Category Archives: The Bali Art Scene

Art activist’s discussion in Bali launches landmark entrepreneurial program for the disabled

Art Actiivists Budi Agung Kuswara and Hanna Madness during the launching of "Ayo Ketemu!" in Sanur 29th July - Image courtesy of KETEMU PROJECTArt Activists Budi Agung Kuswara and Hanna Madness during the launching of “Ayo Ketemu!” in Sanur 29th July

 

Art Has Saved My Life a discussion led by two art activists 29 June at Rumah Sanur Creative Hub in Bali was one of the insightful forums of Ayo Ketemu! (Let’s Meet!) a landmark enterprenurial creative program for Indonesians with mental and physical disabilities.

In the discussion that was the first of three public events presented by Gerakan Kreabilitas, Hanna Madness and Budi Agung Kuswara spoke candidly about their journeys utilizing art as an alternative therapy to positively impact upon their healing processes in relation to personal mental health issues. Structured around nine casual discussion forums, creative hands-on classes, and product presentations Ayo Ketemu! a 4-days and 3-nights residential workshop program ran from 28 June – 1 July 2019 at venues around Denpasar.

“I am here as a survivor because of my art,” said visual artist and mental health activist Hanna Madness who actively campaigns about art and mental health issues in Indonesia. “I was diagnosed with Bipolar Disorder more recently, however, I began experimenting in 2012 with art to help alleviate the stress and isolation caused by the mistreatment and deteriorating family and school relationships. I had no other choice so I poured my energy into my journal, sketching, painting and writing my thoughts,” said the Jakarta born activist who was named one of the “Top 10 Most Shining Young Indonesian Artists” (2017).

Ella Ritchie (Director & Co-Founder, Intoart UK) and participants during "Pasar Ketemu" evaluation at Rumah Sanur - Image courtesy of KETEMU PROJECTElla Ritchie (Director & Co-Founder, Intoart UK) and participants during “Pasar Ketemu” evaluation at Rumah Sanur

 

“When I was first diagnosed the issue of mental health in Indonesia was still taboo, there is now, however, a huge global momentum exposing the problems of mental health in modern society. My paintings have become my weapon to fight against my mental health issues,” she states.

Budi Agung Kuswara, or “Kabul” as he is known, is an artist and the co-founder of Ketemu Project, an art organization and community art space with a strong social philosophy and international program, located in Bali. In 2017 he initiated the “Schizofriends Art Movement” a community-based psychosocial rehabilitation program with art as the delivery system, devoted to supporting people living with schizophrenia to become active and functional individuals within society.

“Ayo Ketemu! is a nurturing platform for people with disabilities who have already started to create their own art and creative products,” said Kabul. “It is designed so that people with mental and physical disabilities can meet with artists to exchange ideas and viewpoints to help realize possibilities, and with exciting potential for collaboration. The output of this first time project in Indonesia targeting the disabled is highly marketable and export quality products and services.”

Participants of "Ayo Ketemu!" at Sudamal Resort in Sanur Bali - Image courtesy of KETEMU PROJECT             Participants of “Ayo Ketemu!” at Sudamal Resort in Sanur Bali

 

Gerakan Kreabilitas is an initiative movement working in conjunction with Ketemu Project and The Arts Development Company, funded by the British Council of Indonesia through the program of DICE (Developing Inclusive and Creative Economies). “Gerakan Kreabilitas is an initiative sparked by the premise that every individual is creative regardless of their abilities,” said Gerakan Kreabilitas Program Coordinator Rahma Yudi Amartina.

“Kreabilitas is a fusion of the terms “kreatif” and “abilitas” that reflects our vision of combining creative innovations and cultural development with business strategies. For this program we have selected thirty participants from around Indonesia through our Open Call for Participants in the visual arts, visual communication design, product design, craft, and fashion categories.”

"Ayo ketemu!" participants during a creative workshop at Jenggala Ceramics Bali - Image courtesy of KETEMU PROJECT“Ayo ketemu!” participants during a creative workshop at Jenggala Ceramics Bali

 

On 30 June Pasar Ketemu, the second of the open to the public events held at Rumah Sanur was a bazaar space for participants to present their products, ideas or prototypes to a judging panel comprising of Mayun Dewi (Social Enterprise Manager, Ketemu Project), Camelia Harahap (Head of Arts and Creative Industries, British Council Indonesia), Yap Mun Ching (Executive Director, AirAsia Foundation), Slamet Thohari (Lecturer, Researcher & Co-Founder CDSS, Universitas Brawijaya), Ella Ritchie (Director & Co-Founder, Intoart UK) and Baskoro Junianto (Expert & Curator, Badan Ekonomi Kreatif). Visitors to the event were also invited to contribute by voting for the creative enterprises that they believed were the most interesting and inclusive.

The five creative enterprises with the most inclusive ideas, will be receiving seed-funding of IDR 24 millions, incubation and mentorship support for 6 months from July – December 2019 for the development of their products and services, along with marketing and promotion both in Indonesia and globally. The final event of the program and the third event open to the public on 1July was the panel discussion Painting The Future of Creative Economy which explored the topic of a more inclusive arts and creative economy industry for Indonesians with disabilities with the panellists: Paul Smith (Director, British Council Indonesia), Yap Mun Ching (Executive Director, AirAsia Foundation), Baskoro Junianto (Expert & Curator, Badan Ekonomi Kreatif) and Slamet Thohari (Lecturer, Researcher & Co-Founder CDSS, Universitas Brawijaya), moderated by Samantha Tio (Director & Co-Founder, Ketemu Project).

Baskoro Junianto (Expet & Curator, Bekraf) is speaking about the future of creative economy during panel discussion 1July Image coutesy of KETEMU PROJECTBaskoro Junianto (Expet & Curator, Bekraf) is speaking about the future of creative economy during panel discussion 1July

 

“We are happy and grateful to be chosen as one of the selected creative enterprises. We hope that we’ll get a lot of insights and new experiences to contribute to the Indonesian economy by creating social impact creatively,” said the makers of the Surprise Wellness Kit Patricia Thebez from Jakarta and Devi Soewono from Bali, whose purpose is to create collections of products to support mental health sufferers based on different moods. Each product having a distinct response to each emotion.

