Tag Archives: Affandi

Previewing Indonesian Modern & Contemporary Art at Sotheby’s Hong Kong Spring Sale

The 1-5 April Sotheby’s Hong Kong Spring Sales, a highly anticipated auction on the 2017 global calendar, inevitably will draw increased global attention to the Asian region.

Sotheby’s first conducted sales in Hong Kong in 1972. For the first time however, works by iconic Western contemporary artists Andy Warhol, Jean Michel Basquiat and Damien Hirst will be presented during the 2 April Modern and Contemporary Art Evening Sale, to be held at the Hong Kong Convention and Exhibition Center.

Affandi, Colosseum, Roma.Image courtesy sotheby's HK                             Lot 1047 Colosseum, RomaAffandi

For collectors of Indonesian modern art the following works will be of interest, especially Lot 1047 Colosseum, Roma. Painted in 1972, this is one of the three known depictions of the famous Roman amphitheater by Affandi, (1907-1990). Arguably Indonesia’s most important modernists Affandi was the first Indonesian to exhibit in the Venice Biennale in 1954.

Capturing afternoon sunlight emblazoning the arena, this rare work would compliment any Affandi connoisseurs collection, and has an estimated price between HKD 2,200,000 – 2,500,000 (Rp.378,070,000–601,480,000). Lot 1048, Barong, 1966, also by Affandi, has an estimated price between HKD 1,800,000-2,800,000 (Rp.3,091,880,000-4,809,600,000).

Lee Man Fong_Balinese Procession                               Lot 1024, Balinese ProcessionLee Man Fong

Lot 1021, The Lotus Pond, is by Belgian impressionist painter Adrien Jean le Mayeur (1880-1958), who fist settled on Bali in 1932. One of several pieces he left unfinished upon his death, it portrays Balinese beautiful women in, and surrounding a pond. It’s estimated price ranges between HKD 3,800,000 – 5,500,000 (Rp.6,527,310,000 –9,447,420,000).

Lee Man Fong, (b. Guangzhou 1913-1988) spent extended periods painting in Bali. Lot 1024, Balinese Procession is an excellent work, highlighted by his fusion of East and West styles with an estimated price between HKD 10,000,000-15,000,000 (Rp.17,177,100,000–25,765,700,000).

Hendra Gunawan_Cucu-Cucu Witarsa Mengenang Bintang PSSI. ALM. Djamiart Dhalhar (The Grandchildren of Witarsa Commemorating Indonesian Football Star, the late Djamiat Dhalhar)Lot 369,Cucu-cucu Witarsa Mengenang Bintang PSSI. Alm. Djamiart Dhalhar (The Grandchildren of Witarsa Commemorating Indonesian Football Star, the Late Djamiat Dhalhar) – Hendra Gunawan

Three contemporary works are offered in this sale. Lot 1056, Cakrawala Warna #8 (Colour Horizon #8) 2012-2016, by renowned painter Rudi Mantofani (b. 1973, Padang, West Sumatra) has an estimated price between HKD 650,000-950,000 (Rp.1,116,510,000-1,631,830,000),  Lot 1057, I Nyoman Masriadi, The Old Master (Snapping Provocation of Samuro) 2016 is estimated between HKD 1,800,000-2,800,000 (Rp.3,091,880,000-4,809,600,000), An abstract composition by the most prized Indonesian woman contemporary artist, Aye Tjoe Christine, Lot 1059, Black and the Small White, 2014, has an estimated price of between HKD 500,000-700,000 (Rp.858,856,000-1,202,400,000).

Arin Dwihartanto Sunaryo_Harmonic Tremor             Lot 219, Harmonic Tremor, 2016 – Arin Dwihartanto Sunaryo

A diverse array of more than 30 works by Indonesian artists, with price ranges to suit all budgets, are offered the following day during the 3 April Modern and Contemporary Southeast Asian Art Sale. Works from emerging, established, senior, and deceased artists are presented.

For new buyers wishing to enter the Indonesian market there are opportunities with works by prominent contemporary names going under the hammer within the lower range of estimated prices, including Heri Dono, Yunizar and Agus Suwage. Some artists in the middle to upper price range are Rudi Mantofani, Nasirun, I Nyoman Masriadi, and Rudi Mantofani.

