Category Archives: The Bali Art Scene

Previewing Larasati Jakarta Auction: Pictures of Indonesia 12 May 2019

Lot 627 "Boats at Kusamba" - Affandi Image Courtesy of Larasati                                         Boats at Kusamba – Affandi

 

Sixty-two items of fine art go under the hammer from 2:30 pm Sunday 12 May in the upcoming Pictures of Indonesia auction conducted by Larasati auctioneers at the CSIS Center, Tanah Abang, Central Jakarta.

The sale offers good buying opportunities for beginner and mid level collectors, as well as the seasoned connoisseurs, with lots available in a vast array of media including works in ink on paper, an etching, a charcoal sketch on paper, pastels on paper, watercolours on paper, oil pastel on canvas, oil and acrylic paint paintings on canvas, and sculptures. Genres of art to be auctioned comprise of Indonesian and Balinese modern paintings, contemporary paintings and sculptures, and Balinese modern traditional paintings, including works from the renowned Batuan School of painting – some are pre-war works.

Lot 662 "Mengintip" - I GAK Murniashi Image Courtesy of Larasati                                      Mengintip – I Gak Murniashi

 

Some of the well-known artists whose work appear in the sale are the Indonesian modern master Affandi (1907-1990), Ida Bagus Made Togog (1913-1989) from the Balinese village of Batuan, the famed Dutch colourist of Bali Arie Smit (1919-2016), talented Dutchman Willem Gerard Hofker (1902-1981), Balinese modern master Nyoman Gunarsa (1944-2017), Nashar (1928-1994), the overlooked painter of abstract and abstraction compositions, and the Balinese painter of the unconventional Dewa Putu Mokoh (1935-2010).

For those new to collecting fine art committed research, along with getting advice is essential, while internet databases are a good source of information, especially on prices of recently auctioned works. Auctions are transparent, providing benchmark prices that serve as a guide to how much collectors should be paying. Themed sections of work define the sale, beginning with Indo European featuring lots by noted Dutch artists, and an Indonesian artist, who painted pre-1960’s in the archipelago. While four compositions depict Indonesian coastal, village and city living, Lot 61 Geiderse Kade Amsterdam by Willem Gerard Hofker is a small etching of a canal scenario in Amsterdam that has an estimated price of between Rp. 4 – 6 million.

Lot 649 "A God and many animals in a Forest" - I Griem Image Courtesy of Larasati                              A God and many animals in a Forest – I Griem

 

For new buyers wishing to build their collection, the following works, if purchased within their estimated prices, offer very good buying. Lot 607 Balinese Woman, 1995, is an oil canvas painting by the overlooked American artist and long-term Bali expatriate Symon that has an estimated price of between Rp. 5 – 7 million. Lot 650 Village Life in Bali, is a colourful acrylic on paper scenario of village activity by noted Batuan painter Ida Bagus Putu Padma that has wan estimated value of between Rp. 6 – 8 million.

Two works are from the Pre War Balinese Art & Batuan Style section in the original Batuan ‘Black & White’ style achieved with ink on paper and reflecting some of the philosophies of the critically acclaimed genre. It must be noted that the years 1930 – 1945 are considered the golden years of Balinese painting. Lot 647 A Fight in a Village by Dewa Made Koendel, is a sketch in grey and black ink on paper, 34 x 31cm with an estimated price of Rp. 13 – 18 million, and Lot 649 A God and many animals in a Forest, circa 1936, by I Griem comes with good provenance and has an estimated value of between Rp. 13 – 18 million.

Lot 620 "Pemantasan Barong" - Wayan Meja Image Courtesy of Larasati                                Pementasan Barong – Nyoman Meja

 

The following lots offer good buying as potential investments if prepared to buy and hold the works for at least 10 – 15 years. Lot 630 Setan Mbesan, 2000-2001 by an icon of Indonesian art Nasirun, is a dramatic and colourful 92 x 147cm work with an estimated price of between Rp. 30 – 40 million. Lot 637 Dilarang Melintas #1, 2010 is an oil paint and pastel depiction of a child from the economically marginalised Balinese village of Songan by Bali’s most important painter Gusti Agung Mangu Putra. The work, which comes with an estimated price of between Rp 70 – 100 million, was exhibited in his landmark 2010 exhibition “Teater Rakyat” (People Theatre), at Galeri Nasional Indonesia, Jakarta.

Lot 656 Baruna Hotel Garden and New Queen Bali Restaurant, 2009 is by Dutch painter Paul Husner and comes with an estimated value of between Rp 70 – 90 million, Lot 662 Mengintip, 2002 with an estimated price of between Rp. 20 – 30 million is by Indonesia’s most significant female artist I Gusti Kadek Murniashi (1966-2006), from Bali, whose work was highly unconventional, erotic and violent, while emphasizing an array of women’s issues.

Lot 637 "Dilarang Melintas #1" - Agung Mangu Putra Image Courtesy of Larasati                              Dilarang Melintas #1 – Agung Mangu Putra

 

Highlights of the sale, and of special interest to the connoisseurs are these following three paintings. A beautiful and incredibly detailed composition of the drama and activity of a Balinese Barong dance, Lot 620 Pementasan Barong, 1999 by Nyoman Meja has an estimated price of between Rp. 300 – 350 million. Surprise and delight fill the faces of the children in the foreground, while the background reveals a vibrant wind swept scenario. Pulsating with energy in Affandi’s signature expressionistic style, Lot 627 Boats at Kusamba, 1980, is a 98 x 128cm oil on canvas composition of fishing boats on the beach in East Bali that has an estimated price of between Rp. 1,000 – 1,300 million. This is a rare work revealing the rigor of Affandi’s power late in his career.

