholas Saputra, Agus Suwage, I Nyoman Masriadi, Tromarama and Agan Harahap. This year’s Commissioned Works are by Wedhar Riyadi, a young Yogyakarta artist, presenting his balloons installation, decorated with eye icons, transforming the main facade of JNM.

20170519_125333.jpg                   Souvenir from Tangahan – Angki Purbandono

“Through the theme, Changing Perspectives: The Challenge For The Artist, we dare the artists to take a fresh look at how they work from various point of views,” said Bambang “Toko” Witjaksono, of the curatorial team. “Not only from technical aspect, but also the interpretation, to hopefully enhance, and achieve beyond what we have had, and have experienced to now.”

A new and special highlight of ART|JOG|10 is The Making Of The Statue Of R.J Katamsi, a 2.5 bronze made in conjunction with Wahyu Santoso. The statue honours the artist, and one of the founders, and the president director of Akademi Seni Rupa Indonesia (ASRI), the first fine arts campus in Indonesia, opened in 1950 (now known as ISI). The work will be erected at the historical JNM, the original ASRI site.

20170519_125429                                   Dasar – Rudi Mantofani

The event’s Supporting Program includes an Open Air Cinema, a collaboration with Jogja-Netpac Asian Film Festival (JAFF). The Young Artist Award, an award for the best young participating artists under 33 years old or below. Jogja Art Weeks, a publication providing comprehensive information about art and cultural happenings in Yogyakarta from May-June, (the free guide book will enhance the visitor experience, while being an essential supportive platform for the art tourism program), and the Merchandise Project has invited 20 artists, including Eko Nugroho, Papermoon Theatre, Oky Rey Montha, Farid Stevy, and Bob Sick Yudhita to create special buyables.

For ART|JOG|10 VIP guests the special preview on 19 May begins 5 hours prior to the exhibition officially opens.

Supporting Program Time & Dates:

Curatorial Tours: Saturday, 27 May & 10 June, 3 PM, Sunday, 4 & 18 June, 3 PM.

Meet The Artists: Sunday 28 May & 11 June, 3 PM, Santurday, 3 & 17 June, 3 PM.

Open Air Cinema: Tuesday 23 & 30 May, 6 & 13 June, 7:30 PM.

ASRI Tours: Tueday 6 & 13 June, 3 PM.

20170519_130238                              Be Ready – Nyoman Masriadi

ART|JOG|10

Open from 7pm 19 May

Continuing through to 19 June 2017

Daily from 9am – 5pm

Jogja National Museum

Jalan Prof. Ki Amri Yahya No. 1, Yogyakarta

www.artjog.co.id

Words: Richard Horstman

Images: Courtesy ArtJog10 & Richard Horstman

20170519_132451Study of convex and concave by M.C Escher, 1955 – Agung Prabowo

 

 

 

 

 

 

 

 

 

Previewing Indonesian Modern & Contemporary Art at Sotheby’s Hong Kong Spring Sale

The 1-5 April Sotheby’s Hong Kong Spring Sales, a highly anticipated auction on the 2017 global calendar, inevitably will draw increased global attention to the Asian region.

Sotheby’s first conducted sales in Hong Kong in 1972. For the first time however, works by iconic Western contemporary artists Andy Warhol, Jean Michel Basquiat and Damien Hirst will be presented during the 2 April Modern and Contemporary Art Evening Sale, to be held at the Hong Kong Convention and Exhibition Center.

Affandi, Colosseum, Roma.Image courtesy sotheby's HK                             Lot 1047 Colosseum, RomaAffandi

For collectors of Indonesian modern art the following works will be of interest, especially Lot 1047 Colosseum, Roma. Painted in 1972, this is one of the three known depictions of the famous Roman amphitheater by Affandi, (1907-1990). Arguably Indonesia’s most important modernists Affandi was the first Indonesian to exhibit in the Venice Biennale in 1954.

Capturing afternoon sunlight emblazoning the arena, this rare work would compliment any Affandi connoisseurs collection, and has an estimated price between HKD 2,200,000 – 2,500,000 (Rp.378,070,000–601,480,000). Lot 1048, Barong, 1966, also by Affandi, has an estimated price between HKD 1,800,000-2,800,000 (Rp.3,091,880,000-4,809,600,000).

Lee Man Fong_Balinese Procession                               Lot 1024, Balinese ProcessionLee Man Fong

Lot 1021, The Lotus Pond, is by Belgian impressionist painter Adrien Jean le Mayeur (1880-1958), who fist settled on Bali in 1932. One of several pieces he left unfinished upon his death, it portrays Balinese beautiful women in, and surrounding a pond. It’s estimated price ranges between HKD 3,800,000 – 5,500,000 (Rp.6,527,310,000 –9,447,420,000).

Lee Man Fong, (b. Guangzhou 1913-1988) spent extended periods painting in Bali. Lot 1024, Balinese Procession is an excellent work, highlighted by his fusion of East and West styles with an estimated price between HKD 10,000,000-15,000,000 (Rp.17,177,100,000–25,765,700,000).