“We are so delighted and this is unexpected for us,” said Vindy Ariella from Jakarta and Khomsin from Solo, whose project Mental Health Kit was judged as one of the five selected creative enterprises. “We hope that our product can grow in the global market and be useful for many people. Thank you, Gerakan Kreabilitas and Ketemu Project!” Their Mental Health Kit comes in a carry bag and contains a book about mental health, a mindfulness journal, sweater, and aromatherapy candles.

“The event was a great success with a lot of participants having collaboration regardless if they were the selected 5 creative enterprises or not,” stated Amartina. “I am amazed and inspired by all of the participants and their natural creative abilities, along with their powerful sense of self belief.”

Ella Ritchie (Director & Co-Founder, Intoart UK), accompanied by Samantha Tio (Director & Co-Founder, Ketemu Project), while judging at "Pasar Ketemu" Image courtesy of KETEMU PROJECTElla Ritchie (Director & Co-Founder, Intoart UK), accompanied by Samantha Tio (Director & Co-Founder, Ketemu Project), while judging at “Pasar Ketemu”

 

 

Words: Richard Horstman

Images Courtesy: Ketemu Project

 

Rare artworks go under the hammer in the July Larasati Bali auction

Lot 706 "Head of Ayu Ketut" Miguel Covarrubias, lithograph. Image courtesy Larasati                       Head of Ayu Ketut –  Miguel Covarrubias, lithograph

 

The most exciting selection of traditional, modern and contemporary art works for more than a year highlight the second Larasati Bali auction for 2019. Ninety-two items will be offered in the upcoming 20 July, Larasati Traditional, Modern & Contemporary Art Auction to be held at the Larasati Bali Art Space at Tebesaya Gallery, Ubud. The sale has good buying opportunities for those interested in starting a collection, mid level collectors, people with an eye for investing, and of course will attract much attention from the connoisseurs of Balinese painting.

Many distinguished Balinese and international artists are featured in the sale that boasts some unique paintings that are rarely available on the market. The sale, which begins at Saturday 2:30 PM, includes old Balinese masters Ida Bagus Made Poleng, Ida Bagus Made Nadera, Ida Bagus Rai, Wayan Gedot, Anak Agung Gde Meregeg, and Ida Bagus Made Togog, while a rare set of sixteen drawings from the personal sketchbook of the renowned Ida Bagus Nyoman Rai (1915-2000) from Sanur is also available.

Lot 716 "Suasana Pasar Bali" 2006 I Gusti Agung Wiranata. Image courtesy of Larasati                         Suasana Pasar Bali, 2006  – I Gusti Agung Wiranata

 

The works available are in an array of media including sketches in ink and chalk on paper, watercolour, and gouache works on paper, acrylic and oil paintings on canvas, along with mixed media, an etching, lithographs and lithograph reproductions. Some paintings offered come with good local and international provenance.

The sale begins with Indo European Painters of Bali, a selection of nine works by the Willem Gerard Hofker (1902-1981 the Netherlands), Migeul Covarrubias (1904 – 1957 Mexico) and Rudolf Bonnet (1895 – 1978, the Netherlands). Lot 705, Rice Granary, Bali, a lithograph by Covarrubias has an estimated price of between Rp.17 – 12 million. Lot 707 Yogi,1973 by Bonnet is a remarkable watercolour depiction on paper and comes with an estimated price of between Rp30 – 40 million, and Lot 709 by Hofker is an extremely rare oil on canvas self-portrait. A Self Portrait of the Artist, 1961, comes with an estimated price of between Rp. 45 – 55 million.

Lot 753 "Woman with Offering at the Sawah Scene" - Ida Bagus Made Poleng Acrylic on canvas. Image courtesy of Larasati            Woman with Offering at the Sawah Scene – Ida Bagus Made Poleng

 

For those wishing to begin collecting Balinese art there is good, well priced opportunities available. Lot 745 Pementasan Calonarang is an early work by one of the senior and most respected painters of the Yong Artists Style, I Ketut Soki (b. 1946, Penestanan, Ubud). With the distinct, dynamic coloration that defines the genre, this work has an estimated price of between Rp. 7 – 10 million. Another attractive buy, an early work by another senior painter of the same style, I Made Sinteg, is Lot 746 Forest Scene which comes with an estimated price of between Rp 5 – 7 million.

Lot 728, Berburu by I Ketut Regig (Ubud, 1919-2002) has an estimated price of Rp. 5 – 7 million, Mythological Scene, Lot 791 by I Gusit Nyoman Moleh (1918 – 1997) comes with an estimated price of between Rp 7 – 10 million, and Lot 729, Ikan-ikan, a rare small acrylic work by I Made Sukada (Ubud 1945 – 1982) with an estimated price of Rp 2.6 – 3.6 million are also good opportunities for beginners to enter the market.

Lot 728 "Berburu" - Ketut Regig, acrylic on canvas. Image courtesy of Larasati                                        Berburu – Ketut Regig

 

Collecting with an eye for investment? The following lots provide strong investment opportunities especially if purchased within the estimated prices and then matched with a long term view of holding for at least 10 – 15 years before reselling. I Gusti Ayu Kadek Murniashi (Murni) (1966-2006) is agruably Indonesia’s most important female artist and has been recently featured in many exhibitions in high profile Indonesian galleries.