Having previously studied modern art in New York Ahmad Sadali (1924-1987) became a leading avant-garde artist in the Indonesian post-war art and developed a distinctive style of his art in abstract patterns that are blended with the themes of spirituality and mysticism of Islam. Lot 644 Bidang dengan Bongkah Emas, 1986 has an estimated price of between Rp. 650 – 850 million, and was purchased by the current owner directly from Sadali.

Lot 644 "Bidang dengan Bongkah Emas" - Ahmad Sadali Image Coutesy of Larasati                            Bidang dengan Bongkah Emas – Ahmad Sadali

 

Lots 638 – 642 are oil on canvas works by the Javanese painter, classical dancer and contemporary dance choreographer from Yogyakarta, Bagong Kussudiardjo (1928-2004). Lot 639 Semar, 1995 by Kussudiardjo has an estimated price of between Rp. 35 – 45 million. Other interesting Balinese paintings in the sale are Lot 615 Aktifitas di Sawah, by Ketut Gelgel, Lot 614 Di Ladang , by Ketut Kebut, Lot 619 Pementasan Calonarang, by Wayan Djudjul (1942-2008) estimated price between Rp 35 – 45 million. Other popular Indonesian artists included in the sale are Kijono, Rusli, Widyat, Jehan and Yudi Sulistyo.

Potential buyers bidding over the phone, absentee bidders or real-time Internet bidders who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Lot 647 "A Fight in a Village" Dewa Made Koendel Image Courtesy of Larasati                       A fight in a village – Dewa Made Koendel

 

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Open to the public at CSIS Jakarta in Tanah Abang, the auction starts at 2:30 pm Sunday 12 May, while viewing begins from 10:30 am Saturday 11 May. The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Lot 619 "Pementasan Calonarang" - Wayan Djudjul Image Courtesy of Larasati                             Pementasan Barong –  Wayan Djudjul

 

Viewing:
Saturday, 11 May 2019, 10.30 am – 7.30 pm
Sunday,  12 May 2019, 10.30 am – 2 pm

Auction:
Sunday, 12 May 2019, starting at 2.30 pm

Venue:
CSIS Jakarta
Gedung Pakarti Center
Jl. Tanah Abang 3 No.23
Tanah Abang, Jakarta Pusat, Indonesia

 

Words: Richard Horstman

Images: Courtesy of Larasati

 

 

Advertisements

Bali art world personalities: meet Ruth Onduko

Ruth Onduko_Profile Photo                                                   Ruth Onduko

 

The 2008 GFC (global final crisis) spelt disaster for the Bali art world. The Indonesian art market after a record boom went to bust with collector’s buying immediately slowing, galleries around the island closed, while others wound down their activities. The woes continued with a decrease in tourism and smaller holiday budgets – luxury items such as artworks were off the shopping list.

Now, a decade on, the organic response by local artists, art communities and creatives is defining a new era of art infrastructure that is positively impacting upon the Bali art scene. Artist driven initiatives, alternatives spaces, foundations, creative hubs and cafes, along with new art and creative events – the art landscape is increasingly dynamic, exciting and inspiring. Behind these developments is a diverse group of people from different backgrounds shaping new horizons for Bali – one of these dedicated characters is Ruth Onduko.

Ruth Onduko along with members of Futuwonder and the public conducting a Wikilatih workshop (Wikipedia article writing) and uploading eighteen new articles on female artists from Bali. Puan Empu Seni: Edit-a-thon was a part of a national drive, held in conjunction with Wikimedia Indonesia, to increase the amount of data on Indonesian female artists available on the Internet’s most go-to source of information – Wikipedia.

Ruth Onduko hosting the opening of Futuwonder's most recent exhibition "Tanda Seru" March 2019 at Uma SeminyakRuth Onduko hosting the opening of Futuwonder’s most recent exhibition “Tanda Seru” open 31 March 2019 at Uma Seminyak

 

The most experienced and connected art manager on Bali, Ruth represents the new frontier of female art workers, including artists, writers and managers who are the essential ‘small army’ within the rising infrastructure. Born in Semarang, Central Java in 1983, a graduate in Communications Studies from the Gadjah Mada University, Yogjakarta in 2008 Ruth moved to Bali where she began her career as the Public Relations Officer and art event organizer at the Museum Kartun Indonesia, Bali in Kuta. Her next position as gallery manager at the Tony Raka Art Gallery in Ubud introduced her to the Indonesian contemporary art world, were she oversaw operations until 2012.

Ruth went on to project manage art collectives, art and photography communities and event managed “Merayakan Murni / Celebrating Murni”, the landmark collaborative initiative in 2016 by Ketemu Project Space, highlighting the legacy of late, iconic Balinese female artist I GAK Murniashi.

Puan Empu Seni, wikilatih 1.0 in collaboration with Wikimedia indonesia and Futuwonder, we held a workshop on how to make an entry to wikipedia, focusing on data entry of balinese female artists (1)Ruth Onduko along with members of Futuwonder and the public conducting a Wikilatih workshop (Wikipedia article writing) and uploading eighteen new articles on female artists from Bali. Puan Empu Seni: Edit-a-thon was a part of a national drive, held in conjunction with Wikimedia Indonesia, to increase the amount of data on Indonesian female artists available on the Internet’s most go-to source of information – Wikipedia.