Agus Triyanto BR_Savana Dance                             Lot 208, Savana DanceAgus Triyanto BR

One of the emerging artists featured is Angki Purbandono (b.1971 Yogyakarta), a pioneer in the use of digital scanning technology (scanography) in Indonesian contemporary art. Lot 212, The Plastic Guns – Violence for Beginners, a scanography transparency in neon box installation has an estimated price of between HKD 20,000-40,000 (Rp.34,351,500-68,703,000). Another is East Javanese painter Agus Triyanto BR (b.1979), Lot 208, Savana Dance, 2016, is a surrealistic composition with an estimated price between HKD40,000-60,000 (Rp.68,703,000-103,063,000).

Lot 211, Multicolor, 2016 by Arin Dwihartanto Sunaryo (b.1978, Bandung) is a dynamic composition created by a moving blend of poured pigment paint suspenAgus Triyanto BRded in resin and pressed upon glass. The three panel work, 180 x 465 cm has an estimated price of between HKD 40,000-60,000 (Rp.68,703,000-103,063,000).

189HK0717_XXXXX             Lot 350, Three Balinese Maidens With Offerings – Theo Meier

For seasoned collectors the sale features eight paintings by Lee Man Fong, four by Affandi, three by Srihadi Sudarsono, and three compositions by S. Sudjojono, who is considered the one of the fathers of Indonesian modern art. Lot 372 Pemendangan (Landscape), has an estimated price between HKD 650,000-950,000 (Rp.1,114,630,000-1,629,080,000).

Lot 369,Cucu-cucu Witarsa Mengenang Bintang PSSI. Alm. Djamiart Dhalhar (The Grandchildren of Witarsa Commemorating Indonesian Football Star, the Late Djamiat Dhalhar), is by artist, poet, sculptor and guerilla fighter Hendra Gunawan (1918-1983). It depicts a group of children playing football in a surrealistic landscape and is estimated between HKD 1,000,000-2,000,000 (Rp.1,714,820,000-3,429,640,000).

217HK0717_XXXXX          Lot 213, Pemandangan Dari Atas (Landscape From Above) – Nasirun

Works by noted foreign artists include Dutch painters Willen Gerard Hofker (1902-1981) and Arie Smit (b.1916, The Netherlands – 2016, Bali), along with Theo Meier (Switzerland 1908-1982), Adrien Jean le Mayeur.

Buyers bidding over the phone, and on the Internet, who are unable to attend the previews days or auction are advised to contact Sotheby’s and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically gaged. Condition reports of the works, outlining the paintings current state and whether it has repairs or over painting are available upon request. Provenance, the historical data of the works previous owner/s is also important.  Estimates do not include buyer’s premium. Prices achieved include the hammer price plus buyer’s premium up to 25% of the hammer price.

HK0717-374_web                      Lot 374, Janger Dancer – Srihadi Sudarsono

 

Previews open to the public 31 March

Modern and Contemporary Art Evening Sale 2 April from 7pm

Modern and Contemporary Southeast Asian Art Sale 3 April from10 am

The Hong Kong Exhibition and Auction Venue,

Hall 5 Hong Kong Convention and Exhibition Center (New Wing),

1 Expo Drive, Wan Chai, Hong Kong.

 

Words: Richard Horstman

Images courtesy: Sotheby’s Hong Kong

 

 

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Indonesian Art Growing in Popularity With Regional Collectors: Reviewing Sotheby’s Hong Kong Autumn Sales 2016

sothebys-auction-scene_modern-and-contemporary-asian-art-evening-sale-image-coutesy-sothebysScene from the Sotheby’s Sale 2 October, Affandi’s “Borobudur and the Sun” 1984, sets a new world record for the artist selling for US $ 1.26 million. All Images courtesy of Sotheby’s  Hong Kong.

