Category Archives: Indonesian Art Fair

New guidebook highlights artistic & design events in Bali throughout October – December 2019

The "Bali Art+Design Guide X Bali Art Roads" Oct - Dec 2019 Image Richard HorstmanThe first Bali Art+Design Guide X Bali Arts Road, a pocket guidebook that charts a plethora of events around the island, ranging over three months beginning in October, until the end of December 2019.

 

The Balinese Pawukon calendar is not used to measure time; it encompasses smaller cycles within larger ones. Its purpose is to pinpoint certain days that help to provide a cultural framework of how the people may most effectively conduct certain social, religious, agrarian and creative activities on the most auspicious days according to their sacred beliefs. The month of October presents many appropriate dates to hold artistic events; therefore it is crammed full with art and creative happenings; unofficially it is the ‘Bali Art Month’.

The favourable circumstances of timing have provided the unique opportunity, and inspired the creative communities of Bali, along with visiting internationals, to present a diverse program of events of the calibre to rival that from the creative hubs of Java, and the popular JAW (Jogja Art Weeks) held earlier this year throughout the Central Java regency, and Bandung Art Month, that recently concluded in mid-September in West Java.

Opening of "Mahardika" group exhibition 19 October at TiTian Art Space, Nyuh Kunning, Ubud. Image Richard HorstmanOpening of “Mahardika” group exhibition 19 October at TiTian Art Space, Nyuh Kuning, Ubud

 

2019 welcomes the publication of the first Bali Art+Design Guide X Bali Arts Road, a pocket guidebook that charts a plethora of events around the island, ranging over three months beginning in October, until the end of December. These events include exhibitions, film screenings, music, dance and theatre performances, discussions, open studios and festivals complete with the relevant details and appropriate maps.

“When I travel to other cities within Indonesia or abroad, I find having a guidebook focusing specifically on art and design is very helpful for discovering and exploring the local creative scenes,” said Suriawati Qiu, Bali Art+Design Guide X Bali Arts Road co-director and co-founder of CushCush Gallery in Denpasar. “There are many art and creative communities and spaces in Denpasar and Bali that are, unfortunately, relatively unknown to the public. Having Bali’s own Art+Design guidebook will benefit both our creative communities who are doing amazing works, as well as travellers and locals alike who are interested in art and design.”

The opening of Art Bali 2019 "Specultive Memories" was highlighted by a fashion parade by the Fashion Council of Western Australia (FCWA) which annually holds the Perth Fashion Festival (PFF) Image Richard HorstmanThe opening of Art Bali 2019 ‘Speculative Memories’ was highlighted by a fashion parade by the Fashion Council of Western Australia (FCWA) which annually holds the Perth Fashion Festival (PFF)

 

The Bali Art+Design Guide X Bali Arts Road is an evolution from the DenPasar Art+Design Map first published in 2017 in conjunction with DenPasar Art+Design program, a collective effort by the creative communities of Denpasar along with CushCush Gallery as the central activities venue. It set out to mark the city with its distinct character as a hub for contemporary arts, design and culture.

In 2019 CushCush Gallery collaborates with ART • BALI, the second edition of the annual Indonesian contemporary art exhibition organized by Heri Pemad Management of Yogyakarta, Central Java. Themed SPECULATIVE MEMORIES, open 13 October 2019 – 13 January 2020, it is held at the AB • BC Building, Bali Collection, ITDC District, Nusa Dua, Bali. The exhibition presents forty-nine selected works, consisting of paintings, sculptures, installations, photography, multimedia and video from 32 Indonesian and overseas artists who also reside and, or work in Indonesia. It showcases some of the finest established and emerging contemporary artists in Bali’s premiere; purpose-built international standard exhibition space to local and foreign audiences.

Seminyak Design Week -EXHIBITION VIEW PHOTO Courtesy - ANDITO WASI                         Seminyak Design Week – exhibition view

 

Bali Arts Roads (BAR) was an initiative introduced by ART • BALI in 2018 as a side program to highlight and promote the depth of the Bali art community through exhibitions, events and open studios programs throughout the island. This year it combines with the DenPasar Art+Design Map into 180-page booklet helping to consolidate Bali’s diverse array of creativity. This year the guide covers events and programs not only in Denpasar but also in Ubud, Seminyak, Canggu and Nusa Dua, during October – December, with over 130 events listed. The booklet features a QR Code that pinpoints selected event destinations on Google Maps to allow direct and straightforward navigation.