 

Instrumental in the development of four important, recent projects that are helping to fill critical gaps within the infrastructure, and that will aid in the future sustainability of the Bali art ecosystem, Ruth has played vital roles in the creation of the annual world-class contemporary art exhibition Art Bali, the design themed event Seminyak Design Week, Futuwonder a collective supporting the women artists of Bali, and her pet social media project – a centralized portal of information promoting events throughout the island – “Senidibali” on Instagram.

“In 2016 I was about to participate in a group photo exhibition in Denpasar and was thinking of the best way to promote this event. At the same time a friend was asking me to help to promote her first exhibition,” Ruth explained. “Other artists, spaces, and communities also needed a platform as so many of them were already sending me their event information and asking me to share it out. Instagram is the easiest, and most accessible tool to engage with a wider audience, so I started @Senidibali, along with its supporting website. I understood the potential to help the community, and especially the art community by sharing what’s happening in the Bali art world.”

Puan Empu Seni, wikilatih 1.0 in collaboration with Wikimedia indonesia and Futuwonder, we held a workshop on how to make an entry to wikipedia, focusing on data entry of balinese female artists (2)Ruth Onduko addressing participants during Puan Empu Seni: Edit-a-thon at Rumah Sanur

 

“Seminyak is the trendsetters capital of Bali, one of the go to locations for foreign and local tourists, especially the millennials,” Ruth stated when revealing the origins of Seminyak Design Week. “Design consciousness is ever present within the architecture, the logo and brand design, and venue interiors – much of this awareness is created by communities of talented local designers. The Indonesian design industry has huge potential to contribute to the burgeoning creative economy. With this in mind, we wanted to showcase the creators who make designs for better communities.”

“I was employed by Uma Seminyak, a performance and event venue in Seminyak, as community manager in February 2018. Working together with the Uma’s team after 3 months of preparation we held the first Seminyak Design Week in May 2018,” she said. The event showcased 39 guest speakers, sixty crafters, designers, and architects participating with other creative spaces throughout Seminyak and Denpasar in design related events. Seminyak Design Week 2019 is slated for August.

55910093_365679750704060_8443468403250823168_oRuth Onduko addressing the audience and artists during the opening of “Tanda Seru”

 

“Bali has many artists, but lacks professionals in the field of art management and event organization. It also requires a specific venue for large-scale events,” Ruth said. “The rapid development of IT and the web is the foundation for enormous growth and opportunity, as more and more collaboration amongst the art workers with expertise continues.”

“It has always been one of my dreams to help create a large scale contemporary art event in Bali. In early 2017 I was asked to join the Art Bali team,” Ruth said. “It has been a great opportunity for me to work and learn directly from Indonesia’s leading art management group HPAM.” (Heri Pemad Art Management of Yogyakarta, responsible for the countries most unique contemporary art event ArtJog).

OPENING PAMERAN EFEK SAMPING DI KARJA ART SPACE, 20 OKT 2018_FUTUWONDER (2)The audience during the opening of the first Futuwonder exhibition “Masa Subur: Efek Samping” at Karja Art Space, Ubud, October 2018

 

A passionate photographer, Ruth Onduko’s excellent array of images can be viewed at:

www.flickr.com/photos/theonduko/

https://theonduko.weebly.com/

Instagram @senidibali

 

Words: Richard Horstman

Images: Ruth Onduko

Previewing Larasati’s Traditional, Modern & Contemporary Art Auction, Bali, August 2018

dewa putu mokoh "iringan pengantin" image courtesy of larasati                     “Iringan Pengantin” – Dewa Putu Mokoh 

 

Each year Larasati Auctioneer’s, Indonesia’s oldest fine art auction house, present two auctions in Ubud highlighting Balinese traditional art. Upcoming Sunday 26 August is seventy-four items for sale in the Traditional, Modern & Contemporary Art Auction. Open to the public, viewing begins 11am Friday 24 August at the Larasati Art Space at Tebesaya Gallery, Ubud, Bali.

The sale is led by a collection of Mr & Mrs Charles Powell, USA, and three beautiful traditional paintings by Wayan Radjin from the 1970’s. The sale presents works by old masters of traditional genres, some unique and rare paintings, works with investment potential, and an array of compositions that allow good entry opportunities into the market for new collectors.

wayan radjin "ramayana membebaskan dewi sita" image courtesy of larasati               “Ramayana Membebaskan Dewi Sita”- Wayan Radjin

 

Catering for a range of tastes works on offer include ink, and watercolour on paper, Indonesian modern art, Balinese modern and contemporary paintings and works in traditional styles, along with a wood carving. Distinguished Balinese artists featured are Ida Bagus Made Poleng, Ida Bagus Made Widja, Gusti Ketut Kobot and Nyoman Gunarsa. For new buyers wishing to enter the market, estimated prices in this sale begin at IDR 500,000 (USD $35). Auctions offer buying opportunities at prices much cheaper than purchasing works directly from the artist studio, or galleries.

These works by respected old masters will be of interest to the connoisseurs of Balinese art. Tjokorda Oka Gambir (1902-1975) is one of the founders of the Ubud School of Painting, lot# 549 Mythological Scene in Kamasan Style is a large 248 x 132cm work in natural colour on cloth with an estimated price of between IDR 65 – 80 million, while lot #550 Garuda & Wisnu is by one of the esteemed masters of the influential Pitamaha Artists Association from Ubud (1936-1945), Gusti Ketut Kobot (1917-1999) with an estimated price of between IDR 95 – 110 million.

dewa ketut rungun "burung burung bangau" image courtesy of larasati                   “Burung – Burung Bangau” – Dewa Ketut Rungun

 

Lot #574 Taris Bali is a superbly balanced composition of traditionally attired Balinese warrior emerging from the forest performing the unique warrior dance by Ida Bagus Made Poleng (1915 – 1999) who is regarded as one of the finest Balinese painters of the past century. This work bears the stamped identification that guarantees authenticity from the Ida Bagus Made Foundation, and has an estimated price of between IDR 165 – 190 million.