Lot 786, Saya Bahagia Sekali di Hari Itu has an estimated price of between Rp. 15 – 18 million, and also with the same estimated price, Lot 787 Antar Benci dan Rindu dan Tahan Malu Penyayang, 1999, both are good buys from the artist whose work is destined to appreciate in value. An unusually strong colour composition by the influential Dutch painter who spent most of his life in Indonesia, Arie Smit, (1916-2016) Lot 747, Passing the Shrines, 2010, has an estimated price of Rp. 27 – 35 million, and finally Lot 739, Tualen by the colourful Italian-Filipino maestro Antonio Blanco (1911-1999), is a gouache on paper work with an estimated price of Rp. 4 – 5 million, are all good investment grade buys.

Lot 783 "Love Bird" 2007 - Ketut Teja Astawa Acrylic on canvas. Image courtesy of Larasati                                 Love Bird, 2007 – Ketut Teja Astawa

 

For the connoisseurs there are many paintings to choose from, and here are but a few of the highlights, Ramayana Scene, Lot 723 is an early watercolour and ink on paper work by I Made Sukada (Ubud 1945 – 1982) that comes with an estimated price of between Rp. 25 – 35 million.

Ganesha Bertapa, Lot 725, is a beautiful, early ink and watercolour on paper by Wayan Radjin (Batuan 1945-2010) and has an estimated price of between Rp. 20 – 30 million. Lot 748, Bali Life by Ida Bagus Nyoman Rai (1915-2000), is the set of sixteen ink on paper drawings each 34 x 24 cm that comes with an estimated price of between Rp. 70 – 90 million.

Ida Bagus Made Poleng (Tebesaya, Ubud1915-1999) is one of the most highly prized Balinese painters and his two works on offer will attract much attention. Lot 753, Woman with Offering at the Sawah Scene has an estimated price of Rp. 350 – 450 million and comes with strong provenance, and Lot 751 Cremation Ceremony, ca. 1940s, an 51 x 37 cm ink wash on paper, which was exhibited at the Herbert Johnson Museum at Cornell University, USA in 2001 has an estimated price of Rp. 100 – 130 million.

Lot 723 "Wayang Scene" - Made Sukada, watercolour & ink on paper. Image courtesy of Larasati                                    Wayang Scene – Made Sukada

 

Other works of note are Lot 769 by Ida Bagus Made Nadera (1910-1998) of Batuan, Lot 777 is an early painting by one of the pioneers of Balinese modern painting Nyoman Gunarsa (1944-2017), while Lot 783 and 784 are rare early works by Ketut Teja Astawa (b. Denpasar 1970), that were previously in the collection of a Dutch museum. Lot 764, Tari Kecak by I Nyoman Kayun (b. Ubud 1954) is a stunning work featuring all the drama and action of the Kecak dance, and Lot 716, Suasana Pasar di Bali, 2006 by I Gusti Agung Wiranata (b.1969) is also a delightful, yet rare masterpiece, his composition inspired by Walter Spies’ technical Western aspects, that has an estimated price of Rp. 60 – 80 million. Other well-known artists included in the sale are I Gusti Made Deblog, I Wayan Djudjul, Dewa Nyoman Jati, Sewa Putu Mokoh, I Made Wianta and I Ketut Pande Taman.

Potential buyers bidding over the phone, absentee bidders or real-time Internet bidders who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Lot 764 "Rahwana Menculik Dewi Sita" - Nyoman Kayun, Image courtesy of Larasati                     Rahwana Menculik Dewi Sita – Nyoman Kayun

 

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Open to the public at the Larasati Art Space in the Tebesaya Gallery the auction starts at 2:30 pm Saturday 16 February, while viewing begins from 11am Thursday. The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Lot 769 "Berburu Campung" - Ida Bagus Made Nadera Acrylic on canvas. Image courtesy of Larasati                           Berburu Campung – Ida Bagus Made Nadera

 

 

Viewing:

Thursday,         18 July      11am – 7.30pm

Friday,              19 July     11am – 7.30pm

Saturday,         20 July     11am – 2pm

 

Auction: Saturday 20 July, from 2:30 pm

 

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Previewing Larasati Jakarta Auction: Pictures of Indonesia 12 May 2019

Lot 627 "Boats at Kusamba" - Affandi Image Courtesy of Larasati                                         Boats at Kusamba – Affandi

 

Sixty-two items of fine art go under the hammer from 2:30 pm Sunday 12 May in the upcoming Pictures of Indonesia auction conducted by Larasati auctioneers at the CSIS Center, Tanah Abang, Central Jakarta.

The sale offers good buying opportunities for beginner and mid level collectors, as well as the seasoned connoisseurs, with lots available in a vast array of media including works in ink on paper, an etching, a charcoal sketch on paper, pastels on paper, watercolours on paper, oil pastel on canvas, oil and acrylic paint paintings on canvas, and sculptures. Genres of art to be auctioned comprise of Indonesian and Balinese modern paintings, contemporary paintings and sculptures, and Balinese modern traditional paintings, including works from the renowned Batuan School of painting – some are pre-war works.

Lot 662 "Mengintip" - I GAK Murniashi Image Courtesy of Larasati                                      Mengintip – I Gak Murniashi

 

Some of the well-known artists whose work appear in the sale are the Indonesian modern master Affandi (1907-1990), Ida Bagus Made Togog (1913-1989) from the Balinese village of Batuan, the famed Dutch colourist of Bali Arie Smit (1919-2016), talented Dutchman Willem Gerard Hofker (1902-1981), Balinese modern master Nyoman Gunarsa (1944-2017), Nashar (1928-1994), the overlooked painter of abstract and abstraction compositions, and the Balinese painter of the unconventional Dewa Putu Mokoh (1935-2010).

For those new to collecting fine art committed research, along with getting advice is essential, while internet databases are a good source of information, especially on prices of recently auctioned works. Auctions are transparent, providing benchmark prices that serve as a guide to how much collectors should be paying. Themed sections of work define the sale, beginning with Indo European featuring lots by noted Dutch artists, and an Indonesian artist, who painted pre-1960’s in the archipelago. While four compositions depict Indonesian coastal, village and city living, Lot 61 Geiderse Kade Amsterdam by Willem Gerard Hofker is a small etching of a canal scenario in Amsterdam that has an estimated price of between Rp. 4 – 6 million.