The guide also includes important cultural and institutional locations such as museums, government and cultural institutions, art and design educational institutions, cultural heritage sites, public spaces and monuments within the city of Denpasar. Some of the festivals featured are Seminyak Design Week 2019 18 – 27 October themed “Designing for a Better Community” and runs with a program of exhibitions, talks, pop-up markets, a design trail and workshops at Gallery Vivere and Uma Seminyak. The Ubud Writers & Readers Festival, 23 – 27 October (festival events noted within the booklet), and Kita Lo Gini 5 at ISI Denpasar, a student art party presenting artworks and performances 25 – 26 October.

Artists pose with their works during the opening of during the opening of "Art Exhibition by Children Sanggar Bares - There is no Truth only HONESTY" 12 – 31 October at the Nyana Tilem Museum, in Mas. Image courtesy Soemantri WidagdoArtists pose with their works during the opening of ‘Art Exhibition by Children Sanggar Bares – There is no Truth only HONESTY’ 12 – 31 October at the Nyana Tilem Museum, in Mas

 

Other diverse happenings include tours, Urban Walk Denpasar a free open to the public guided tour of Denpasar heritage sites on 2 November, Herb Walk on 27 October, an investigation into the edible medicinal plants and related practices, Basic Macrame Workshop 12 October at CANAAN X ROU, Seminyak, Curator in Residence, a program initiated by DenPasar Art + Design: In Transition November – December at CushCush Gallery, Denpasar with the curatorial conversation #1 14 December, International Conference ICATUS 2019 the first international conference on architecture, technology and urban sustainability 27 – 28 November at Gedung Pascasarjana, Kampus UNUD, Denpasar, Parade Teater Canasta, 23 – 30 November at Canasta Creative Space Denpasar featuring Balinese theatre communities and the Odyssey Music Art Conference & Day Festival 2019 10 – 13 October at Artotel Sanur and Artotel Beach Club.

Just a few of the art exhibitions during October: Natisa Jones’s Love is Never Lonely 5 October – 9 November at Tony Raka Gallery, Ubud a ‘diversion’ from her signature style paintings. Frequency Balinese Art, Culture and Rerajahan a collection of Balinese amulet inscriptions known as rerajahan by Jro Mangku Badra, displayed within an art context and created without the sacred ritual and mantras to instil the ink drawings with their renown mystical powers, open 9 October at ARMA, in Ubud. From 10 October – 24 November at Artotel Sanur It Isn’t a Whole a solo exhibition by Putu Adi Suanjaya, and an Art Exhibition by Children “Sanggar Bares” There is no Truth only HONESTY 12 – 31 October at the Nyana Tilem Museum, in Mas.

"Jalan - Jalan" Indieguerillas at Art Bali. Image Richard Horstman                         ‘Jalan – Jalan’ Indieguerillas at Art Bali

 

The ongoing mission of Kemal Ezedine and Ketut Moniarta from the Neo Pitamaha art movement is to invigorate Balinese art by inspiring young artists to explore fresh possibilities within the technical context of the Balinese painting traditions. Drawing Bali Today opens at Sika Gallery, Ubud from 10 October 10 November. Sudra Sutra, an iconographical interpretation of the Yeh Pulu reliefs and related history by Dr Wayan Kun Adnyana opened 11 October at Neka Art Museum, Ubud until 19th October is a continuation of his visual representation inspired by the ancient Yeh Pulu stone reliefs in Bedhulu Gianyar.

Megarupa 22 October opens at ARMA Ubud with coinciding exhibitions at two other venues, the Neka Art Museum and Bentara Budaya Bali featuring the works of 103 artists, presented by the Cultural Office of the Provence of Bali. TiTian Art Space in its new premises on Jalan Raya Nyuh Kuning, Ubud present Mahardika a group exhibition 19 October – 24 November. Also open 24 October at Taman Baca, Sanggingan Ubud, Stories from Mt. Agung children’s stories of trauma expressed through drawing and poetry. Maladjustment opens 26 October – 24 November at Neka Art Museum and presents iconic artworks by Indonesian artists Arahmaiani and I GAK Murniasih along with Australian artist Mary Lou Pavlovic who exhibits her landmark, 2004 work Liar!

Audience at the opening of Drawing Bali Today at Sika Gallery. Image by @febrimarleni.           The audience at the opening of ‘Drawing Bali Today’ at Sika Gallery

 

Denpasar and Bali are increasingly developing as exciting and engaging destinations for national and international creatives to visit regularly, or to reside permanently. In recent years its art and design infrastructure has witnessed defining new growth. This provides more opportunities for participants to thrive within the burgeoning 21st – century creative economy while leading to a healthier ecosystem. These developments, importantly become a stimulant in reviving art and cultural tourism on the island of Bali.