The following are rare pieces lot #544, Sarasvati is an early work by the respected Batuan painter Wayan Taweng (1922 – 2004) who trained under Nyoman Ngendon (1906 – 1946) with an estimated price of between IDR 10 – 15,000,000 million. Wayan Radjin (b.1945) is the son of the celebrated Batuan artist I Djata, considered the founding father of the Batuan School. Lot #527 Ramayana Membebaskan Dewi Sita by Radjin is a beautiful acrylic on canvas composition with an estimated price of between IDR 28 – 38 million. Most of Radjin’s works are on paper, and rarely does such a quality work come onto the market.

gusti ketut kobot "garuda wisnu" image courtesy of larasati                          “Garuda Wisnu” – Gusti Ketut Kobot

 

Lot # 572 Iringan Pengatin is a unique work because it is a crowded composition by the renowned painter of the unconventional, Dewa Putu Mokoh (1913 – 2010), and has an estimated price of between IDR 7 – 10 million, while lot #521 Ibu dan Anak, featuring a composition of a mother and child is too an unusual work by Dewa Ketut Rungun (1922-1986), who is noted for his bird compositions. It has an estimated price of between IDR 15 – 20 million.

Opportunities for good investments are lot #513 a. Di Malam Ini and b. Aku dan Dia Bermain, two paintings by Indonesia’s most important woman artist I Gusti Ayu Kadek Murniashi (1966 – 2006), with a combined estimated price of between IDR 18 – 25 million, and lot #520 Bali Life by Ketut Gelgel, which has an estimated price of between IDR 95 – 110 million.

i gusti ayu kadek murniashi "di malam ini" image courtesy of larasati                  “Di Malam Ini” – I Gusti Ayu Kadek Murniashi (Murni)

 

New collectors have opportunities to enter the market with lot #507 Hierarkie by Susilo Budi Purwanto, Berburu Kuda, lot# 512 by Made Wiradana, and two abstract oil paintings, lot #540 Kampung Nelayan Kusamba and lot #541 Gunungan Semar by noted Javanese painter Bagong Kussudiardjo (1928-2004), and the beautiful flowing flora and fauna forms within Burung Burung Bangau, lot #573 by Dewa Ketut Rungun. Emerging Balinese artist Ngakan Putu Agus Arta Wijaya is a young artist worth keeping an eye on, with excellent technical skills, good ideas and a distinctive style, lot# 508 Upgrade comes with an estimated price of between IDR 7.5 – 9 million.

Other popular artists within the sale are renowned Dutch colourist Arie Smit, Otto Djaja, Mochtar Apin, Jehan, Ida Bagus Nyoman Rai, Nyoman Dewa Jati, Dewa Putu Bedil and Agung Mangu Putra.

For buyers seeking to invest it is important to have a strategy, with the view of buying and holding for at least 10-15 years, and to invest early in an artist before everyone is getting on to the market. Look for works that are rare and unique – uniqueness referring to the quality and how often the artist makes such image or composition. A painting’s provenance is important for the established taste and also for authenticity, with the more prominent the previous owners, the better. This also includes the works history of exhibitions and inclusion in books or catalogues.

ida bagus made poleng "taris bali" image courtesy of larasati                           “Taris Bali” – Ida Bagus Made Poleng

 

Potential buyers bidding over the phone, or via real-time Internet bidding who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati

 

 

 

 

 

 

 

 

Welcome to Denpasar2018 Art+Design: An Exhibition & Movement

Invited artist Yoka Sara                        Denpasar2018 – invited artist Yoka Sara

 

During the month of October a unique program of activities presented by CushCush Gallery (CCG) in Denpasar highlights the ongoing transformation of the city into a modern creative hub that is evolving side-by-side with its cultural and historical icons. Opening 5 October DenPasar2018 Art+Design – An Exhibition & Movement headlines the program along with other community happenings, including Design Talk, Design Walk, Open Studios, that coincide with the launch of the DenPasar Art+Design Map 2018/2019.

 “In recent years many creatives from throughout Indonesia and overseas have been attracted to Bali for its lifestyle and rich culture. Many decide to base themselves here, while others return regularly. As the island’s multi-cultural society evolves so does its creative potential,” said CCG co-founder Suriawati Qiu, who along with her partner Jindee Chua in July 2016 launched CCG upon the local art and design landscape injecting exciting energy into Bali’s creative scene.

Curatorial Talk #1 with Kevin & Marishka 6 10 2018   Curatorial Talk #1 with Kevin & Marishka 6th October at CushCush Gallery

 

“Nowadays many of Bali’s youths have been educated in universities outside Bali and internationally, and then return. They are important agents of change and vital contributors to Bali’s artistic spirit and are stakeholders in the new emerging creative economy.”

The development of Bali’s contemporary art and design infrastructure (including new art spaces, co-working creative hubs, festivals, and organizations) are the important meeting and showcasing points for the thriving new generation of creatives. Following on from the first edition released in 2017 the DenPasar Art+Design Map 2018/2019 will include a listing of community events celebrating Art & Design in October.

