Category Archives: The Bali Art Scene

Bali MegaRupa: a new era in government sponsored art infrastructure development in Bali?

Bali Deputy Governor Cokorda Ace during the opening of Bali Megarupa at ARMA 10 November 2019. Image courtesy Bali MegarupaBali Deputy Governor Cokorda Ace addresses officials in front of a painting by Made Budhiana during the opening of Bali Megarupa at ARMA 10 November 2019. Image courtesy Bali Megarupa

Bali Megarupa, a large-scale exhibition featuring one hundred and three modern and contemporary artist from throughout Bali, came to a close Sunday 10 November 2019.

An ambitious project, organized in a whirlwind three month period, was set over four locations in Gianyar; ARMA, Museum Puri Lukisan, Neka Art Museum and Bentara Budaya Bali. The event could signal a new proactive era in the development of the Bali art infrastructure from the Bali Provincial Government.

The Bali Provincial Government now has two distinct annual art events, the Bali Arts Festival held in Denpasar through June-July, with the objective of the preservation and development of the traditional arts, and Bali Jani Arts Festival for modern and contemporary art recently conducted October-November. Bali Jani is a new initiative of the Cultural Office of Provincial Bali under the leadership of Dr.Wayan Kun Adnayana, translating the vision of the Governor Wayan Koster, namely Nangun Sat Kerthi Loka Bali, dedicated to art and culture. Bali Megarupa is part of the Bali Jani Art Festival that accommodates the existing modern and contemporary artists and art communities.

"Pertarungan" 2019 - Putu Edy Asmara. Exhibited at Neka Art Museum Image Richard Horstman     ‘Pertarungan’ 2019 – Putu Edy Asmara. Exhibited at Neka Art Museum

“Bali Megarupa is a vehicle for the extensive socialization, mediation, and communication about the vision of advancing art in Bali. The event that will continue annually for five years with the dream of becoming a long-term yearly fixture on the Bali art calendar consolidated by Peratuan Daerah (Bali Provincial Law),“ said Kun Adnyana. “The objectives are to make Bali a centre for art, to realize the highest possible achievements for Balinese artists, and artists from outside of Bali, and to increase the creativity and productivity of Balinese artists producing original, and high-quality visual art.”

“This may be achieved by viewing the island as a large art studio emphasizing more collaborative and creative partnerships and increasing the necessary discourses among the artists, observers, thinkers, researchers, journalists, art lovers and stakeholders. One of the many desired outcomes being the improved public appreciation for the latest achievements of the Balinese visual arts,” he said.

During the opening ceremony of Bali Megarupa 10 October 2019 at ARMA, Dr Wayan Kun Adnyana presents the Bali Megarupa exhibition catalog to Bali Deputy Governor Cokorda Ace as ARMA founder Agung Rai looks on. Image coutesy of Bali Megarupa. During the opening ceremony of Bali Megarupa 10 October 2019 at ARMA, Head of the Cultural Office of  Provincial Bali Dr Wayan Kun Adnyana presents the Bali Megarupa exhibition catalogue to Bali Deputy Governor Cokorda Ace as ARMA founder Agung Rai looks on. Image courtesy of Bali Megarupa.

The opening ceremony of Bali Megarupa 10 October at ARMA in Ubud, included the spectacular Gladi Ritus Seni Tarirupabunyi “Kidung Megarupa” a contemporary art performance led by the renowned Nyoman Erawan, supported by a host of performers. ARMA, Puri Lukisan and Neka Museums presented two-dimensional works, while Bentara Budaya displayed both paintings and an array of sculptures and installations.

Some of the many highlights were ‘Ovarium’ 2019, a three-panel work of digital prints on paper by AS Kurnia, ‘Jejak Air,’2019 by Made Djirna, ‘Nafas Hidup’ 2019 revealing new abstract developments by Made Budhiana and Wayan Redika’s hyper-detailed pencil and charcoal work on canvas, ‘Tumbal Nusantara’ 2019 one display at ARMA. ‘Banaspati Raja’ 2019 by Wayan Adi Sucipta, Ari Winata’s ‘Bali Singahmadawa’ 2019, Limit, 2019 Gede Ngurah Pandji, ‘Sang Hyang Baruna’ 2019 by Made Karyana were eye-catching works at Puri Lukisan and ‘Pertarungan’ 2019 by Putu ‘Edy’ Asmara at Neka. ‘You Sit on my Shit’ 2019 by DP Arsa Putra, Putu Wirantawan’s ‘Gugusan Energi Alam Batin 7.3.10.019//’ 2019 and Dewa Rata Yoga’s four and a meter broad canvas ‘Menuju Harapan Baru’ 2019 were noteworthy at Bentara Budaya.

"Bali Singhamdawa" 2019 Nyoman Ari Winata. Image Richard Horstman                           ‘Bali Singhamdawa’ 2019 – Nyoman Ari Winata

Side events of Bali Megarupa were the discussion Gerakan Seni Rupa Bali sebagai Seruan Kesadaran (Bali Fine Arts Movement as a Call for Awareness) featuring speakers namely Nawa Tunggal (Kompas senior journalist), Bambang Bujono (cultural observer) and Dr Wayan Kun Adnyana attended by over 150 people at Neka Art Museum on 11th October, Lintas Media Bebas Rupa 26 October, another artist’s talk at Bentara Budaya this time addressing the public and school children led by Made Kaek with Made Bayak artist & Plasticology, Tjandra Hutama head of the Denpasar Photography association, illustrator Monez, and Kokosaja Video Artist. The closing of Bali MegaRupa featured a workshop conducted by the Baturlangun artist’s collective of Batuan with elementary school children from Batuan, and vocational school teenagers from SMK/SMSR Ubud, in the gardens of Musem Puri Lukisan.

The 2019 appointment of well-known Balinese artist and curator Kun Adnyana as the Head of the Cultural Office of the Province of Bali is significant to the future success of Bali Megarupa. Director of the Creative Team of Bali Megarupa Made Kaek stated, “Pak Kun Adnyana understands the potential of art in Bali and how it is necessary to have an adequate art infrastructure to embrace all existing potential. His role is strategic, and he is familiar with what is needed to build an art ecosystem. He has already proposed a budget for the Bali Jani Art Festival, including Bali Megarupa, in the 2020 regional planning forecasts.”

20191027_160042The art performance held during the opening of Bali Megarupa at ARMA. Image courtesy of Bali Megarupa

“Pak Kun Adnyana has asked the committee to evaluate Bali Megarupa to help determine the community’s satisfaction. There are internal research and a questionnaire that needs to be completed, along with careful planning for 2020. Our budget provision is highly planned, measured and accounted for,” Kaek continued. “Even though the exhibition has closed the public can still enjoy the artworks through the balimegarupa.id website which will develop into a digital gallery and documentation centre for all Balinese art.”