 

More than 290 items of fine art went under the hammer in two auctions of special interest to collectors of Indonesian Modern and Contemporary Art during Sotheby’s Hong Kong Autumn Sales 2016. The Modern and Contemporary Asian Art Evening Sale 2 October, and the Modern and Contemporary Southeast Asian Art Day Sale 3 October featured paintings by the prominent Indonesia artists. More than half the total of auction lots sold achieving prices over their high estimates, reflecting a well-curated sale aligned with the current market.

affandi_borobudur-and-the-sun                        “Borobudur and the Sun” 1984 – Affandi.

There were two notable highlights of the Modern & Contemporary Asian Art Evening Sale, of the four works by Indonesia’s most internationally renowned modernist Affandi (1907-1990), 2 sold within their estimated prices, however Lot # 1034 “Borobudur and The Sun” 1984, estimated between US$ 585,000 – 880,000 set a new world record for the artist selling for US $ 1.26 million, including the buyers premium.

ay-tjoe-christine-when-it-is-the-only-path-of-going-home-image-courtesy-of-sothebys-hong-kong“When It Is the Only Path of Going Home” – Ay Tjoe Chrsitine. Sold for US $ 429,000.

Indonesia’s most sought after female contemporary painter Ay Tjoe Christine (b.1973) is distinguished by her sensitive, yet often dark and moody abstract compositions. Lot # 1071 “When It Is the Only Path of Going Home”, estimated price between US $ 77,500 -104,000 sold for a whopping US $429,000. Another work by Affandi, Lot #1035 “Balinese girl with Piglet” estimated between US $ 232,000 – 322,000 sold for US $ 505,000.

lee-man-fong_satay-vendor-with-mother-and-son “Tukang Sate Dengan Anak & Ibu” – Lee Man Fong. Sold for US $ 161,000.

Lot # 1064 by Lee Man Fong (1913-1988) “Setelah Mandi” with an estimated price between US $ 77,000 – 116,000 sold for US $ 145,000. Lot # 1061 “Village Life” 1975, by Hendra Gunawan (1918-1983), estimated between US $ 710,000 – 1,100,000, sold for US $ 846,000, while Lot # 1073 “Proud” 2012, by Nyoman Masriadi (b.1973), estimated between US $ 258,000 – 387,000 sold for US $320,000.

09_hendra-gunawan_chicken-vendors               “Pedagang Ayam” – Hendra Gunawan. Sold for US $ 350,771.

Highlights of the 3 October Modern & Contemporary Southeast Asian Art Day Sale include Lot # 399 “Landscape Gunung Kawi, Bali” by Srihadi Sudarsono (b.1931), estimated price between US$ 49,000 – 71,000, sold for US $ 89,000. Lot # 391 “Pedagang Ayam” by Hendra Gunawan estimated between US $154,000 – 232,000, and sold for US $ 350,771, and Lot # 368 “Three Women in the Garden” by Adrien le Mayeur (1880-1958) estimated between US $ 154,000 – 232,000 sold US $ 319,821.

srihadi-sudarsono_landscape-gunung-kawi-bali       “Landscape Gunung Kawi, Bali” – Srihadi Sudarsono. Sold for US $ 89,000.

Again Ay Tjoe Christine was popular, Lot # 218 “When I See It Is The Only Way Home #1”, estimated between US $ 38,000 – 64,000 sold for US $ 258,000. Mochtar Apin (1923-1994) with Lot # 385 “Memecah”, a wonderful abstract triptych with an estimated price between US $ 38,000 – 64,000 sold for US $ 92,720. Lot # 364 “Exotic Nude With Gong” by Antonio Blanco (1923-1991) with an estimated price between US $ 8,000 – 12,000 sold for US $ 25,972.

2-lot-368-adrien-jean-le-mayeur-de-merpres_three-women-in-the-garden   “Three Women in the Garden” – Adrien le Mayeur. Sold US $ 319,821.

Lot # 227 “Seven Magnificent Masterpieces #1&2”by Bali’s Gede Mahendra Yasa (b.1967) is from a series focusing on the exploration of Balinese aesthetics, with an estimated price between US $ 38,700 – 64,500 the works sold for US $ 116,000. Collectors responded with enthusiasm to works by emerging artists demonstrating the healthy development of the market, two Indonesian artists with strong results were Oky Rey Montha (b. 1986) Lot # 225 “The Dark Salvador” estimated price between US $ 5,800 – 8,300 sold for US $ 11,284, and M Irfan (b. 1972) with Lot #237 “One Day For Good Day” estimated between US $19,000 – 25,000 and selling at US $ 40,000.

mochtar-apin_memecah-triptych-1 “Memecah” – Mochtar Apin. One third of the triptych that sold for US $ 92,720.