OLYMPUS DIGITAL CAMERA               Design Talk – Denpasar Inside : Out at Maya Sanur Ballroom

 

The DenPasar Art+Design Map 2018/2019 highlights museums, government and cultural institutions, art and design educational institutions, art galleries and creative spaces, art and creative communities, festivals, artists’ studios, cultural heritage/public spaces/monuments, and the markets within the city of Denpasar.  The map is endorsed by the Denpasar Central Government (Pemerintah Kota Denpasar), Indonesian Hotel and Restaurant Association and the Denpasar Tourism Promotion Board, along with the Indonesian Government’s Agency for Creative Economy, Badan KREATIF Denpasar. Printed in 10,000 copies the map will be distributed at selected Creative spaces and hotels in Bali over the next twelve months. The unique feature of this year’s map is the QR Code to allow direct access to the listed venues via the smart phone App.

“The recent importance given to the creative economy, and its support through government organizations such as Bekraf encourages initiatives in the Creative sectors of economy,” Suria added. “The government plays an important role too.”

Invited artist Alit Ambara                         Denpasar2018 – invited artist Alit Ambara

 

Three invited artists along with 12 Shortlisted Open Call artists will exhibit in DenPasar2018 – An Exhibition and Movement. Themed “Jingga”, which describes the colour of twilight and is a metaphor of how the people of Denpasar feel about both the joys and hardships living in Denpasar. The theme endeavours to capture varying perspectives within Bali’s multi-layered realities in a three-month long exhibition showcasing works of fine artists, designers, architects and performers. Works featured include paintings, installations, multimedia projections, photography, ceramic art, and posters.

Co-curated by Suriawati and Jindee, and independent curator Stella Katherine, the invited artists include Sydney-based painter and performer Jumaadi (b. 1973, Sidoarjo, East Java), who has collaborated with Balinese traditional Kamasan painters, designer and activist Alit Ambara (b. 1970, Singaraja, Bali), exhibiting his poster designs and artefacts used in social movements, and renowned artist and architect Yoka Sara (b. 1965, Denpasar, Bali), who founded and leads SPRITES ART & CREATIVE BIENNALE (est. 2013).

Layung #2 zatkimia 17 10 2018            Layung #2 zatkimia at CushCush Gallery 17th October

 

DesignTalk invites distinguished practitioners and scholars of architecture and design disciplines, including Budiman Hendropurnomo of DCM Indonesia, Maximilian Jencquel of Studio Jencquel, a lecturer and researcher from Warmadewa University Gede Maha Putra, and Japa Wibisana and Magat Kurniawan as representatives of the Indonesian Young Architects community, to share their specialized perspectives on the evolution and transformation of Bali’s architecture. DesignTalk is hosted by Suzy Annetta, the Editor-in-Chief of Design Anthology Magazine and is themed “Bali Inside:Out”.

DenPasar2018 Art+Design is a collective effort to mark the city with its own distinct character as a hub for contemporary arts, design and culture. With CCG’s DenPasar program we aspire to put Denpasar city in the mapping of contemporary Art + Design in Bali and beyond by showcasing the potential in Denpasar and inviting Art + Design lovers to come explore,” Suria stated.

Denpasar2018 Mural Jamming with Kuncir and students of ISI Denpasar on the walls of the Kerobokan prison 30 10 2018Mural Jamming on the walls of the Kerobokan Prison with Kuncir and art students from ISI Denpasar 30th October

 

This combination of an exciting mix of people who are presently in Bali, and the many active platforms give a rise to exciting collaborations and events, to be shared amongst local communities. This visionary initiative helps to lay the foundation for increasing art/cultural/design tourism into the island’s capital and developing the local creative economy.

Located near the heart of the city, CCG is in Gang Rajawali, off Jalan Teuku Umar. An alternative gallery, with an inspiring and unique program embracing interactions and multidisciplinary creativity via explorations at the intersections of art, design, materiality, techniques and crafts, CCG prioritizes community engagement and learning, along with children’s workshops. Open to the public CCG is a must see in Denpasar.

Invited artist Jumaadi

                          Denpasar2018 – invited artist Jumaadi

 

Gotong Royong Seni with Mella Jaarsma 10 11 2018gotong royong seni with Mella Jaarsma 10th November at CushCush Gallery

 

Denpasar2018 Ceramic Painting Workshop 20 10 2018               Ceramics painting Workshop at CushCush Gallery 20th October

 

 

 

DenPasar2018 Exhibition continues until 5 January 2019

Monday—Friday: 9:00AM–5:00PM
Saturday: 9:00AM–12:00PM

CushCush Gallery (CCG)

Jl. Teuku Umar Gg. Rajawali No.1A Denpasar, Bali

Tel. (62) 361 484558

http://www.cushcushgallery.com

 

Words: Richard Horstman

Images courtesy: Denpasar2018 & CushCush Gallery

 

 

Buying Balinese art at auction?

Wayan Radjin "Ramayana Membebaskan Dewi Sita" Image courtesy of LarasatiWayan Radjin – “Ramayana Membebaskan Dewi Sita” Image courtesy of Larasati

 

Are you interested in Balinese art? Ever thought of buying at auction?

Whether driven by your love of art, curiosity, or an eye for investment – buying at auction can be an interesting and exciting way to grow your collection. To the novice auctions may appear intimidating, for aspiring art collectors, however, auctions can provide an excellent point of entry into the marketplace.

Larasati Auctioneers, Indonesia’s oldest international auction house is a dedicated supporter of Balinese art. Specialists in auctioning Balinese traditional art, this year (2018) marks the tweleth year of its Bali auctions, held twice a year in Ubud. Offering an array of collectible items including paintings, sketches, prints and sculptures, their auctions presents good opportunities for buyers with small to medium, and larger budgets.