The feedback I have received about Bali Megarupa from various participants has generally been positive, and they are looking forward to the ongoing development of the event. A few comments, however, that the curatorial process needs improving, others questioned the extravagance of the opening ceremony, while some wonder if Megarupa will achieve any real positive outcomes. All agree that Bali Megarupa will benefit from a careful process of evaluation to help bring more real valuable results for stakeholders in the future.

"Menuju Harapan Baru" 2019 Dewa Rata Yoga exhibited at Bentara Budaya Bali. Image Richard Horstman‘Menuju Harapan Baru’ 2019 – Dewa Rata Yoga exhibited at Bentara Budaya Bali

During the closing event, 10 November at Puri Lukisan Kun Adnyana requested Bali Megarupa to embrace all stakeholders in Bali to expand cooperation networks to support this event to be bigger and stronger. “Big ideas will not develop if they are not executed properly through intensive collaborations, as a joint project with a strong vision to deliver tangible and valuable future outcomes that have a real impact,” he said.

Path Forward

 Kun Adnyana has welcomed “artists, observers, thinkers, researchers, journalists, art lovers and stakeholders”, to participate in “collaborative and creative partnerships, expand cooperative networks increasing the necessary discourses” beginning the task of reinvigorating the Bali art infrastructure. The process may start by assessing the art infrastructure, along with questionnaires to the art community and some of the vital infrastructure to determine the current state of where it is now. Defining a clear vision may be the next step, and what is the desired state by the end of the five years and then develop a road map to arrive at the destination.

"Jejak Air" 2019 - Made Djirna exhibited at ARMA. Image Richard Horstman                 ‘Jejak Air’ 2019 – Made Djirna exhibited at ARMA

A distinct feature of art is that it has unique and valuable social capital within this era of massive disruption. Art strengthens communities and improves the well-being of people’s lives and has a distinct transformational, yet underutilized, potency on Bali. A worthwhile task may be to understand what is a sustainable art ecosystem, and then fully explore all of the components of the Bali art ecosystem as it extends internationally. For Kun Adnyana, his team and the stakeholders’ opportunity awaits.

http://www.balimegarupa.id

Nyoman Erawan during the performance of Gladi Ritus Seni Tarirupabunyi "Kidung Megarupa" 10 October at ARMA Image courtesy of MegarupaNyoman Erawan during the performance of Gladi Ritus Seni Tarirupabunyi ‘Kidung Megarupa’ 10 October at ARMA Image courtesy of Bali Megarupa
Gugusan Energi Alam Batin 7.3.10.019 :: 2019 - Putu Wirantawan exhibited at Bentara Budaya Bali. Image Richard HorstmanGugusan Energi Alam Batin 7.3.10.019 // 2019 – Putu Wirantawan exhibited at Bentara Budaya Bali

Words: Richard Horstman

Photos: Courtesy of Bali Megarupa & Richard Horstman

New guidebook highlights artistic & design events in Bali throughout October – December 2019

The "Bali Art+Design Guide X Bali Art Roads" Oct - Dec 2019 Image Richard HorstmanThe first Bali Art+Design Guide X Bali Arts Road, a pocket guidebook that charts a plethora of events around the island, ranging over three months beginning in October, until the end of December 2019.

 

The Balinese Pawukon calendar is not used to measure time; it encompasses smaller cycles within larger ones. Its purpose is to pinpoint certain days that help to provide a cultural framework of how the people may most effectively conduct certain social, religious, agrarian and creative activities on the most auspicious days according to their sacred beliefs. The month of October presents many appropriate dates to hold artistic events; therefore it is crammed full with art and creative happenings; unofficially it is the ‘Bali Art Month’.

The favourable circumstances of timing have provided the unique opportunity, and inspired the creative communities of Bali, along with visiting internationals, to present a diverse program of events of the calibre to rival that from the creative hubs of Java, and the popular JAW (Jogja Art Weeks) held earlier this year throughout the Central Java regency, and Bandung Art Month, that recently concluded in mid-September in West Java.

Opening of "Mahardika" group exhibition 19 October at TiTian Art Space, Nyuh Kunning, Ubud. Image Richard HorstmanOpening of “Mahardika” group exhibition 19 October at TiTian Art Space, Nyuh Kuning, Ubud

 

2019 welcomes the publication of the first Bali Art+Design Guide X Bali Arts Road, a pocket guidebook that charts a plethora of events around the island, ranging over three months beginning in October, until the end of December. These events include exhibitions, film screenings, music, dance and theatre performances, discussions, open studios and festivals complete with the relevant details and appropriate maps.

“When I travel to other cities within Indonesia or abroad, I find having a guidebook focusing specifically on art and design is very helpful for discovering and exploring the local creative scenes,” said Suriawati Qiu, Bali Art+Design Guide X Bali Arts Road co-director and co-founder of CushCush Gallery in Denpasar. “There are many art and creative communities and spaces in Denpasar and Bali that are, unfortunately, relatively unknown to the public. Having Bali’s own Art+Design guidebook will benefit both our creative communities who are doing amazing works, as well as travellers and locals alike who are interested in art and design.”

The opening of Art Bali 2019 "Specultive Memories" was highlighted by a fashion parade by the Fashion Council of Western Australia (FCWA) which annually holds the Perth Fashion Festival (PFF) Image Richard HorstmanThe opening of Art Bali 2019 ‘Speculative Memories’ was highlighted by a fashion parade by the Fashion Council of Western Australia (FCWA) which annually holds the Perth Fashion Festival (PFF)

 

The Bali Art+Design Guide X Bali Arts Road is an evolution from the DenPasar Art+Design Map first published in 2017 in conjunction with DenPasar Art+Design program, a collective effort by the creative communities of Denpasar along with CushCush Gallery as the central activities venue. It set out to mark the city with its distinct character as a hub for contemporary arts, design and culture.

In 2019 CushCush Gallery collaborates with ART • BALI, the second edition of the annual Indonesian contemporary art exhibition organized by Heri Pemad Management of Yogyakarta, Central Java. Themed SPECULATIVE MEMORIES, open 13 October 2019 – 13 January 2020, it is held at the AB • BC Building, Bali Collection, ITDC District, Nusa Dua, Bali. The exhibition presents forty-nine selected works, consisting of paintings, sculptures, installations, photography, multimedia and video from 32 Indonesian and overseas artists who also reside and, or work in Indonesia. It showcases some of the finest established and emerging contemporary artists in Bali’s premiere; purpose-built international standard exhibition space to local and foreign audiences.

Seminyak Design Week -EXHIBITION VIEW PHOTO Courtesy - ANDITO WASI                         Seminyak Design Week – exhibition view

 

Bali Arts Roads (BAR) was an initiative introduced by ART • BALI in 2018 as a side program to highlight and promote the depth of the Bali art community through exhibitions, events and open studios programs throughout the island. This year it combines with the DenPasar Art+Design Map into 180-page booklet helping to consolidate Bali’s diverse array of creativity. This year the guide covers events and programs not only in Denpasar but also in Ubud, Seminyak, Canggu and Nusa Dua, during October – December, with over 130 events listed. The booklet features a QR Code that pinpoints selected event destinations on Google Maps to allow direct and straightforward navigation.