Lot 649 "A God and many animals in a Forest" - I Griem Image Courtesy of Larasati                              A God and many animals in a Forest – I Griem

 

For new buyers wishing to build their collection, the following works, if purchased within their estimated prices, offer very good buying. Lot 607 Balinese Woman, 1995, is an oil canvas painting by the overlooked American artist and long-term Bali expatriate Symon that has an estimated price of between Rp. 5 – 7 million. Lot 650 Village Life in Bali, is a colourful acrylic on paper scenario of village activity by noted Batuan painter Ida Bagus Putu Padma that has wan estimated value of between Rp. 6 – 8 million.

Two works are from the Pre War Balinese Art & Batuan Style section in the original Batuan ‘Black & White’ style achieved with ink on paper and reflecting some of the philosophies of the critically acclaimed genre. It must be noted that the years 1930 – 1945 are considered the golden years of Balinese painting. Lot 647 A Fight in a Village by Dewa Made Koendel, is a sketch in grey and black ink on paper, 34 x 31cm with an estimated price of Rp. 13 – 18 million, and Lot 649 A God and many animals in a Forest, circa 1936, by I Griem comes with good provenance and has an estimated value of between Rp. 13 – 18 million.

Lot 620 "Pemantasan Barong" - Wayan Meja Image Courtesy of Larasati                                Pementasan Barong – Nyoman Meja

 

The following lots offer good buying as potential investments if prepared to buy and hold the works for at least 10 – 15 years. Lot 630 Setan Mbesan, 2000-2001 by an icon of Indonesian art Nasirun, is a dramatic and colourful 92 x 147cm work with an estimated price of between Rp. 30 – 40 million. Lot 637 Dilarang Melintas #1, 2010 is an oil paint and pastel depiction of a child from the economically marginalised Balinese village of Songan by Bali’s most important painter Gusti Agung Mangu Putra. The work, which comes with an estimated price of between Rp 70 – 100 million, was exhibited in his landmark 2010 exhibition “Teater Rakyat” (People Theatre), at Galeri Nasional Indonesia, Jakarta.

Lot 656 Baruna Hotel Garden and New Queen Bali Restaurant, 2009 is by Dutch painter Paul Husner and comes with an estimated value of between Rp 70 – 90 million, Lot 662 Mengintip, 2002 with an estimated price of between Rp. 20 – 30 million is by Indonesia’s most significant female artist I Gusti Kadek Murniashi (1966-2006), from Bali, whose work was highly unconventional, erotic and violent, while emphasizing an array of women’s issues.

Lot 637 "Dilarang Melintas #1" - Agung Mangu Putra Image Courtesy of Larasati                              Dilarang Melintas #1 – Agung Mangu Putra

 

Highlights of the sale, and of special interest to the connoisseurs are these following three paintings. A beautiful and incredibly detailed composition of the drama and activity of a Balinese Barong dance, Lot 620 Pementasan Barong, 1999 by Nyoman Meja has an estimated price of between Rp. 300 – 350 million. Surprise and delight fill the faces of the children in the foreground, while the background reveals a vibrant wind swept scenario. Pulsating with energy in Affandi’s signature expressionistic style, Lot 627 Boats at Kusamba, 1980, is a 98 x 128cm oil on canvas composition of fishing boats on the beach in East Bali that has an estimated price of between Rp. 1,000 – 1,300 million. This is a rare work revealing the rigor of Affandi’s power late in his career.

Having previously studied modern art in New York Ahmad Sadali (1924-1987) became a leading avant-garde artist in the Indonesian post-war art and developed a distinctive style of his art in abstract patterns that are blended with the themes of spirituality and mysticism of Islam. Lot 644 Bidang dengan Bongkah Emas, 1986 has an estimated price of between Rp. 650 – 850 million, and was purchased by the current owner directly from Sadali.

Lot 644 "Bidang dengan Bongkah Emas" - Ahmad Sadali Image Coutesy of Larasati                            Bidang dengan Bongkah Emas – Ahmad Sadali

 

Lots 638 – 642 are oil on canvas works by the Javanese painter, classical dancer and contemporary dance choreographer from Yogyakarta, Bagong Kussudiardjo (1928-2004). Lot 639 Semar, 1995 by Kussudiardjo has an estimated price of between Rp. 35 – 45 million. Other interesting Balinese paintings in the sale are Lot 615 Aktifitas di Sawah, by Ketut Gelgel, Lot 614 Di Ladang , by Ketut Kebut, Lot 619 Pementasan Calonarang, by Wayan Djudjul (1942-2008) estimated price between Rp 35 – 45 million. Other popular Indonesian artists included in the sale are Kijono, Rusli, Widyat, Jehan and Yudi Sulistyo.

Potential buyers bidding over the phone, absentee bidders or real-time Internet bidders who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Lot 647 "A Fight in a Village" Dewa Made Koendel Image Courtesy of Larasati                       A fight in a village – Dewa Made Koendel

 

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Open to the public at CSIS Jakarta in Tanah Abang, the auction starts at 2:30 pm Sunday 12 May, while viewing begins from 10:30 am Saturday 11 May. The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Lot 619 "Pementasan Calonarang" - Wayan Djudjul Image Courtesy of Larasati                             Pementasan Barong –  Wayan Djudjul

 

Viewing:
Saturday, 11 May 2019, 10.30 am – 7.30 pm
Sunday,  12 May 2019, 10.30 am – 2 pm

Auction:
Sunday, 12 May 2019, starting at 2.30 pm

Venue:
CSIS Jakarta
Gedung Pakarti Center
Jl. Tanah Abang 3 No.23
Tanah Abang, Jakarta Pusat, Indonesia

 

Words: Richard Horstman

Images: Courtesy of Larasati

 

 

Bali art world personalities: meet Ruth Onduko

Ruth Onduko_Profile Photo                                                   Ruth Onduko

 

The 2008 GFC (global final crisis) spelt disaster for the Bali art world. The Indonesian art market after a record boom went to bust with collector’s buying immediately slowing, galleries around the island closed, while others wound down their activities. The woes continued with a decrease in tourism and smaller holiday budgets – luxury items such as artworks were off the shopping list.