"Baris" AA Anom Sukawati                                   Baris – Anak Agung Gede Anom Sukawati

 

Here are some tips for the inexperienced on how to buy art during the Larasati Bali sale:

Open for public viewing the items for auction, or lots, are on exhibition from 11am each Friday immediately prior to the auction at Larasati Art Space in Ubud. There will be an array of beautiful art from the Classical paintings to the renowned genres of Balinese modern traditional art, and some modern and contemporary works, on display. Two and a half days allows plenty of time for inspection and to learn more about the works for sale. The free auction catalogue will be your necessary companion to help in this process.

Not only does the catalogue include the details of each lot for sale with the artist’s name, title of the work, medium, size and of course the estimated price of the works market value, it also has the details of how to participate in the auction, along with the necessary pre and post sale procedures. Be sure to read all the fine print. The Larasati website provides information and sales data from past auctions, access to online live bidding, along with the digital auction catalogue. You may wish to do more research about what you intend to buy and the Internet now has more and more information available on Balinese art.

'Sita Satya' Ketut Madra, 103x103cm, Image Richard Horstman                                        Sita Satya – Ketut Madra

Art is very personal, and everyone has different tastes. The secret to buying art that you will enjoy from the first moment you see it, and everyday on the wall at home is to listen to your heart or inner voice. Buying for investment takes know-how. Taking note of your budget is essential, and a buyer’s premium is payable on top of the final sales price of each lot.

On auction day first register your intention to participate and you will receive your paddle with an identification number, which you shall raise to indicate to the auctioneer your wish to bid for a work offered for sale. Understand all the necessary responsibilities you have as a buyer – don’t hesitate to ask questions to the Larasati staff so that you are clear. Inquire if there is a condition report available on the works you are interested in, and knowing more about the works history (previous exhibitions, past sales records, provenance & certificates of authenticity).

Dewa Putu Bedil, 'Harvest Scene', 1980, acrylic on canvas 136x200cm                                  Dewa Putu Bedil – Harvest Scene

 

What can you expect during the auction?

 Auctions move at a swift pace so be attentive and its best to sit at the front of the room. The auctioneer monitors bids from telephone and Internet platforms along with live bidding from people within the room. Auctions become exciting especially when there is spirited competitive bidding quickly raising the prices.

 How does the bidding process work?

The bidding process is straight forward, simply raise your paddle to indicate that you are willing to accept the amount offered by the auctioneer, which will also be indicated on the screen next to the auctioneer in Indonesian Rupiah, American, Singaporean and Hong Kong dollars. The items price will increase by increments and auctioneer will clearly address you, acknowledging they have accepted your bid. Works at auction often sell for prices much lower than that at galleries, or the artist’s studio, yet remember to set a price according to your budget that you are not prepared to go above.

Gusti Nyoamn Lempad, 'The Rickety Bridge' 1940, black ink and pigment on paper.                                Gusti Nyoman Lempad – The Rickety Bridge

 

Hopefully you will succeed in placing the bid accepted as the final sales price that will be confirmed by the fall of the auctioneer’s hammer. Congratulations, your diligence has paid off and you have just won the lot. Finally, complete the payment details and organize the delivery of your new art work.

 This exciting experience will fuel your curiosity about buying art. Do your research and learn as much as possible through books and online, visit museums, galleries, artist’s studios, exhibitions, and more auctions. To train your eye immerse yourself in Balinese art – and enjoy.

For the online catalogues and more information about the next Larasati Bali auction early in 2019 please visit: www.larasati.com  

'Mothers Love' Ida Bagus Tilem, wood, 62x13x17cm. Image Richard Horstman                                  Mother’s Love – Ida Bagus Tilem

 

Auctions held at: Larasati Bali Art Space at Tebesaya Gallery,

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Bali.

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneer’s & Richard Horstman

“Dipping in the Kool Aid” highlights collaborations between contemporary artists & inmates of Bali prisons

Rodney Glick "Pixel Buddha" image courtesy of apexart Gallery New York                                           Pixel Buddha – Rodney Glick

 

What is the value of human life?

How does our society appraise personal endeavour, imagination and creativity when the priority of doctors and medical staff in hospitals is the preservation of life? Governments and penal systems assess prisoners as having little to contribute to community, some electing to terminate the lives of ‘serious offenders’ through capital punishment. Why is it acceptable for governments to execute people, while murder is illegal?

The exhibition “Dipping in the Kool Aid” relates to aspects of prisons and the incarceration system, and opened at Tony Raka Art Gallery, Ubud 4 March. It features the artworks of prisoners, artworks produced from workshops given by contemporary artists in Bali prisons, and independently produced works by some of the invited established and emerging Indonesian and Australian artists.

malaikat copy                                       King Kong’s Land – Malaikat

The works selected from a range of workshops, predominantly in the Klungkung Jail, East Bali, and the Bangli Jail, include installations, paintings, drawings and photographs, along with a painting by a member of the controversial Bali Nine inmates, Renae Lawrence.

“A function of prisons practically everywhere in the world ensures inmates are social outsiders, largely invisible to most citizens,” said Australian artist Mary Lou Pavlovic who organized and curated the exhibition. “Our central concern is to bring aspects of prison life to public view.”

The idea of the exhibition emerged from an art program Pavlovic helped establish with inmates at the Bangli Jail, Central Bali soon after the second round of prisoner executions were ordered by the President of the Republic of Indonesia Joko Widodo in 2015. “Our aim is to cherish and preserve life, the driving motivator for this entire project.”