The guide also includes important cultural and institutional locations such as museums, government and cultural institutions, art and design educational institutions, cultural heritage sites, public spaces and monuments within the city of Denpasar. Some of the festivals featured are Seminyak Design Week 2019 18 – 27 October themed “Designing for a Better Community” and runs with a program of exhibitions, talks, pop-up markets, a design trail and workshops at Gallery Vivere and Uma Seminyak. The Ubud Writers & Readers Festival, 23 – 27 October (festival events noted within the booklet), and Kita Lo Gini 5 at ISI Denpasar, a student art party presenting artworks and performances 25 – 26 October.

Artists pose with their works during the opening of during the opening of "Art Exhibition by Children Sanggar Bares - There is no Truth only HONESTY" 12 – 31 October at the Nyana Tilem Museum, in Mas. Image courtesy Soemantri WidagdoArtists pose with their works during the opening of ‘Art Exhibition by Children Sanggar Bares – There is no Truth only HONESTY’ 12 – 31 October at the Nyana Tilem Museum, in Mas

 

Other diverse happenings include tours, Urban Walk Denpasar a free open to the public guided tour of Denpasar heritage sites on 2 November, Herb Walk on 27 October, an investigation into the edible medicinal plants and related practices, Basic Macrame Workshop 12 October at CANAAN X ROU, Seminyak, Curator in Residence, a program initiated by DenPasar Art + Design: In Transition November – December at CushCush Gallery, Denpasar with the curatorial conversation #1 14 December, International Conference ICATUS 2019 the first international conference on architecture, technology and urban sustainability 27 – 28 November at Gedung Pascasarjana, Kampus UNUD, Denpasar, Parade Teater Canasta, 23 – 30 November at Canasta Creative Space Denpasar featuring Balinese theatre communities and the Odyssey Music Art Conference & Day Festival 2019 10 – 13 October at Artotel Sanur and Artotel Beach Club.

Just a few of the art exhibitions during October: Natisa Jones’s Love is Never Lonely 5 October – 9 November at Tony Raka Gallery, Ubud a ‘diversion’ from her signature style paintings. Frequency Balinese Art, Culture and Rerajahan a collection of Balinese amulet inscriptions known as rerajahan by Jro Mangku Badra, displayed within an art context and created without the sacred ritual and mantras to instil the ink drawings with their renown mystical powers, open 9 October at ARMA, in Ubud. From 10 October – 24 November at Artotel Sanur It Isn’t a Whole a solo exhibition by Putu Adi Suanjaya, and an Art Exhibition by Children “Sanggar Bares” There is no Truth only HONESTY 12 – 31 October at the Nyana Tilem Museum, in Mas.

"Jalan - Jalan" Indieguerillas at Art Bali. Image Richard Horstman                         ‘Jalan – Jalan’ Indieguerillas at Art Bali

 

The ongoing mission of Kemal Ezedine and Ketut Moniarta from the Neo Pitamaha art movement is to invigorate Balinese art by inspiring young artists to explore fresh possibilities within the technical context of the Balinese painting traditions. Drawing Bali Today opens at Sika Gallery, Ubud from 10 October 10 November. Sudra Sutra, an iconographical interpretation of the Yeh Pulu reliefs and related history by Dr Wayan Kun Adnyana opened 11 October at Neka Art Museum, Ubud until 19th October is a continuation of his visual representation inspired by the ancient Yeh Pulu stone reliefs in Bedhulu Gianyar.

Megarupa 22 October opens at ARMA Ubud with coinciding exhibitions at two other venues, the Neka Art Museum and Bentara Budaya Bali featuring the works of 103 artists, presented by the Cultural Office of the Provence of Bali. TiTian Art Space in its new premises on Jalan Raya Nyuh Kuning, Ubud present Mahardika a group exhibition 19 October – 24 November. Also open 24 October at Taman Baca, Sanggingan Ubud, Stories from Mt. Agung children’s stories of trauma expressed through drawing and poetry. Maladjustment opens 26 October – 24 November at Neka Art Museum and presents iconic artworks by Indonesian artists Arahmaiani and I GAK Murniasih along with Australian artist Mary Lou Pavlovic who exhibits her landmark, 2004 work Liar!

Audience at the opening of Drawing Bali Today at Sika Gallery. Image by @febrimarleni.           The audience at the opening of ‘Drawing Bali Today’ at Sika Gallery

 

Denpasar and Bali are increasingly developing as exciting and engaging destinations for national and international creatives to visit regularly, or to reside permanently. In recent years its art and design infrastructure has witnessed defining new growth. This provides more opportunities for participants to thrive within the burgeoning 21st – century creative economy while leading to a healthier ecosystem. These developments, importantly become a stimulant in reviving art and cultural tourism on the island of Bali.

Bali Art+Design Guide X Bali Arts Road booklet is available from numerous program participants distributed to more than 70 points throughout Bali and from AB • BC Building, Bali Collection, Nusa Dua.

Or it can be downloaded: http://artbali.co.id/page.php?p=bar

"Sarinin Angkus Prana" by Jro Mangku Badra exhibited at ARMA in "Frequency Balinese Art, Culture and Rerajahan" Image Richard Horstman‘Sarinin Angkus Prana’ by Jro Mangku Badra exhibited at ARMA in ‘Frequency Balinese Art, Culture and Rerajahan’

 

 

Words: Richard Horstman

 

Kulidan Kitchen Space: building community through creativity, education, activism & food

Volunteer art teacher Mega with local children and the outcome of one of her weekly art workshops.The volunteer art teacher at Kulidan Kitchen Space, Ni Nengah Mega Risna Dewi with local children and the outcome of one the regular art workshops.

 

One of the most satisfying phenomenon’s of Bali’s recent modern development has been the birth of an array of art and creative, multi-purpose spaces that serve as platforms for community co-working and engagement. Kulidan Kitchen Space, a new initiative in the rice fields of the Guwung village, Sukawati, fifteen minutes from Denpasar, is one such venue.

Kulidan is the name of the district’s subak, the world-renown historical irrigation structure found throughout the island defined by a system of canals directing the water into terraced rice fields that were developed on Bali during the 9th century. The Balinese Hindu religion, along with specific temples play a vital role within this agrarian management cooperative. The kitchen is at heart of the venues core philosophy, highlighting farming practices and the environment where the local people live, work and grow together in the spirit of community.