Now, a decade on, the organic response by local artists, art communities and creatives is defining a new era of art infrastructure that is positively impacting upon the Bali art scene. Artist driven initiatives, alternatives spaces, foundations, creative hubs and cafes, along with new art and creative events – the art landscape is increasingly dynamic, exciting and inspiring. Behind these developments is a diverse group of people from different backgrounds shaping new horizons for Bali – one of these dedicated characters is Ruth Onduko.

Ruth Onduko along with members of Futuwonder and the public conducting a Wikilatih workshop (Wikipedia article writing) and uploading eighteen new articles on female artists from Bali. Puan Empu Seni: Edit-a-thon was a part of a national drive, held in conjunction with Wikimedia Indonesia, to increase the amount of data on Indonesian female artists available on the Internet’s most go-to source of information – Wikipedia.

Ruth Onduko hosting the opening of Futuwonder's most recent exhibition "Tanda Seru" March 2019 at Uma SeminyakRuth Onduko hosting the opening of Futuwonder’s most recent exhibition “Tanda Seru” open 31 March 2019 at Uma Seminyak

 

The most experienced and connected art manager on Bali, Ruth represents the new frontier of female art workers, including artists, writers and managers who are the essential ‘small army’ within the rising infrastructure. Born in Semarang, Central Java in 1983, a graduate in Communications Studies from the Gadjah Mada University, Yogjakarta in 2008 Ruth moved to Bali where she began her career as the Public Relations Officer and art event organizer at the Museum Kartun Indonesia, Bali in Kuta. Her next position as gallery manager at the Tony Raka Art Gallery in Ubud introduced her to the Indonesian contemporary art world, were she oversaw operations until 2012.

Ruth went on to project manage art collectives, art and photography communities and event managed “Merayakan Murni / Celebrating Murni”, the landmark collaborative initiative in 2016 by Ketemu Project Space, highlighting the legacy of late, iconic Balinese female artist I GAK Murniashi.

Puan Empu Seni, wikilatih 1.0 in collaboration with Wikimedia indonesia and Futuwonder, we held a workshop on how to make an entry to wikipedia, focusing on data entry of balinese female artists (1)Ruth Onduko along with members of Futuwonder and the public conducting a Wikilatih workshop (Wikipedia article writing) and uploading eighteen new articles on female artists from Bali. Puan Empu Seni: Edit-a-thon was a part of a national drive, held in conjunction with Wikimedia Indonesia, to increase the amount of data on Indonesian female artists available on the Internet’s most go-to source of information – Wikipedia.

 

Instrumental in the development of four important, recent projects that are helping to fill critical gaps within the infrastructure, and that will aid in the future sustainability of the Bali art ecosystem, Ruth has played vital roles in the creation of the annual world-class contemporary art exhibition Art Bali, the design themed event Seminyak Design Week, Futuwonder a collective supporting the women artists of Bali, and her pet social media project – a centralized portal of information promoting events throughout the island – “Senidibali” on Instagram.

“In 2016 I was about to participate in a group photo exhibition in Denpasar and was thinking of the best way to promote this event. At the same time a friend was asking me to help to promote her first exhibition,” Ruth explained. “Other artists, spaces, and communities also needed a platform as so many of them were already sending me their event information and asking me to share it out. Instagram is the easiest, and most accessible tool to engage with a wider audience, so I started @Senidibali, along with its supporting website. I understood the potential to help the community, and especially the art community by sharing what’s happening in the Bali art world.”

Puan Empu Seni, wikilatih 1.0 in collaboration with Wikimedia indonesia and Futuwonder, we held a workshop on how to make an entry to wikipedia, focusing on data entry of balinese female artists (2)Ruth Onduko addressing participants during Puan Empu Seni: Edit-a-thon at Rumah Sanur

 

“Seminyak is the trendsetters capital of Bali, one of the go to locations for foreign and local tourists, especially the millennials,” Ruth stated when revealing the origins of Seminyak Design Week. “Design consciousness is ever present within the architecture, the logo and brand design, and venue interiors – much of this awareness is created by communities of talented local designers. The Indonesian design industry has huge potential to contribute to the burgeoning creative economy. With this in mind, we wanted to showcase the creators who make designs for better communities.”

“I was employed by Uma Seminyak, a performance and event venue in Seminyak, as community manager in February 2018. Working together with the Uma’s team after 3 months of preparation we held the first Seminyak Design Week in May 2018,” she said. The event showcased 39 guest speakers, sixty crafters, designers, and architects participating with other creative spaces throughout Seminyak and Denpasar in design related events. Seminyak Design Week 2019 is slated for August.

55910093_365679750704060_8443468403250823168_oRuth Onduko addressing the audience and artists during the opening of “Tanda Seru”

 

“Bali has many artists, but lacks professionals in the field of art management and event organization. It also requires a specific venue for large-scale events,” Ruth said. “The rapid development of IT and the web is the foundation for enormous growth and opportunity, as more and more collaboration amongst the art workers with expertise continues.”

“It has always been one of my dreams to help create a large scale contemporary art event in Bali. In early 2017 I was asked to join the Art Bali team,” Ruth said. “It has been a great opportunity for me to work and learn directly from Indonesia’s leading art management group HPAM.” (Heri Pemad Art Management of Yogyakarta, responsible for the countries most unique contemporary art event ArtJog).