Bali Art+Design Guide X Bali Arts Road booklet is available from numerous program participants distributed to more than 70 points throughout Bali and from AB • BC Building, Bali Collection, Nusa Dua.

Or it can be downloaded: http://artbali.co.id/page.php?p=bar

"Sarinin Angkus Prana" by Jro Mangku Badra exhibited at ARMA in "Frequency Balinese Art, Culture and Rerajahan" Image Richard Horstman‘Sarinin Angkus Prana’ by Jro Mangku Badra exhibited at ARMA in ‘Frequency Balinese Art, Culture and Rerajahan’

 

 

Words: Richard Horstman

 

ART JAKARTA 2019 – evolving into one of the regions most significant art fairs

Japanese artist Takehiko Sugawara "Garyu no Matsu" Image Richard Horstman                   Garyu no Matsu  – Japanese artist Takehiko Sugawara

 

Under wraps, the 11th edition of Art Jakarta, Indonesia’s most significant art fair open from 30 August – 1 September 2019 at JCC (Jakarta Convention Center). And by reports from gallerists, exhibiting artists, attendees and the Fair organization itself, outcomes have exceeded expectations.

Following on from the demise of Art Stage Jakarta in 2017, and Art Stage Singapore in 2018, Art Jakarta has strategically positioned itself, filling the void and consolidating itself as one of Southeast Asia’s most important art fairs. Featuring 70 galleries from 14 countries – Hong Kong, Japan, South Korea, Singapore, Indonesia, Malaysia, USA, Taiwan, Russia, Australia, Thailand, Philippines, Vietnam and China, the fair enjoyed strong sales, with more than 39,000 visitors over the three days.

Art Jakarta fairground view Saturday 31 August. Image courtesy of Art Jakarta Art Jakarta fairground view Saturday 31 August. Image courtesy Art Jakarta

 

From Indonesia, 30 of the country’s established and emerging galleries participated, including Edwin’s Gallery, RUCI Art Space, Lawangwangi, CGartspace, Bale Projects, SAL Projects and ART_UNLTD by BEKRAF, a presentation of 51 emerging and established artists from different backgrounds, initiated by Indonesian Agency for Creative Economy (Badan Ekonomi Kreatif ) and curators Asmujo J. Irianto, Bob Edrian, Irawan Karseno and Totot Indrarto.

Just a few of the international gallery participants were Amy Li Gallery – Beijing, Flowers Gallery – London/New York/Hong Kong, Mizuma Gallery – Tokyo/Singapore/New York, Yavuz Gallery – Singapore and Bluerider ART from Taipei. Thirty per cent of the 70 participating galleries made their debut at Art Jakarta, reflecting the brand’s strong reputation and potential. Auction house Phillips Asia was among the new exhibitors, displaying artworks, watches and jewellery.

"Lumina Clorofilliana", 2019 Filippo Sciascia. Lacqured Photo Aluminium And Led Light. Image coutesy of Yeo Workshop

“Lumina Clorofilliana”, 2019 Filippo Sciascia. Lacquered Photo Aluminium And Led Light. Image courtesy of Yeo Workshop

 

“Due to the uncertain political environment of the past few years there has been a subdued market response to the fair,” stated Edwin Rahardjo, founder of Edwin’s Gallery and the Head of the Indonesian Association of Art Galleries (AGSI). “This year, however, we have had a more stable political and economic climate in Indonesia, which has led to a renewed energy. I could feel that the audience was much more positive and upbeat. The increased activity by young local collectors was noticeable.”

Art Jakarta reported several new buyers acquiring art pieces for the first time as well as renewed interest and purchases from buyers who had been inactive for some time. New international collectors were also spotted at the fair, expanding Art Jakarta’s collector base. Collector’s attending the fair hailed from throughout Southeast Asia and the Asia region, Europe, America and Australia.

"Savage Orchid" 2019 - Nus Salomo. Image richard Horstman                                 Savage Orchid 2019 – Nus Salomo

 

Commenting upon the relocation of Art Jakarta from the Ritz-Carlton Jakarta, Pacific Place to the Jakarta Convention Center in Senayan, Rahardjo said, “The JCC has many practical advantages over the previous venue, including being larger. It allows for much easier loading and unloading of artworks, and offers positive tax incentives for international galleries.”