Presentation for design students at Kulidan Kitchen        Presentation for design students at Kulidan Kitchen Space during 2019

 

A priority of Kulidan Kitchen is to gather people, family, friends and guests, both local and otherwise, to sit and converse while appreciating good food and refreshments – most of which is produced by the local farmers. Of course, they enjoy the scenery, with magnificent rice fields views, sunsets, and the vista of the majestic volcanic peak of Mount Agung to the east. The multi-purpose public space consists of a large pavilion with a second storey loft, an external long table for dining experiences, the kitchen and gardens set out upon a 120 square meter expansive of land, roomy enough for events catering for up to 300 people.

The project is the vision of activist Komang Adiartha, the land upon which Kulidan Kitchen was built in 2017 belongs to his father, a local rice farmer. Adi, as he is known, is supported by a dedicated and enthusiastic team including Martino, Vifick Bolang, Ni Nengah Mega Risna Dewi, Supriyati along with the kitchen team of Surya, Didi and Wawah and also family, friends, local residents, and members of the Bali art and creative communities. A glance at Adi’s social media portals reveals an energetic and inspiring character committed to cultural and environmental preservation. He shares his relevant opinions on critical and diverse subjects such as fair trade, conscious business, clean energy, and child labour issues.

Kulidan Kitchen Space - Sukawati Image Richard HorstmanKulidan Kitchen & Space, Banjar Wangbung, Jalan Salya, Guwang, Gianyar, Bali

 

“Building community through children’s art and education are just one of our primary directives,” says Adi. “Our art programs often have an emphasis on activism, creating art to raise the local youth’s awareness of the areas farming practices in order to stimulate appreciation and respect for these time-honoured traditions.” Painting large colourful murals depicting environmental and cultural themes on wall spaces on the outside of, and opposite the venue, are ongoing creative projects led by Bali street artists, with the help of the children.

One of their well attended ongoing events “Meet the Creator”, is an inspirational sharing program where the public can meet, hear stories and engage directly with artists, musicians, designers and other creative activists. “We believe in this program as an alternative reference for young people,” Adi says. “To find or further strengthen their choices about possible professions or hobbies they may wish to pursue.”

Mural Project in the rice fields opposite Kulidan Kitchen Space - Image Richard Horstman        Mural Project in the rice fields opposite Kulidan Kitchen Space

 

During August Nele Gruender, a German art therapy student from the HKS Ottersburg University of Fine Art, Theatre, Performance and Art Therapy conducted weekly art workshops for children as a part of an academic research project involving children’s drawings. A regular visitor to Bali she has witnessed the rapid transformation of the landscape and pondered how such transformation impacts upon the living environments of young children, and how they may respond in their pictures.

“The home is the theme of my workshops,” says Gruender. “A home is a special place for growing children to develop their identity and individuality. Through my freely structured workshops, I will gather photographs of the children’s artworks which I will later research in order to discover reoccurring symbols and patterns that arise in the drawings.” Building a model of transcultural research, she plans to repeat this with German children to reveal similarities and differences in their drawings of what home means to them. “At the moment I am not sure of the outcomes,” she says. “Yet what is important is to grant these children opportunities to express their creativity while building more resources.”

20190812_085316During August 2019 Nele Gruender (top left), a German art therapy student from the HKS Ottersburg University of Fine Art, Theatre, Performance and Art Therapy conducted weekly art workshops for children as a part of an academic research project involving children’s drawings.

 

A recent Kulidan event included live music, and DJ’s performances, along with food, art and creative product stalls providing opportunities for creatives to display their products, demonstrate their creative processes, and then facilitate forums giving explanations on developing concepts with marketing plans and building business models.

“The diversity of happenings we can host is limited only to people’s imaginations, we welcome everyone, and new ideas,” Adi says. “Kulidan can be used as a public space for events according to your needs, such as meetings, performances, exhibitions, seminars, collaborations and presentations. People may hire the space and help contribute to the venues running expenses.”

Pentas teater pangeran empasPentas Teater Pangeran Empas theatre performance by children from the Kulidan community

 

Balinese children enjoying research drawing workshop conducted by German art therapy student Nele Gruender at Kulidan Kitchen 11 August 2019- Image Richard HorstmanBalinese children enjoying research drawing workshop conducted by German art therapy student Nele Gruender at Kulidan Kitchen 11 August 2019

 

67506148_696289127476917_6814809954134786048_o An exhibition of urban planning designs at Kulidan Kitchen Space during 2019

 

34579143_444838409288658_419953527016652800_oA community discussion during an exhibition in 2019 at Kulidan Kitchen Space

 

 

Kulidan Kitchen & Space,

Banjar Wangbung

Jalan Salya, Guwang, Gianyar, Bali
Tel: 0813-3866-5862

Follow @ kulidan.kitchen on Instagram

 

Words: Richard Horstman

Images: Richard Horstman & Courtesy of Kulidan Kitchen & Space

 

Art activist’s discussion in Bali launches landmark entrepreneurial program for the disabled

Art Actiivists Budi Agung Kuswara and Hanna Madness during the launching of "Ayo Ketemu!" in Sanur 29th July - Image courtesy of KETEMU PROJECTArt Activists Budi Agung Kuswara and Hanna Madness during the launching of “Ayo Ketemu!” in Sanur 29th July

 

Art Has Saved My Life a discussion led by two art activists 29 June at Rumah Sanur Creative Hub in Bali was one of the insightful forums of Ayo Ketemu! (Let’s Meet!) a landmark enterprenurial creative program for Indonesians with mental and physical disabilities.

In the discussion that was the first of three public events presented by Gerakan Kreabilitas, Hanna Madness and Budi Agung Kuswara spoke candidly about their journeys utilizing art as an alternative therapy to positively impact upon their healing processes in relation to personal mental health issues. Structured around nine casual discussion forums, creative hands-on classes, and product presentations Ayo Ketemu! a 4-days and 3-nights residential workshop program ran from 28 June – 1 July 2019 at venues around Denpasar.

“I am here as a survivor because of my art,” said visual artist and mental health activist Hanna Madness who actively campaigns about art and mental health issues in Indonesia. “I was diagnosed with Bipolar Disorder more recently, however, I began experimenting in 2012 with art to help alleviate the stress and isolation caused by the mistreatment and deteriorating family and school relationships. I had no other choice so I poured my energy into my journal, sketching, painting and writing my thoughts,” said the Jakarta born activist who was named one of the “Top 10 Most Shining Young Indonesian Artists” (2017).

Ella Ritchie (Director & Co-Founder, Intoart UK) and participants during "Pasar Ketemu" evaluation at Rumah Sanur - Image courtesy of KETEMU PROJECTElla Ritchie (Director & Co-Founder, Intoart UK) and participants during “Pasar Ketemu” evaluation at Rumah Sanur

 

“When I was first diagnosed the issue of mental health in Indonesia was still taboo, there is now, however, a huge global momentum exposing the problems of mental health in modern society. My paintings have become my weapon to fight against my mental health issues,” she states.