Mary Lou Pavlovic and prison inmates Mary Lou Pavlovic with input from April, Exyl, Hendra, and Kadek,collaborative installation "Suspended Sentiments" Image courtesy of "Dipping in theSuspended Sentiments – Mary Lou Pavlovic and women inmates from the Klungkung and Bangli jails.

In April 2017 Pavlovic’s proposal written in response to the open call Apex Franchise Exhibition, sponsored by the apexart Gallery New York, offering funded exhibition opportunities, won. More than two hundred international art expert jurors had voted for her proposal to curate an exhibition in Bali about artists and prisoners collaborations arising from prison workshops. A non-profit arts organization in Lower Manhattan, apexart is funded in part by the Andy Warhol Foundation, and offers opportunities to independent curators and emerging and established artists, and challenges ideas about art, its practice, and its curation.

Highlights of “Dipping in the Kool Aid”, in which the cell formation is a theme of the exhibition’s presentation to emphasize the living space – life behind bars within a prison cell, include, the tiny, delicate folded paper birds “Terapi Origami/Orizuru” by Ridwan Fatkhurodin a.k.a. Kriyip on display, yet also given as symbolic gifts to attendees during the opening ceremony, Kenyut Djunaidi’s collaborative etched mirror self-portraits “Kamu Adalah Aku, (You are Me)” and Australian Rodney Glick’s humorously militarized carved wooden icon “Pixel Buddha”. Elizabeth Gower’s “365 Rotations” adds an ethereal element to the show. Multiple circular collages Gower and inmates forged from discarded packaging and advertising material form a constellation of wonderful geometric patterns.

"Angki Purbandono "Out Of the Box" Image courtesy of apexart                                Out of the Box – Angki Purbandono

Popular Indonesian artist Angki Purbandono presents an installation of photographs “Out of the Box” revealing his experience of ‘doing time’. Incarcerated for one year in Yogyakarta during 2013 for smoking marijuana, refusing to accept his imprisonment, Angki declared instead that he was undertaking an artist’s residency, and taught a guard how to take photographs. He also established the Prison Art Programs, a group of inmates and ex-inmates who exhibit art inside and outside the jail; some members are included here.

Three meters by three and a half meters wide, luminescent and sparkling with life “Suspended Sentiments”, features over 1700 individual cells with flowers, leaves, nuts, berries, butterflies, bugs and Christmas decorations embedded within epoxy resin. Pavlovic’s wall installation, the outcome of workshops for women in Klungkung and Bangli Jails is beguiling in beauty and simplicity, yet rich in emotion.

31052365_10155177701881916_4372840048123445248_n                                   Forgiveness #2 – Mangu Putra

“Physical power is defeated by wisdom,” said renowned Balinese painter Agung Mangu Putra of his composition, “Forgiveness 2”. Inspired by an iconic image, originally popularized by Indonesia’s founding father, President Sukarno, who was photographed bowing to his mother, the state symbolically begs the pardon of not only a mother, but of a citizen, instead of the usual power dynamic in which citizens bow before the state. Mangu’s Putra’s painting reveals a state official – a soldier – bowing and begging forgiveness of his mother, who has taken away his gun.

“American jail slang for entering uninvited into a conversation, the phrase “Dipping in the Kool Aid” pays tribute to the discrete Javanese tradition of Pasemon,” Pavlovic said. Reflecting on Indonesia’s revolutionary era of political art that began under the authoritarian President Suharto’s New Order regime (1966-1998), artists and journalists used an indirect form of satire to criticize the government. Pasemon is elegant because it touches the conscience,” she continued. “Correcting without embarrassing authority.”

30706637_10155177599011916_7359454426228064256_n                Terapi Origami/Orizuru  –  Ridwan Fatkhurodin a.k.a. Kriyip

“Values expressed in this exhibition contrast with aspects of the government’s treatment of prisoners recently in Indonesia. Pasemon has created a space for us in which our political positions are clarified without scratching the wound.”

30741219_10155177702336916_1128266463887491072_n              365 Rotations  –  Elizabeth Gower with inmates from Bangli Jail

30703717_10155176985641916_986154805040775168_o               View of “Dipping in the Kool Aid” at the Tony Raka Art Gallery

 

30708338_10155177599166916_6226232579398303744_n        After Hit n Run  –  Herman Yosef Dhyas Aries Utomo (a.k.a. Komeng)

 

Dipping in the Kool Aid”

Open to the public daily 10am – 5pm,

4 – 31 March 2018

Tony Raka Art Gallery,

JI.Raya Mas No. 86 Mas, Ubud, Bali.

 

Words: Richard Horstman

Images courtesy: apexart Gallery New York, Mary Lou Pavlovic & Bima Basudewa

Bruce Carpenter: presenting Indonesian art & culture to the world

BruceC-2a                                                          Bruce Carpenter

 

A lust for life and adventure, along with a generous dose of savvy have propelled New York City born and bred Bruce W. Carpenter around the planet.

The son of a young American soldier who returned from WWII with an upper class English bride, Carpenter found himself torn between the idealism and glory of old Britain and the cosmopolitan metropolis of his birth. In the end, the creative cauldron that was NYC in the 60s & 70s would be the winner.

“I found my sanctuary in the great museums and then seminal art scene of the “City” where I was introduced to the Underground Art Scene and the Beat Poets. This would lead on to the first happenings, the precursor of installations, in Soho lofts, Andy Warhol’s Factory, experimental theatre and film,” says Carpenter, who eventually channelled his creativity into filmmaking. Carpenter was also an eyewitness and full-blown inductee into the Woodstock Generation, having attended the concert, and the Age of Aquarius. He played in a Blues band and was a member of several theatre groups.