OPENING PAMERAN EFEK SAMPING DI KARJA ART SPACE, 20 OKT 2018_FUTUWONDER (2)The audience during the opening of the first Futuwonder exhibition “Masa Subur: Efek Samping” at Karja Art Space, Ubud, October 2018

 

A passionate photographer, Ruth Onduko’s excellent array of images can be viewed at:

www.flickr.com/photos/theonduko/

https://theonduko.weebly.com/

Instagram @senidibali

 

Words: Richard Horstman

Images: Ruth Onduko

Previewing Larasati’s Traditional, Modern & Contemporary Art Auction, Bali, August 2018

dewa putu mokoh "iringan pengantin" image courtesy of larasati                     “Iringan Pengantin” – Dewa Putu Mokoh 

 

Each year Larasati Auctioneer’s, Indonesia’s oldest fine art auction house, present two auctions in Ubud highlighting Balinese traditional art. Upcoming Sunday 26 August is seventy-four items for sale in the Traditional, Modern & Contemporary Art Auction. Open to the public, viewing begins 11am Friday 24 August at the Larasati Art Space at Tebesaya Gallery, Ubud, Bali.

The sale is led by a collection of Mr & Mrs Charles Powell, USA, and three beautiful traditional paintings by Wayan Radjin from the 1970’s. The sale presents works by old masters of traditional genres, some unique and rare paintings, works with investment potential, and an array of compositions that allow good entry opportunities into the market for new collectors.

wayan radjin "ramayana membebaskan dewi sita" image courtesy of larasati               “Ramayana Membebaskan Dewi Sita”- Wayan Radjin

 

Catering for a range of tastes works on offer include ink, and watercolour on paper, Indonesian modern art, Balinese modern and contemporary paintings and works in traditional styles, along with a wood carving. Distinguished Balinese artists featured are Ida Bagus Made Poleng, Ida Bagus Made Widja, Gusti Ketut Kobot and Nyoman Gunarsa. For new buyers wishing to enter the market, estimated prices in this sale begin at IDR 500,000 (USD $35). Auctions offer buying opportunities at prices much cheaper than purchasing works directly from the artist studio, or galleries.

These works by respected old masters will be of interest to the connoisseurs of Balinese art. Tjokorda Oka Gambir (1902-1975) is one of the founders of the Ubud School of Painting, lot# 549 Mythological Scene in Kamasan Style is a large 248 x 132cm work in natural colour on cloth with an estimated price of between IDR 65 – 80 million, while lot #550 Garuda & Wisnu is by one of the esteemed masters of the influential Pitamaha Artists Association from Ubud (1936-1945), Gusti Ketut Kobot (1917-1999) with an estimated price of between IDR 95 – 110 million.

dewa ketut rungun "burung burung bangau" image courtesy of larasati                   “Burung – Burung Bangau” – Dewa Ketut Rungun

 

Lot #574 Taris Bali is a superbly balanced composition of traditionally attired Balinese warrior emerging from the forest performing the unique warrior dance by Ida Bagus Made Poleng (1915 – 1999) who is regarded as one of the finest Balinese painters of the past century. This work bears the stamped identification that guarantees authenticity from the Ida Bagus Made Foundation, and has an estimated price of between IDR 165 – 190 million.

The following are rare pieces lot #544, Sarasvati is an early work by the respected Batuan painter Wayan Taweng (1922 – 2004) who trained under Nyoman Ngendon (1906 – 1946) with an estimated price of between IDR 10 – 15,000,000 million. Wayan Radjin (b.1945) is the son of the celebrated Batuan artist I Djata, considered the founding father of the Batuan School. Lot #527 Ramayana Membebaskan Dewi Sita by Radjin is a beautiful acrylic on canvas composition with an estimated price of between IDR 28 – 38 million. Most of Radjin’s works are on paper, and rarely does such a quality work come onto the market.

gusti ketut kobot "garuda wisnu" image courtesy of larasati                          “Garuda Wisnu” – Gusti Ketut Kobot

 

Lot # 572 Iringan Pengatin is a unique work because it is a crowded composition by the renowned painter of the unconventional, Dewa Putu Mokoh (1913 – 2010), and has an estimated price of between IDR 7 – 10 million, while lot #521 Ibu dan Anak, featuring a composition of a mother and child is too an unusual work by Dewa Ketut Rungun (1922-1986), who is noted for his bird compositions. It has an estimated price of between IDR 15 – 20 million.

Opportunities for good investments are lot #513 a. Di Malam Ini and b. Aku dan Dia Bermain, two paintings by Indonesia’s most important woman artist I Gusti Ayu Kadek Murniashi (1966 – 2006), with a combined estimated price of between IDR 18 – 25 million, and lot #520 Bali Life by Ketut Gelgel, which has an estimated price of between IDR 95 – 110 million.

i gusti ayu kadek murniashi "di malam ini" image courtesy of larasati                  “Di Malam Ini” – I Gusti Ayu Kadek Murniashi (Murni)

 

New collectors have opportunities to enter the market with lot #507 Hierarkie by Susilo Budi Purwanto, Berburu Kuda, lot# 512 by Made Wiradana, and two abstract oil paintings, lot #540 Kampung Nelayan Kusamba and lot #541 Gunungan Semar by noted Javanese painter Bagong Kussudiardjo (1928-2004), and the beautiful flowing flora and fauna forms within Burung Burung Bangau, lot #573 by Dewa Ketut Rungun. Emerging Balinese artist Ngakan Putu Agus Arta Wijaya is a young artist worth keeping an eye on, with excellent technical skills, good ideas and a distinctive style, lot# 508 Upgrade comes with an estimated price of between IDR 7.5 – 9 million.

Other popular artists within the sale are renowned Dutch colourist Arie Smit, Otto Djaja, Mochtar Apin, Jehan, Ida Bagus Nyoman Rai, Nyoman Dewa Jati, Dewa Putu Bedil and Agung Mangu Putra.