Budi Agung Kuswara, or “Kabul” as he is known, is an artist and the co-founder of Ketemu Project, an art organization and community art space with a strong social philosophy and international program, located in Bali. In 2017 he initiated the “Schizofriends Art Movement” a community-based psychosocial rehabilitation program with art as the delivery system, devoted to supporting people living with schizophrenia to become active and functional individuals within society.

“Ayo Ketemu! is a nurturing platform for people with disabilities who have already started to create their own art and creative products,” said Kabul. “It is designed so that people with mental and physical disabilities can meet with artists to exchange ideas and viewpoints to help realize possibilities, and with exciting potential for collaboration. The output of this first time project in Indonesia targeting the disabled is highly marketable and export quality products and services.”

Participants of "Ayo Ketemu!" at Sudamal Resort in Sanur Bali - Image courtesy of KETEMU PROJECT             Participants of “Ayo Ketemu!” at Sudamal Resort in Sanur Bali

 

Gerakan Kreabilitas is an initiative movement working in conjunction with Ketemu Project and The Arts Development Company, funded by the British Council of Indonesia through the program of DICE (Developing Inclusive and Creative Economies). “Gerakan Kreabilitas is an initiative sparked by the premise that every individual is creative regardless of their abilities,” said Gerakan Kreabilitas Program Coordinator Rahma Yudi Amartina.

“Kreabilitas is a fusion of the terms “kreatif” and “abilitas” that reflects our vision of combining creative innovations and cultural development with business strategies. For this program we have selected thirty participants from around Indonesia through our Open Call for Participants in the visual arts, visual communication design, product design, craft, and fashion categories.”

"Ayo ketemu!" participants during a creative workshop at Jenggala Ceramics Bali - Image courtesy of KETEMU PROJECT“Ayo ketemu!” participants during a creative workshop at Jenggala Ceramics Bali

 

On 30 June Pasar Ketemu, the second of the open to the public events held at Rumah Sanur was a bazaar space for participants to present their products, ideas or prototypes to a judging panel comprising of Mayun Dewi (Social Enterprise Manager, Ketemu Project), Camelia Harahap (Head of Arts and Creative Industries, British Council Indonesia), Yap Mun Ching (Executive Director, AirAsia Foundation), Slamet Thohari (Lecturer, Researcher & Co-Founder CDSS, Universitas Brawijaya), Ella Ritchie (Director & Co-Founder, Intoart UK) and Baskoro Junianto (Expert & Curator, Badan Ekonomi Kreatif). Visitors to the event were also invited to contribute by voting for the creative enterprises that they believed were the most interesting and inclusive.

The five creative enterprises with the most inclusive ideas, will be receiving seed-funding of IDR 24 millions, incubation and mentorship support for 6 months from July – December 2019 for the development of their products and services, along with marketing and promotion both in Indonesia and globally. The final event of the program and the third event open to the public on 1July was the panel discussion Painting The Future of Creative Economy which explored the topic of a more inclusive arts and creative economy industry for Indonesians with disabilities with the panellists: Paul Smith (Director, British Council Indonesia), Yap Mun Ching (Executive Director, AirAsia Foundation), Baskoro Junianto (Expert & Curator, Badan Ekonomi Kreatif) and Slamet Thohari (Lecturer, Researcher & Co-Founder CDSS, Universitas Brawijaya), moderated by Samantha Tio (Director & Co-Founder, Ketemu Project).

Baskoro Junianto (Expet & Curator, Bekraf) is speaking about the future of creative economy during panel discussion 1July Image coutesy of KETEMU PROJECTBaskoro Junianto (Expet & Curator, Bekraf) is speaking about the future of creative economy during panel discussion 1July

 

“We are happy and grateful to be chosen as one of the selected creative enterprises. We hope that we’ll get a lot of insights and new experiences to contribute to the Indonesian economy by creating social impact creatively,” said the makers of the Surprise Wellness Kit Patricia Thebez from Jakarta and Devi Soewono from Bali, whose purpose is to create collections of products to support mental health sufferers based on different moods. Each product having a distinct response to each emotion.

“We are so delighted and this is unexpected for us,” said Vindy Ariella from Jakarta and Khomsin from Solo, whose project Mental Health Kit was judged as one of the five selected creative enterprises. “We hope that our product can grow in the global market and be useful for many people. Thank you, Gerakan Kreabilitas and Ketemu Project!” Their Mental Health Kit comes in a carry bag and contains a book about mental health, a mindfulness journal, sweater, and aromatherapy candles.

“The event was a great success with a lot of participants having collaboration regardless if they were the selected 5 creative enterprises or not,” stated Amartina. “I am amazed and inspired by all of the participants and their natural creative abilities, along with their powerful sense of self belief.”

Ella Ritchie (Director & Co-Founder, Intoart UK), accompanied by Samantha Tio (Director & Co-Founder, Ketemu Project), while judging at "Pasar Ketemu" Image courtesy of KETEMU PROJECTElla Ritchie (Director & Co-Founder, Intoart UK), accompanied by Samantha Tio (Director & Co-Founder, Ketemu Project), while judging at “Pasar Ketemu”

 

 

Words: Richard Horstman

Images Courtesy: Ketemu Project

 

Rare artworks go under the hammer in the July Larasati Bali auction

Lot 706 "Head of Ayu Ketut" Miguel Covarrubias, lithograph. Image courtesy Larasati                       Head of Ayu Ketut –  Miguel Covarrubias, lithograph

 

The most exciting selection of traditional, modern and contemporary art works for more than a year highlight the second Larasati Bali auction for 2019. Ninety-two items will be offered in the upcoming 20 July, Larasati Traditional, Modern & Contemporary Art Auction to be held at the Larasati Bali Art Space at Tebesaya Gallery, Ubud. The sale has good buying opportunities for those interested in starting a collection, mid level collectors, people with an eye for investing, and of course will attract much attention from the connoisseurs of Balinese painting.

Many distinguished Balinese and international artists are featured in the sale that boasts some unique paintings that are rarely available on the market. The sale, which begins at Saturday 2:30 PM, includes old Balinese masters Ida Bagus Made Poleng, Ida Bagus Made Nadera, Ida Bagus Rai, Wayan Gedot, Anak Agung Gde Meregeg, and Ida Bagus Made Togog, while a rare set of sixteen drawings from the personal sketchbook of the renowned Ida Bagus Nyoman Rai (1915-2000) from Sanur is also available.

Lot 716 "Suasana Pasar Bali" 2006 I Gusti Agung Wiranata. Image courtesy of Larasati                         Suasana Pasar Bali, 2006  – I Gusti Agung Wiranata

 

The works available are in an array of media including sketches in ink and chalk on paper, watercolour, and gouache works on paper, acrylic and oil paintings on canvas, along with mixed media, an etching, lithographs and lithograph reproductions. Some paintings offered come with good local and international provenance.