Australian based Indonesian artist Jumaadi works from his Yogyakarta and Sydney studios and was represented at Art Jakarta by Jan Manton Art from Brisbane, Australia. His exhibition of thematic and aesthetically distinct works stood out amongst the competition. Jumaadi’s feedback was also positive, “We have previously participated in Australian and Southeast Asian fairs; however, this is the first experience for both Jan Manton and I at Art Jakarta – and it was amazing. Comparatively speaking this fair is no worse off, or better off than the others. It is very dynamic, and the number of people during the opening was astonishing. The response to my work was strong, and we are very optimistic about the future of Art Jakarta.”

Art Jakarta fair attendees and installation by Filippino artist Ronald Ventura at Yavuz Gallery. Image by Richard HorstmanArt Jakarta fair attendees and installation by Filippino artist Ronald Ventura at Yavuz Gallery

 

“The move from Pacific Place means that the audience is art-focused and not shopping mall visitors looking for alternative entertainment,” said Kemal Ezedine, a regular participant at Art Jakarta, who exhibited paintings with Jakarta’s CGartspace. “I believe that Art Jakarta is now stepping up to the next level.”

Art Jakarta is an essential meeting place,” said Suriawati Qui co-founder of CushCush Gallery in Denpasar. “Such interactions between the national and international art communities open up opportunities for important issues and conversations to be raised, opportunities for artists and galleries to get to know their peers from across the region, and encourages cross-cultural and cross border collaborations.”

Artwork by Balinese contemporary artist Made Valasara. Image Richard Horstman                   Artwork by Balinese contemporary artist Made Valasara

 

“As an international gallery, we have always enjoyed participating in Art Jakarta and connecting with the Indonesian art community,” said Audrey Yeo, owner/producer of Yeo Workshop, Gillman Barracks Singapore. “The fair allows us to market our artists and programs with familiar faces and new networks. With its rejuvenated format and the new venue, there was a general sense of enthusiasm from the audience and the galleries. Art Jakarta is currently very promising as one of the strongest regional fairs. The fair has good organisers with a solid working style.”

“Although small, Art Jakarta was fascinating and featured some good work. One aspect I especially liked was the smaller booths representing art collectives and artist initiatives,” said Ian Findlay-Brown, editor and publisher of Asia Art News based in Hong Kong. As one of the regions first art magazines in the English language, and one of the most knowledgeable writers in the Asia region with over 40 years of experience, Findlay-Brown has witnessed the major changes in the Southeast Asian art scene during the past thirty years.

Indonesian artist Jumaadi represented by Jan Manton Art. Image Richard Horstman             Indonesian artist Jumaadi represented by Jan Manton Art

 

Commenting on “Jakarta Scene” a designated space in the fair for artist collectives and artist initiatives that offered many diverse artworks, art products and objects, along with valuable information about their activities, that are a cornerstone of Indonesia’s dynamic art scene, Findlay-Brown stated, “You don’t often see this aspect of a local art scene represented in an art fair in the Asia region. It reveals an important facet of the vitality of the local art world that can often be missed or overlooked.”

“Their array of art products, clothing, toys and sculptures emphasizes an important fun aspect of the art world. The Fair directors, by inviting these dynamic young individuals and collectives highlight a fundamental and vibrant characteristic of the Indonesian contemporary art world.”

Sculpture by Chinese artist Cai Lei. Image Richard Horstman                               Sculpture by Chinese artist Cai Lei

 

“The strength of the Indonesian art scene has always been its ‘gotong-royong’ or community spirit. This has lent Art Jakarta its special Indonesian identity which translates into a very unique fair experience for our visitors, exhibitors and partners,” said Art Jakarta Fair Director Tom Tandio. “It is only by working together that we can strengthen the art scenes in both Indonesia and Southeast Asia, which will benefit the community as a whole.”

“We were very humbled by the positive response that we received as it is a measure of the confidence that Indonesia and the region’s art community has placed in Art Jakarta, and the changes that we implemented for this 11th edition of the Fair.”

Art Jakarta enjoyed large audiences and strong sales during the fair the that ran 30 August - 1 September. Image coutesy of Art JakartaArt Jakarta enjoyed large audiences and strong sales during the fair the that ran 30 August – 1 September. Image courtesy of Art Jakarta

 

"Iris" by Singaporean artist Melissa Tan exhibited by ISA. Image Richard Horstman                       Iris by Singaporean artist Melissa Tan exhibited by ISA

 

 

Words: Richard Horstman

Images courtesy of Richard Horstman unless stated.