For buyers seeking to invest it is important to have a strategy, with the view of buying and holding for at least 10-15 years, and to invest early in an artist before everyone is getting on to the market. Look for works that are rare and unique – uniqueness referring to the quality and how often the artist makes such image or composition. A painting’s provenance is important for the established taste and also for authenticity, with the more prominent the previous owners, the better. This also includes the works history of exhibitions and inclusion in books or catalogues.

ida bagus made poleng "taris bali" image courtesy of larasati                           “Taris Bali” – Ida Bagus Made Poleng

 

Potential buyers bidding over the phone, or via real-time Internet bidding who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati

 

 

 

 

 

 

 

 

Welcome to Denpasar2018 Art+Design: An Exhibition & Movement

Invited artist Yoka Sara                        Denpasar2018 – invited artist Yoka Sara

 

During the month of October a unique program of activities presented by CushCush Gallery (CCG) in Denpasar highlights the ongoing transformation of the city into a modern creative hub that is evolving side-by-side with its cultural and historical icons. Opening 5 October DenPasar2018 Art+Design – An Exhibition & Movement headlines the program along with other community happenings, including Design Talk, Design Walk, Open Studios, that coincide with the launch of the DenPasar Art+Design Map 2018/2019.

 “In recent years many creatives from throughout Indonesia and overseas have been attracted to Bali for its lifestyle and rich culture. Many decide to base themselves here, while others return regularly. As the island’s multi-cultural society evolves so does its creative potential,” said CCG co-founder Suriawati Qiu, who along with her partner Jindee Chua in July 2016 launched CCG upon the local art and design landscape injecting exciting energy into Bali’s creative scene.

Curatorial Talk #1 with Kevin & Marishka 6 10 2018   Curatorial Talk #1 with Kevin & Marishka 6th October at CushCush Gallery

 

“Nowadays many of Bali’s youths have been educated in universities outside Bali and internationally, and then return. They are important agents of change and vital contributors to Bali’s artistic spirit and are stakeholders in the new emerging creative economy.”

The development of Bali’s contemporary art and design infrastructure (including new art spaces, co-working creative hubs, festivals, and organizations) are the important meeting and showcasing points for the thriving new generation of creatives. Following on from the first edition released in 2017 the DenPasar Art+Design Map 2018/2019 will include a listing of community events celebrating Art & Design in October.

OLYMPUS DIGITAL CAMERA               Design Talk – Denpasar Inside : Out at Maya Sanur Ballroom

 

The DenPasar Art+Design Map 2018/2019 highlights museums, government and cultural institutions, art and design educational institutions, art galleries and creative spaces, art and creative communities, festivals, artists’ studios, cultural heritage/public spaces/monuments, and the markets within the city of Denpasar.  The map is endorsed by the Denpasar Central Government (Pemerintah Kota Denpasar), Indonesian Hotel and Restaurant Association and the Denpasar Tourism Promotion Board, along with the Indonesian Government’s Agency for Creative Economy, Badan KREATIF Denpasar. Printed in 10,000 copies the map will be distributed at selected Creative spaces and hotels in Bali over the next twelve months. The unique feature of this year’s map is the QR Code to allow direct access to the listed venues via the smart phone App.

“The recent importance given to the creative economy, and its support through government organizations such as Bekraf encourages initiatives in the Creative sectors of economy,” Suria added. “The government plays an important role too.”

Invited artist Alit Ambara                         Denpasar2018 – invited artist Alit Ambara

 

Three invited artists along with 12 Shortlisted Open Call artists will exhibit in DenPasar2018 – An Exhibition and Movement. Themed “Jingga”, which describes the colour of twilight and is a metaphor of how the people of Denpasar feel about both the joys and hardships living in Denpasar. The theme endeavours to capture varying perspectives within Bali’s multi-layered realities in a three-month long exhibition showcasing works of fine artists, designers, architects and performers. Works featured include paintings, installations, multimedia projections, photography, ceramic art, and posters.

Co-curated by Suriawati and Jindee, and independent curator Stella Katherine, the invited artists include Sydney-based painter and performer Jumaadi (b. 1973, Sidoarjo, East Java), who has collaborated with Balinese traditional Kamasan painters, designer and activist Alit Ambara (b. 1970, Singaraja, Bali), exhibiting his poster designs and artefacts used in social movements, and renowned artist and architect Yoka Sara (b. 1965, Denpasar, Bali), who founded and leads SPRITES ART & CREATIVE BIENNALE (est. 2013).

Layung #2 zatkimia 17 10 2018            Layung #2 zatkimia at CushCush Gallery 17th October

 

DesignTalk invites distinguished practitioners and scholars of architecture and design disciplines, including Budiman Hendropurnomo of DCM Indonesia, Maximilian Jencquel of Studio Jencquel, a lecturer and researcher from Warmadewa University Gede Maha Putra, and Japa Wibisana and Magat Kurniawan as representatives of the Indonesian Young Architects community, to share their specialized perspectives on the evolution and transformation of Bali’s architecture. DesignTalk is hosted by Suzy Annetta, the Editor-in-Chief of Design Anthology Magazine and is themed “Bali Inside:Out”.

DenPasar2018 Art+Design is a collective effort to mark the city with its own distinct character as a hub for contemporary arts, design and culture. With CCG’s DenPasar program we aspire to put Denpasar city in the mapping of contemporary Art + Design in Bali and beyond by showcasing the potential in Denpasar and inviting Art + Design lovers to come explore,” Suria stated.

Denpasar2018 Mural Jamming with Kuncir and students of ISI Denpasar on the walls of the Kerobokan prison 30 10 2018Mural Jamming on the walls of the Kerobokan Prison with Kuncir and art students from ISI Denpasar 30th October

 

This combination of an exciting mix of people who are presently in Bali, and the many active platforms give a rise to exciting collaborations and events, to be shared amongst local communities. This visionary initiative helps to lay the foundation for increasing art/cultural/design tourism into the island’s capital and developing the local creative economy.