Hendra Gunawan_Cucu-Cucu Witarsa Mengenang Bintang PSSI. ALM. Djamiart Dhalhar (The Grandchildren of Witarsa Commemorating Indonesian Football Star, the late Djamiat Dhalhar)Lot 369,Cucu-cucu Witarsa Mengenang Bintang PSSI. Alm. Djamiart Dhalhar (The Grandchildren of Witarsa Commemorating Indonesian Football Star, the Late Djamiat Dhalhar) – Hendra Gunawan

Three contemporary works are offered in this sale. Lot 1056, Cakrawala Warna #8 (Colour Horizon #8) 2012-2016, by renowned painter Rudi Mantofani (b. 1973, Padang, West Sumatra) has an estimated price between HKD 650,000-950,000 (Rp.1,116,510,000-1,631,830,000),  Lot 1057, I Nyoman Masriadi, The Old Master (Snapping Provocation of Samuro) 2016 is estimated between HKD 1,800,000-2,800,000 (Rp.3,091,880,000-4,809,600,000), An abstract composition by the most prized Indonesian woman contemporary artist, Aye Tjoe Christine, Lot 1059, Black and the Small White, 2014, has an estimated price of between HKD 500,000-700,000 (Rp.858,856,000-1,202,400,000).

Arin Dwihartanto Sunaryo_Harmonic Tremor             Lot 219, Harmonic Tremor, 2016 – Arin Dwihartanto Sunaryo

A diverse array of more than 30 works by Indonesian artists, with price ranges to suit all budgets, are offered the following day during the 3 April Modern and Contemporary Southeast Asian Art Sale. Works from emerging, established, senior, and deceased artists are presented.

For new buyers wishing to enter the Indonesian market there are opportunities with works by prominent contemporary names going under the hammer within the lower range of estimated prices, including Heri Dono, Yunizar and Agus Suwage. Some artists in the middle to upper price range are Rudi Mantofani, Nasirun, I Nyoman Masriadi, and Rudi Mantofani.

Agus Triyanto BR_Savana Dance                             Lot 208, Savana DanceAgus Triyanto BR

One of the emerging artists featured is Angki Purbandono (b.1971 Yogyakarta), a pioneer in the use of digital scanning technology (scanography) in Indonesian contemporary art. Lot 212, The Plastic Guns – Violence for Beginners, a scanography transparency in neon box installation has an estimated price of between HKD 20,000-40,000 (Rp.34,351,500-68,703,000). Another is East Javanese painter Agus Triyanto BR (b.1979), Lot 208, Savana Dance, 2016, is a surrealistic composition with an estimated price between HKD40,000-60,000 (Rp.68,703,000-103,063,000).

Lot 211, Multicolor, 2016 by Arin Dwihartanto Sunaryo (b.1978, Bandung) is a dynamic composition created by a moving blend of poured pigment paint suspenAgus Triyanto BRded in resin and pressed upon glass. The three panel work, 180 x 465 cm has an estimated price of between HKD 40,000-60,000 (Rp.68,703,000-103,063,000).

189HK0717_XXXXX             Lot 350, Three Balinese Maidens With Offerings – Theo Meier

For seasoned collectors the sale features eight paintings by Lee Man Fong, four by Affandi, three by Srihadi Sudarsono, and three compositions by S. Sudjojono, who is considered the one of the fathers of Indonesian modern art. Lot 372 Pemendangan (Landscape), has an estimated price between HKD 650,000-950,000 (Rp.1,114,630,000-1,629,080,000).

Lot 369,Cucu-cucu Witarsa Mengenang Bintang PSSI. Alm. Djamiart Dhalhar (The Grandchildren of Witarsa Commemorating Indonesian Football Star, the Late Djamiat Dhalhar), is by artist, poet, sculptor and guerilla fighter Hendra Gunawan (1918-1983). It depicts a group of children playing football in a surrealistic landscape and is estimated between HKD 1,000,000-2,000,000 (Rp.1,714,820,000-3,429,640,000).

217HK0717_XXXXX          Lot 213, Pemandangan Dari Atas (Landscape From Above) – Nasirun

Works by noted foreign artists include Dutch painters Willen Gerard Hofker (1902-1981) and Arie Smit (b.1916, The Netherlands – 2016, Bali), along with Theo Meier (Switzerland 1908-1982), Adrien Jean le Mayeur.

Buyers bidding over the phone, and on the Internet, who are unable to attend the previews days or auction are advised to contact Sotheby’s and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically gaged. Condition reports of the works, outlining the paintings current state and whether it has repairs or over painting are available upon request. Provenance, the historical data of the works previous owner/s is also important.  Estimates do not include buyer’s premium. Prices achieved include the hammer price plus buyer’s premium up to 25% of the hammer price.

HK0717-374_web                      Lot 374, Janger Dancer – Srihadi Sudarsono

 

Previews open to the public 31 March

Modern and Contemporary Art Evening Sale 2 April from 7pm

Modern and Contemporary Southeast Asian Art Sale 3 April from10 am

The Hong Kong Exhibition and Auction Venue,

Hall 5 Hong Kong Convention and Exhibition Center (New Wing),

1 Expo Drive, Wan Chai, Hong Kong.

 

Words: Richard Horstman

Images courtesy: Sotheby’s Hong Kong