Lempad_cvr_300dpiLempad of Bali: the illuminating lineCarpenter, Darling, Hinzler, McGowan, Vickers, Widagdo

The election of Richard Nixon and the resurgence of the conservative right, along with the death of a brother who served during the Vietnam War, precipitated a leap across the Atlantic Ocean to the city of Amsterdam where idyllic hippie dreams were still raging on. After experiencing one long and miserable Northern European winter, Carpenter succumbed to exotic tales of the mystic East recited by a new breed of young travellers.

In 1974 he sold his camera and bought a one-way ticket to Bangkok. During the next 18 months he would explore the east crisscrossing the Malay Peninsula and Indonesia starting in Sumatra. Together with the Swiss artist-photographer, Charles Junod, they would scout out wild destinations and create surreal installations that they photographed. These would tour Europe in an exhibition of surreal photography sponsored by the Canon Gallery.

When Carpenter arrived on the island paradise of Bali, Kuta was no more than a small village set in coconut groves adjacent to the beach. “There was a handful of homestays with a cast of international bohemian suffers and roaming hippies as the guests,” he recounts. The two most dangerous moving objects were falling coconuts and the deer-like Balinese cow.

sovarrubias-sketchesMiguel Covarrubias Sketches: Bali – Shanghai – Adriana Williams & Bruce W Carpenter

For the next decade Carpenter led a nomadic lifestyle with regular visits to Bali. In the early 1980s, after meeting Dr. Stanley Kripper, he began organizing cultural tours under the auspices of the Institute of Noetic Sciences in Sausalito. These specialized in visits to traditional healers and religious figures and would end with a book on traditional Balinese healing co-authored with Krippner and Dr. Denny Thong the head of Bali’s mental hospital in Bangli.

In 1985 Carpenter settled in Ubud and began working on a series of research and art projects usually tied with the art, history and culture of Indonesia. As his reputation grew he was invited to author and co-author a growing number of books. In 1993 he gained wide attention as the author of Willem G. Hofker, Painter of Bali (1993), the first major book on an expatriate artist on Bali. Several other books on expatriate artists soon followed including the acclaimed, W.O.J. Nieuwenkamp, the First European Artist in Bali (1997).

“Often in life, its not what you know, but who you know,” says Carpenter. Through a serious of discussions with key figures in the hotel industry in Bali Carpenter was to be granted a wonderful opportunity after he convinced the management of the Four Seasons Resort in Jimbaran that luxury hotels were the natural heirs of the mantle once held by the royal palaces as patrons of the arts. The result was the opening of the Ganesha Gallery, the first dedicated art gallery on the premises of a hotel in 1992. This was hailed as an excellent cultural bridge between the guests and Indonesian modern and traditional art.

9789814068154-us          Emilio Ambron: An Italian Artist in Bali – Bruce W. Carpenter

Initially the resort attracted wealthy and sophisticated international clientele and with the charismatic Carpenter as the figurehead of Ganesha and his sharp eye for art, the timing was perfect and it became an immediate success.

For a 15-year period the gallery held 12 exhibitions a year, an unheard of phenomenon in Indonesian art, confirming it as the fine art gallery in Bali. In its heyday well-heeled guests and local collectors purchased quantities of art, however over the years as the profile of the guests changed, along with events such as the Gulf War, 9/11 and the Bali bombings, and its market gradually faded. This experience for Carpenter gifted him with enormous experience and knowledge, along with connections and an international reputation.

In the meanwhile Carpenter would also begin publishing a series of books on the traditional arts of Indonesia, including Mentawai Art, Batak Sculpture, Nias Sculpture and two books on traditional jewellery. “I am a firm believer that expatriates should contribute to the country they live in. I was blessed with a deep knowledge and appreciation of Indonesian arts and culture which is fast disappearing and I have taken it upon myself to try to record as much of it as possible.

4mpXadWmpPcjnmClhQXP          W.O.J Nieuwenkamp: First European Artist in Bali – Bruce W. Carpenter

In all, Carpenter has written and co-authored over twenty books and scores of articles on Indonesian art, culture and history. However, with the recent release of the book Lempad of Bali – The illuminating Line, the first fully comprehensive study on the master of Balinese traditional artist, Gusti Nyoman Lempad (1862-1978), on the 20th September 2014 at Museum Puri Lukisan, he admits, “this has by far been the most challenging project I have engaged in in my life.”

“As the book concept and project manager my list of tasks was unprecedented. I had to oversee interactions with over forty institutions and collectors in eight different countries, each with different requirements, along with dealing with six authors, one of whom is dead!” Carpenter says. “Our endeavour was to include the broadest range of Lempad’s works available in the book, therefore the detective work required was unbeknown to us and consequentially enormous.” The beautiful volume of over 424 pages is the culmination of more than six years work for the team of dedicated and respected academics and professionals.

“Bali deserves to have world class art exhibitions, books and events to create more interest in its immense and unique culture,” Carpenter states.

“I am dedicated to the publication of illustrated books on the traditional arts of Indonesia which have disappeared or are disappearing. We honor the past by recording its brilliance. I also feel it is important to urge young Indonesians to do the same. It is ironic that westerners play such a critical role in the studies of Indonesian art. This should change.”

Opinionated and articulate Carpenter counts many, including the rich and famous, as friends. A father of two he cuts both a dashing and unusual figure. His trailblazing journey through life is rich in colourful tales that are steeped in the exotic, mysterious and dynamic.

127446                                 Indonesian Tribal Art – Bruce W. Carpenter

 

Words: Richard Horstman