Located near the heart of the city, CCG is in Gang Rajawali, off Jalan Teuku Umar. An alternative gallery, with an inspiring and unique program embracing interactions and multidisciplinary creativity via explorations at the intersections of art, design, materiality, techniques and crafts, CCG prioritizes community engagement and learning, along with children’s workshops. Open to the public CCG is a must see in Denpasar.

Invited artist Jumaadi

                          Denpasar2018 – invited artist Jumaadi

 

Gotong Royong Seni with Mella Jaarsma 10 11 2018gotong royong seni with Mella Jaarsma 10th November at CushCush Gallery

 

Denpasar2018 Ceramic Painting Workshop 20 10 2018               Ceramics painting Workshop at CushCush Gallery 20th October

 

 

 

DenPasar2018 Exhibition continues until 5 January 2019

Monday—Friday: 9:00AM–5:00PM
Saturday: 9:00AM–12:00PM

CushCush Gallery (CCG)

Jl. Teuku Umar Gg. Rajawali No.1A Denpasar, Bali

Tel. (62) 361 484558

http://www.cushcushgallery.com

 

Words: Richard Horstman

Images courtesy: Denpasar2018 & CushCush Gallery

 

 

Buying Balinese art at auction?

Wayan Radjin "Ramayana Membebaskan Dewi Sita" Image courtesy of LarasatiWayan Radjin – “Ramayana Membebaskan Dewi Sita” Image courtesy of Larasati

 

Are you interested in Balinese art? Ever thought of buying at auction?

Whether driven by your love of art, curiosity, or an eye for investment – buying at auction can be an interesting and exciting way to grow your collection. To the novice auctions may appear intimidating, for aspiring art collectors, however, auctions can provide an excellent point of entry into the marketplace.

Larasati Auctioneers, Indonesia’s oldest international auction house is a dedicated supporter of Balinese art. Specialists in auctioning Balinese traditional art, this year (2018) marks the tweleth year of its Bali auctions, held twice a year in Ubud. Offering an array of collectible items including paintings, sketches, prints and sculptures, their auctions presents good opportunities for buyers with small to medium, and larger budgets.

"Baris" AA Anom Sukawati                                   Baris – Anak Agung Gede Anom Sukawati

 

Here are some tips for the inexperienced on how to buy art during the Larasati Bali sale:

Open for public viewing the items for auction, or lots, are on exhibition from 11am each Friday immediately prior to the auction at Larasati Art Space in Ubud. There will be an array of beautiful art from the Classical paintings to the renowned genres of Balinese modern traditional art, and some modern and contemporary works, on display. Two and a half days allows plenty of time for inspection and to learn more about the works for sale. The free auction catalogue will be your necessary companion to help in this process.

Not only does the catalogue include the details of each lot for sale with the artist’s name, title of the work, medium, size and of course the estimated price of the works market value, it also has the details of how to participate in the auction, along with the necessary pre and post sale procedures. Be sure to read all the fine print. The Larasati website provides information and sales data from past auctions, access to online live bidding, along with the digital auction catalogue. You may wish to do more research about what you intend to buy and the Internet now has more and more information available on Balinese art.

'Sita Satya' Ketut Madra, 103x103cm, Image Richard Horstman                                        Sita Satya – Ketut Madra

Art is very personal, and everyone has different tastes. The secret to buying art that you will enjoy from the first moment you see it, and everyday on the wall at home is to listen to your heart or inner voice. Buying for investment takes know-how. Taking note of your budget is essential, and a buyer’s premium is payable on top of the final sales price of each lot.

On auction day first register your intention to participate and you will receive your paddle with an identification number, which you shall raise to indicate to the auctioneer your wish to bid for a work offered for sale. Understand all the necessary responsibilities you have as a buyer – don’t hesitate to ask questions to the Larasati staff so that you are clear. Inquire if there is a condition report available on the works you are interested in, and knowing more about the works history (previous exhibitions, past sales records, provenance & certificates of authenticity).

Dewa Putu Bedil, 'Harvest Scene', 1980, acrylic on canvas 136x200cm                                  Dewa Putu Bedil – Harvest Scene

 

What can you expect during the auction?

 Auctions move at a swift pace so be attentive and its best to sit at the front of the room. The auctioneer monitors bids from telephone and Internet platforms along with live bidding from people within the room. Auctions become exciting especially when there is spirited competitive bidding quickly raising the prices.

 How does the bidding process work?

The bidding process is straight forward, simply raise your paddle to indicate that you are willing to accept the amount offered by the auctioneer, which will also be indicated on the screen next to the auctioneer in Indonesian Rupiah, American, Singaporean and Hong Kong dollars. The items price will increase by increments and auctioneer will clearly address you, acknowledging they have accepted your bid. Works at auction often sell for prices much lower than that at galleries, or the artist’s studio, yet remember to set a price according to your budget that you are not prepared to go above.

Gusti Nyoamn Lempad, 'The Rickety Bridge' 1940, black ink and pigment on paper.                                Gusti Nyoman Lempad – The Rickety Bridge

 

Hopefully you will succeed in placing the bid accepted as the final sales price that will be confirmed by the fall of the auctioneer’s hammer. Congratulations, your diligence has paid off and you have just won the lot. Finally, complete the payment details and organize the delivery of your new art work.

 This exciting experience will fuel your curiosity about buying art. Do your research and learn as much as possible through books and online, visit museums, galleries, artist’s studios, exhibitions, and more auctions. To train your eye immerse yourself in Balinese art – and enjoy.

For the online catalogues and more information about the next Larasati Bali auction early in 2019 please visit: www.larasati.com  

'Mothers Love' Ida Bagus Tilem, wood, 62x13x17cm. Image Richard Horstman                                  Mother’s Love – Ida Bagus Tilem

 

Auctions held at: Larasati Bali Art Space at Tebesaya Gallery,

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Bali.

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneer’s & Richard Horstman