The recent death of renowned Dutch colorist Arie Smit (1916-2016) was an enormous loss to Indonesian art. Thirteen paintings within a range of prices went under hammer, four failed to sell, while 8 sold within the estimated prices, however Lot # 348 “Full Moon in Bali”, estimated price between US $ 14,000 – 20,000 sold for US$ 20,956. Other well known artists included in the sales were S. Sudjojono, Dullah, Agus Suwage, Entang Wiharso, Agung Mangu Putra, Heri Dono, Rudolf Bonnet and Willem Hofker.

gede-mahendra-yasa_i-seven-magnificent-masterpieces-image-courtesy-of-sothebys“Seven Magnificent Masterpieces #2” – Gede Mahendra Yasa.  His two works sold for US $ 116,000.

“In 1996, Sotheby’s began selling Southeast Asian Art in Singapore. The auctions for the category moved to Hong Kong in 2008, providing a platform for increased international exposure,” said Sotheby’s Hong Kong Head of Department, Southeast Asian Art, Kim Chuan Mok.

“Southeast Asian art is considered relatively affordable compared to art in other regions, making it a popular entry point for new collectors. Indonesia dominates the region’s art market with a greater than 50 percent market share based on total auction sales at Sotheby’s and Christie’s.”

lot-348_full-moon-in-bali                     “Full Moon in Bali” – Arie Smit. Sold for US$ 20,956.

An example of the buoyancy of this market was evident at the 2015 Sotheby’s Autumn Sale with Hendra Gunawan’s “Bathing in the Shower” selling for US $ 1.3 million, more than 5 times higher than the most expensive Southeast Asian painting sold at the first auction for the category in 1996. The results of the 2 & 3 October auctions confirm the growing demand for Indonesian modern and contemporary art by regional collectors (Taiwan, Hong Kong & Japan), especially works by the maestros, by collectors seeking quality.

nyoman-masriadi-proud-image-courtesy-of-sothebys-hong-kong

“Proud” 2012 – Nyoman Masriadi.  Sold for US $320,000.

Words by Richard Horstman

 

National Gallery Singapore Presenting and Archiving Indonesian Art

Farah Wardani. Image courtesy of NGSAssistant Director of the National Gallery Singapore Resource Center Indonesian Art Historian Farah Wardani. Image Courtesy NGS

A meeting point for major civilizations, religions and colonial powers, Southeast Asian art has experienced a turbulent social and political history defined by a complex relationship between local traditions and influences from the West. Open from November 2015, the National Gallery Singapore (NGS) oversees the world’s largest public collection of modern Southeast Asian art.

Boasting over 8,000 works including paintings, sculptures, printmaking, photography and video from the 19th and 20th centuries, housed in two immaculately restored and transformed national monuments – the former Singapore Supreme Court and City Hall – the NGS works together with international museums to jointly present Southeast Asian art in the global context.

bosch-brand-forest-fire-raden-saleh-1849-ngs-uob-souteast-asia-gallery-image-richard-horstman               “Bosch Brand” (Forest Fire) 1849  – Radan Saleh, National Gallery Singapore

Two exhibitions currently running at the NGS highlight Indonesian art. “Between Declaration & Dreams: Art of South East Asia Since the 19th Century” features nearly 400 artworks (over 90 by Indonesians) in the UOB Southeast Asia Gallery. The exhibition brings together the defining art movements and styles in the development of Indonesian modern art. From the “grandfather of modernism” Raden Saleh (1811-1880), featuring his 1839 composition “Wounded Lion”, to the “pretty pictures” Mooi Indies landscape genre that prevailed until early in the 20th Century.