The sale begins with Indo European Painters of Bali, a selection of nine works by the Willem Gerard Hofker (1902-1981 the Netherlands), Migeul Covarrubias (1904 – 1957 Mexico) and Rudolf Bonnet (1895 – 1978, the Netherlands). Lot 705, Rice Granary, Bali, a lithograph by Covarrubias has an estimated price of between Rp.17 – 12 million. Lot 707 Yogi,1973 by Bonnet is a remarkable watercolour depiction on paper and comes with an estimated price of between Rp30 – 40 million, and Lot 709 by Hofker is an extremely rare oil on canvas self-portrait. A Self Portrait of the Artist, 1961, comes with an estimated price of between Rp. 45 – 55 million.

Lot 753 "Woman with Offering at the Sawah Scene" - Ida Bagus Made Poleng Acrylic on canvas. Image courtesy of Larasati            Woman with Offering at the Sawah Scene – Ida Bagus Made Poleng

 

For those wishing to begin collecting Balinese art there is good, well priced opportunities available. Lot 745 Pementasan Calonarang is an early work by one of the senior and most respected painters of the Yong Artists Style, I Ketut Soki (b. 1946, Penestanan, Ubud). With the distinct, dynamic coloration that defines the genre, this work has an estimated price of between Rp. 7 – 10 million. Another attractive buy, an early work by another senior painter of the same style, I Made Sinteg, is Lot 746 Forest Scene which comes with an estimated price of between Rp 5 – 7 million.

Lot 728, Berburu by I Ketut Regig (Ubud, 1919-2002) has an estimated price of Rp. 5 – 7 million, Mythological Scene, Lot 791 by I Gusit Nyoman Moleh (1918 – 1997) comes with an estimated price of between Rp 7 – 10 million, and Lot 729, Ikan-ikan, a rare small acrylic work by I Made Sukada (Ubud 1945 – 1982) with an estimated price of Rp 2.6 – 3.6 million are also good opportunities for beginners to enter the market.

Lot 728 "Berburu" - Ketut Regig, acrylic on canvas. Image courtesy of Larasati                                        Berburu – Ketut Regig

 

Collecting with an eye for investment? The following lots provide strong investment opportunities especially if purchased within the estimated prices and then matched with a long term view of holding for at least 10 – 15 years before reselling. I Gusti Ayu Kadek Murniashi (Murni) (1966-2006) is agruably Indonesia’s most important female artist and has been recently featured in many exhibitions in high profile Indonesian galleries.

Lot 786, Saya Bahagia Sekali di Hari Itu has an estimated price of between Rp. 15 – 18 million, and also with the same estimated price, Lot 787 Antar Benci dan Rindu dan Tahan Malu Penyayang, 1999, both are good buys from the artist whose work is destined to appreciate in value. An unusually strong colour composition by the influential Dutch painter who spent most of his life in Indonesia, Arie Smit, (1916-2016) Lot 747, Passing the Shrines, 2010, has an estimated price of Rp. 27 – 35 million, and finally Lot 739, Tualen by the colourful Italian-Filipino maestro Antonio Blanco (1911-1999), is a gouache on paper work with an estimated price of Rp. 4 – 5 million, are all good investment grade buys.

Lot 783 "Love Bird" 2007 - Ketut Teja Astawa Acrylic on canvas. Image courtesy of Larasati                                 Love Bird, 2007 – Ketut Teja Astawa

 

For the connoisseurs there are many paintings to choose from, and here are but a few of the highlights, Ramayana Scene, Lot 723 is an early watercolour and ink on paper work by I Made Sukada (Ubud 1945 – 1982) that comes with an estimated price of between Rp. 25 – 35 million.

Ganesha Bertapa, Lot 725, is a beautiful, early ink and watercolour on paper by Wayan Radjin (Batuan 1945-2010) and has an estimated price of between Rp. 20 – 30 million. Lot 748, Bali Life by Ida Bagus Nyoman Rai (1915-2000), is the set of sixteen ink on paper drawings each 34 x 24 cm that comes with an estimated price of between Rp. 70 – 90 million.

Ida Bagus Made Poleng (Tebesaya, Ubud1915-1999) is one of the most highly prized Balinese painters and his two works on offer will attract much attention. Lot 753, Woman with Offering at the Sawah Scene has an estimated price of Rp. 350 – 450 million and comes with strong provenance, and Lot 751 Cremation Ceremony, ca. 1940s, an 51 x 37 cm ink wash on paper, which was exhibited at the Herbert Johnson Museum at Cornell University, USA in 2001 has an estimated price of Rp. 100 – 130 million.

Lot 723 "Wayang Scene" - Made Sukada, watercolour & ink on paper. Image courtesy of Larasati                                    Wayang Scene – Made Sukada

 

Other works of note are Lot 769 by Ida Bagus Made Nadera (1910-1998) of Batuan, Lot 777 is an early painting by one of the pioneers of Balinese modern painting Nyoman Gunarsa (1944-2017), while Lot 783 and 784 are rare early works by Ketut Teja Astawa (b. Denpasar 1970), that were previously in the collection of a Dutch museum. Lot 764, Tari Kecak by I Nyoman Kayun (b. Ubud 1954) is a stunning work featuring all the drama and action of the Kecak dance, and Lot 716, Suasana Pasar di Bali, 2006 by I Gusti Agung Wiranata (b.1969) is also a delightful, yet rare masterpiece, his composition inspired by Walter Spies’ technical Western aspects, that has an estimated price of Rp. 60 – 80 million. Other well-known artists included in the sale are I Gusti Made Deblog, I Wayan Djudjul, Dewa Nyoman Jati, Sewa Putu Mokoh, I Made Wianta and I Ketut Pande Taman.

Potential buyers bidding over the phone, absentee bidders or real-time Internet bidders who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Lot 764 "Rahwana Menculik Dewi Sita" - Nyoman Kayun, Image courtesy of Larasati                     Rahwana Menculik Dewi Sita – Nyoman Kayun

 

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Open to the public at the Larasati Art Space in the Tebesaya Gallery the auction starts at 2:30 pm Saturday 16 February, while viewing begins from 11am Thursday. The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Lot 769 "Berburu Campung" - Ida Bagus Made Nadera Acrylic on canvas. Image courtesy of Larasati                           Berburu Campung – Ida Bagus Made Nadera

 

 

Viewing:

Thursday,         18 July      11am – 7.30pm

Friday,              19 July     11am – 7.30pm

Saturday,         20 July     11am – 2pm

 

Auction: Saturday 20 July, from 2:30 pm

 

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Previewing Larasati Jakarta Auction: Pictures of Indonesia 12 May 2019

Lot 627 "Boats at Kusamba" - Affandi Image Courtesy of Larasati                                         Boats at Kusamba – Affandi

 

Sixty-two items of fine art go under the hammer from 2:30 pm Sunday 12 May in the upcoming Pictures of Indonesia auction conducted by Larasati auctioneers at the CSIS Center, Tanah Abang, Central Jakarta.

The sale offers good buying opportunities for beginner and mid level collectors, as well as the seasoned connoisseurs, with lots available in a vast array of media including works in ink on paper, an etching, a charcoal sketch on paper, pastels on paper, watercolours on paper, oil pastel on canvas, oil and acrylic paint paintings on canvas, and sculptures. Genres of art to be auctioned comprise of Indonesian and Balinese modern paintings, contemporary paintings and sculptures, and Balinese modern traditional paintings, including works from the renowned Batuan School of painting – some are pre-war works.

Lot 662 "Mengintip" - I GAK Murniashi Image Courtesy of Larasati                                      Mengintip – I Gak Murniashi

 

Some of the well-known artists whose work appear in the sale are the Indonesian modern master Affandi (1907-1990), Ida Bagus Made Togog (1913-1989) from the Balinese village of Batuan, the famed Dutch colourist of Bali Arie Smit (1919-2016), talented Dutchman Willem Gerard Hofker (1902-1981), Balinese modern master Nyoman Gunarsa (1944-2017), Nashar (1928-1994), the overlooked painter of abstract and abstraction compositions, and the Balinese painter of the unconventional Dewa Putu Mokoh (1935-2010).

For those new to collecting fine art committed research, along with getting advice is essential, while internet databases are a good source of information, especially on prices of recently auctioned works. Auctions are transparent, providing benchmark prices that serve as a guide to how much collectors should be paying. Themed sections of work define the sale, beginning with Indo European featuring lots by noted Dutch artists, and an Indonesian artist, who painted pre-1960’s in the archipelago. While four compositions depict Indonesian coastal, village and city living, Lot 61 Geiderse Kade Amsterdam by Willem Gerard Hofker is a small etching of a canal scenario in Amsterdam that has an estimated price of between Rp. 4 – 6 million.

Lot 649 "A God and many animals in a Forest" - I Griem Image Courtesy of Larasati                              A God and many animals in a Forest – I Griem

 

For new buyers wishing to build their collection, the following works, if purchased within their estimated prices, offer very good buying. Lot 607 Balinese Woman, 1995, is an oil canvas painting by the overlooked American artist and long-term Bali expatriate Symon that has an estimated price of between Rp. 5 – 7 million. Lot 650 Village Life in Bali, is a colourful acrylic on paper scenario of village activity by noted Batuan painter Ida Bagus Putu Padma that has wan estimated value of between Rp. 6 – 8 million.

Two works are from the Pre War Balinese Art & Batuan Style section in the original Batuan ‘Black & White’ style achieved with ink on paper and reflecting some of the philosophies of the critically acclaimed genre. It must be noted that the years 1930 – 1945 are considered the golden years of Balinese painting. Lot 647 A Fight in a Village by Dewa Made Koendel, is a sketch in grey and black ink on paper, 34 x 31cm with an estimated price of Rp. 13 – 18 million, and Lot 649 A God and many animals in a Forest, circa 1936, by I Griem comes with good provenance and has an estimated value of between Rp. 13 – 18 million.

Lot 620 "Pemantasan Barong" - Wayan Meja Image Courtesy of Larasati                                Pementasan Barong – Nyoman Meja

 

The following lots offer good buying as potential investments if prepared to buy and hold the works for at least 10 – 15 years. Lot 630 Setan Mbesan, 2000-2001 by an icon of Indonesian art Nasirun, is a dramatic and colourful 92 x 147cm work with an estimated price of between Rp. 30 – 40 million. Lot 637 Dilarang Melintas #1, 2010 is an oil paint and pastel depiction of a child from the economically marginalised Balinese village of Songan by Bali’s most important painter Gusti Agung Mangu Putra. The work, which comes with an estimated price of between Rp 70 – 100 million, was exhibited in his landmark 2010 exhibition “Teater Rakyat” (People Theatre), at Galeri Nasional Indonesia, Jakarta.

Lot 656 Baruna Hotel Garden and New Queen Bali Restaurant, 2009 is by Dutch painter Paul Husner and comes with an estimated value of between Rp 70 – 90 million, Lot 662 Mengintip, 2002 with an estimated price of between Rp. 20 – 30 million is by Indonesia’s most significant female artist I Gusti Kadek Murniashi (1966-2006), from Bali, whose work was highly unconventional, erotic and violent, while emphasizing an array of women’s issues.

Lot 637 "Dilarang Melintas #1" - Agung Mangu Putra Image Courtesy of Larasati                              Dilarang Melintas #1 – Agung Mangu Putra

 

Highlights of the sale, and of special interest to the connoisseurs are these following three paintings. A beautiful and incredibly detailed composition of the drama and activity of a Balinese Barong dance, Lot 620 Pementasan Barong, 1999 by Nyoman Meja has an estimated price of between Rp. 300 – 350 million. Surprise and delight fill the faces of the children in the foreground, while the background reveals a vibrant wind swept scenario. Pulsating with energy in Affandi’s signature expressionistic style, Lot 627 Boats at Kusamba, 1980, is a 98 x 128cm oil on canvas composition of fishing boats on the beach in East Bali that has an estimated price of between Rp. 1,000 – 1,300 million. This is a rare work revealing the rigor of Affandi’s power late in his career.

Having previously studied modern art in New York Ahmad Sadali (1924-1987) became a leading avant-garde artist in the Indonesian post-war art and developed a distinctive style of his art in abstract patterns that are blended with the themes of spirituality and mysticism of Islam. Lot 644 Bidang dengan Bongkah Emas, 1986 has an estimated price of between Rp. 650 – 850 million, and was purchased by the current owner directly from Sadali.

Lot 644 "Bidang dengan Bongkah Emas" - Ahmad Sadali Image Coutesy of Larasati                            Bidang dengan Bongkah Emas – Ahmad Sadali

 

Lots 638 – 642 are oil on canvas works by the Javanese painter, classical dancer and contemporary dance choreographer from Yogyakarta, Bagong Kussudiardjo (1928-2004). Lot 639 Semar, 1995 by Kussudiardjo has an estimated price of between Rp. 35 – 45 million. Other interesting Balinese paintings in the sale are Lot 615 Aktifitas di Sawah, by Ketut Gelgel, Lot 614 Di Ladang , by Ketut Kebut, Lot 619 Pementasan Calonarang, by Wayan Djudjul (1942-2008) estimated price between Rp 35 – 45 million. Other popular Indonesian artists included in the sale are Kijono, Rusli, Widyat, Jehan and Yudi Sulistyo.