Sudjojono (1913-1986) and friends next challenged the paradigm with a new nationalist style while banding together in the collective, PERSAGI (Persatuan Ahli Ahli Gambar Indonesia, 1938). The exhibition continues with the likes of Affandi, Hendra Gunawan, Walter Spies, and A.A Gede Meregeg to the 1970’s avant garde with the iconic work from the Gerakan Seni Rupa Baru movement, “Ken Dedes” by Jim Supangkat (1975 remade in 1996), and the 1993 video documentation by Krisna Murti,”12 Hours in the Life of Agung Rai the Dancer.”

ken-dedes-jim-supangkat-1975-remade-1996-image-richard-horstman                         “Ken Dedes” 1975 – Jim Supangkat, National Gallery Singapore

In the Singtel Special Exhibition Gallery “Reframing Modernism”, open from 31 March- 17 July, was the NGS’s first international collaboration, with the Center Pompidou of Paris. The history of modernism is a story of influence: that artistic movements developed in Europe and America and then spread to the rest of the world. The landmark exhibition focuses on the practices of individual artists in the West and Southeast Asia and how they can be connected to one another.

Drawing on over 200 iconic works exhibiting side-by-side are Kandinsky, Matisse, Picasso and Chagall, to name a few, along with Indonesian masters including Lempad, Sobrat, Sudjojono, Affandi and Hendra Gunawan. Labeled as ambitious exposition by some foreign critics, this is a unique opportunity to engage with some of the master works of modern art, complimented by the presence of Indonesians, and is an essential insight into modern art development. Emphasis was given to the architect-cum-artist icon Lempad (1862-1975), whose line sketches revolutionized Balinese art, and the mysterious, pioneering female modernist Emiria Sunassa (b.1894 Nth Sulawesi – 1964). Dubbed an artist, nurse, princess, elephant hunter, plantation administrator, businesswoman and social activist, Sunassa began painting at the age of 40.

sculpture-by-edie-sunarso-painting-sudjojono-purusing-a-poster-1956-image-richard-horstman  Sculpture “The Head  of Monument for the Independence of West Irian”  – Edi Sunarso, National Gallery Singapore

While both exhibitions, presenting some of the finest local art with curatorial attention bringing it into greater context, in a world-class institution are a boon for Indonesia, it is the less publicized, archival projects occurring deep within the sanctum of NGS that will garner increasing international interest to Indonesian art, along with added value.

“People tend to see archives as merely a library, knowing its important, yet often taking them for granted,” said Farah Wardani (b.1975 Jakarta), who after 10 years as Director of IVAA (Indonesian Visual Art Archive center) in Yogyakarta was recruited to NGS as Assistant Director of the Resource Center to oversee building the archival inventory. “I am excited to be a part of this enormous NGS project, the first highly focused, professional effort to archive SE Asian and Indonesian art history with international standards. It’s a starting point,” she adds.

dscf5310      “Title Unkown” (Abstract in Orange) 1968 – Ahmad Sadali, National Gallery Singapore

“Setting up the fundamentals of Indonesian art history involves the digitization of information, so we partner up, mostly with artist’s families, then sort through photo albums, diaries, catalogues and interviews, often finding the unimaginable,” Wardani revealed, having recently worked with the Sudjojono Center archiving almost 4000 items by the artist.

“Archiving requires great time and energy, yet the resources can be used in many different ways. Archives are artifacts that bring value by activating life into the artwork adding to the sustainability of the eco-system.”

“Archiving and database resources enable Indonesian art history to come out in the open,” Wardani said, commenting on what the project means for Indonesian art. “How many people actually study the masters of Indonesian art? It is still a niche art, a very unique subject, with a short and intense history. This is a wonderful opportunity for the international community to learn about more Indonesian art.”

dscf5163 “Mereka Yang Terusir Dari Tanahnya” (Those Chased Away From Their Land) 1960 – Amrus Natalsya, National Gallery Singapore

With the increasing engagement of Indonesia art and archival information and hence the relative growth in international appreciation, foreign institutions, curators, collectors and the curious will target the nation’s home grown art, ultimately benefiting the Indonesian art eco system in many ways, including financially.

Words & Images: Richard Horstman

 

dscf5153                      “Perusing A Poster” 1956 – Sudjojono, National Gallery Singapore

dscf5256                          “Pasar” 1943 – Emiria Sunassa, National Gallery Singapore

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