Potential buyers bidding over the phone, absentee bidders or real-time Internet bidders who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Lot 647 "A Fight in a Village" Dewa Made Koendel Image Courtesy of Larasati                       A fight in a village – Dewa Made Koendel

 

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Open to the public at CSIS Jakarta in Tanah Abang, the auction starts at 2:30 pm Sunday 12 May, while viewing begins from 10:30 am Saturday 11 May. The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Lot 619 "Pementasan Calonarang" - Wayan Djudjul Image Courtesy of Larasati                             Pementasan Barong –  Wayan Djudjul

 

Viewing:
Saturday, 11 May 2019, 10.30 am – 7.30 pm
Sunday,  12 May 2019, 10.30 am – 2 pm

Auction:
Sunday, 12 May 2019, starting at 2.30 pm

Venue:
CSIS Jakarta
Gedung Pakarti Center
Jl. Tanah Abang 3 No.23
Tanah Abang, Jakarta Pusat, Indonesia

 

Words: Richard Horstman

Images: Courtesy of Larasati

 

 

Bali art world personalities: meet Ruth Onduko

Ruth Onduko_Profile Photo                                                   Ruth Onduko

 

The 2008 GFC (global final crisis) spelt disaster for the Bali art world. The Indonesian art market after a record boom went to bust with collector’s buying immediately slowing, galleries around the island closed, while others wound down their activities. The woes continued with a decrease in tourism and smaller holiday budgets – luxury items such as artworks were off the shopping list.

Now, a decade on, the organic response by local artists, art communities and creatives is defining a new era of art infrastructure that is positively impacting upon the Bali art scene. Artist driven initiatives, alternatives spaces, foundations, creative hubs and cafes, along with new art and creative events – the art landscape is increasingly dynamic, exciting and inspiring. Behind these developments is a diverse group of people from different backgrounds shaping new horizons for Bali – one of these dedicated characters is Ruth Onduko.

Ruth Onduko along with members of Futuwonder and the public conducting a Wikilatih workshop (Wikipedia article writing) and uploading eighteen new articles on female artists from Bali. Puan Empu Seni: Edit-a-thon was a part of a national drive, held in conjunction with Wikimedia Indonesia, to increase the amount of data on Indonesian female artists available on the Internet’s most go-to source of information – Wikipedia.

Ruth Onduko hosting the opening of Futuwonder's most recent exhibition "Tanda Seru" March 2019 at Uma SeminyakRuth Onduko hosting the opening of Futuwonder’s most recent exhibition “Tanda Seru” open 31 March 2019 at Uma Seminyak

 

The most experienced and connected art manager on Bali, Ruth represents the new frontier of female art workers, including artists, writers and managers who are the essential ‘small army’ within the rising infrastructure. Born in Semarang, Central Java in 1983, a graduate in Communications Studies from the Gadjah Mada University, Yogjakarta in 2008 Ruth moved to Bali where she began her career as the Public Relations Officer and art event organizer at the Museum Kartun Indonesia, Bali in Kuta. Her next position as gallery manager at the Tony Raka Art Gallery in Ubud introduced her to the Indonesian contemporary art world, were she oversaw operations until 2012.

Ruth went on to project manage art collectives, art and photography communities and event managed “Merayakan Murni / Celebrating Murni”, the landmark collaborative initiative in 2016 by Ketemu Project Space, highlighting the legacy of late, iconic Balinese female artist I GAK Murniashi.

Puan Empu Seni, wikilatih 1.0 in collaboration with Wikimedia indonesia and Futuwonder, we held a workshop on how to make an entry to wikipedia, focusing on data entry of balinese female artists (1)Ruth Onduko along with members of Futuwonder and the public conducting a Wikilatih workshop (Wikipedia article writing) and uploading eighteen new articles on female artists from Bali. Puan Empu Seni: Edit-a-thon was a part of a national drive, held in conjunction with Wikimedia Indonesia, to increase the amount of data on Indonesian female artists available on the Internet’s most go-to source of information – Wikipedia.

 

Instrumental in the development of four important, recent projects that are helping to fill critical gaps within the infrastructure, and that will aid in the future sustainability of the Bali art ecosystem, Ruth has played vital roles in the creation of the annual world-class contemporary art exhibition Art Bali, the design themed event Seminyak Design Week, Futuwonder a collective supporting the women artists of Bali, and her pet social media project – a centralized portal of information promoting events throughout the island – “Senidibali” on Instagram.

“In 2016 I was about to participate in a group photo exhibition in Denpasar and was thinking of the best way to promote this event. At the same time a friend was asking me to help to promote her first exhibition,” Ruth explained. “Other artists, spaces, and communities also needed a platform as so many of them were already sending me their event information and asking me to share it out. Instagram is the easiest, and most accessible tool to engage with a wider audience, so I started @Senidibali, along with its supporting website. I understood the potential to help the community, and especially the art community by sharing what’s happening in the Bali art world.”

Puan Empu Seni, wikilatih 1.0 in collaboration with Wikimedia indonesia and Futuwonder, we held a workshop on how to make an entry to wikipedia, focusing on data entry of balinese female artists (2)Ruth Onduko addressing participants during Puan Empu Seni: Edit-a-thon at Rumah Sanur

 

“Seminyak is the trendsetters capital of Bali, one of the go to locations for foreign and local tourists, especially the millennials,” Ruth stated when revealing the origins of Seminyak Design Week. “Design consciousness is ever present within the architecture, the logo and brand design, and venue interiors – much of this awareness is created by communities of talented local designers. The Indonesian design industry has huge potential to contribute to the burgeoning creative economy. With this in mind, we wanted to showcase the creators who make designs for better communities.”

“I was employed by Uma Seminyak, a performance and event venue in Seminyak, as community manager in February 2018. Working together with the Uma’s team after 3 months of preparation we held the first Seminyak Design Week in May 2018,” she said. The event showcased 39 guest speakers, sixty crafters, designers, and architects participating with other creative spaces throughout Seminyak and Denpasar in design related events. Seminyak Design Week 2019 is slated for August.

55910093_365679750704060_8443468403250823168_oRuth Onduko addressing the audience and artists during the opening of “Tanda Seru”

 

“Bali has many artists, but lacks professionals in the field of art management and event organization. It also requires a specific venue for large-scale events,” Ruth said. “The rapid development of IT and the web is the foundation for enormous growth and opportunity, as more and more collaboration amongst the art workers with expertise continues.”

“It has always been one of my dreams to help create a large scale contemporary art event in Bali. In early 2017 I was asked to join the Art Bali team,” Ruth said. “It has been a great opportunity for me to work and learn directly from Indonesia’s leading art management group HPAM.” (Heri Pemad Art Management of Yogyakarta, responsible for the countries most unique contemporary art event ArtJog).

OPENING PAMERAN EFEK SAMPING DI KARJA ART SPACE, 20 OKT 2018_FUTUWONDER (2)The audience during the opening of the first Futuwonder exhibition “Masa Subur: Efek Samping” at Karja Art Space, Ubud, October 2018

 

A passionate photographer, Ruth Onduko’s excellent array of images can be viewed at:

www.flickr.com/photos/theonduko/

https://theonduko.weebly.com/

Instagram @senidibali

 

Words: Richard Horstman

Images: Ruth Onduko