Category Archives: ArtJog

JAW (Jogja Art Weeks) – Indonesia’s evolving art infrastructure

"Bebas Dalam Keterbatasan" (free within limitations) 2017, Photography on Acrylic. Nofria Doni Fitri. Bakaba, Sakato Art Community, Jogja Gallery Image R Horstman“Bebas Dalam Keterbatasan” (free within limitations) 2017, Photography on Acrylic – Nofria Doni Fitri. Bakaba by Sakato Art Community, Jogja Gallery, during JAW

Indonesia is the biggest and most dynamic art market in the Asian region next to China, and the largest art producer of Southeast Asia. Increasingly gaining international attention via the mechanisms of global art, each year more-and-more foreigners venture to Central Java seeking out engagement with the many talented and diverse artists, and art communities in the area.

Jogja Art Weeks (JAW) is a month-long plethora of activities held May/June throughout Yogyakarta’s Special Regency, and north into Magelang. Organized by Heri Pemad Art Management (HPAM), founders of ART|JOG, since its conceptualization four years ago JAW has quickly evolved, this year’s program showcased 140 plus events.

“In the beginning many artists working in Yogyakarta needed presentation space. Both the infrastructure along with events were lacking. While ART|JOG quickly became popular, its capacity was inadequate to cater for the demand,” said Yogyakarta art visionary Heri Pemad. “So we invited galleries, art spaces, cultural and educational institutions, collectives and alternative spaces to create events at the same time as ART|JOG, aiming to accommodate as many artists as possible. The goal in mind, to create a unique cultural festival.”

"Wear You All Night" 2016, Sarah Choo Ching. "Supernatural" at Gajah Gallery. Image Richard Horstman“Wear You All Night” 2016 – Sarah Choo Ching. “Supernatural” at Gajah Gallery.

In 2015 the first JAW event featured a smattering of events in a number of galleries and areas around Yogyakarta. 2016 and this year though, included the new and comprehensive JAW Guide Book. “Last year’s publication registered about 60 events, in 2017 however, listings tallied 147, and continued to grow on JAW’s website & social media,” Pemad said.

The 2017 JAW Guide Book, a free 207-page index brought added stimulus to traverse the far corners of the regency, while opening the big city up to visitors. Most of the activity was found in the South West in Bantul. Listings included exhibitions, performances, music events, film screenings, cultural festivals, tours, and a diverse array of workshops including photography, ceramic painting, collage, batik with electric canting tools, Japanese Shibori tie dye techniques and installation making. This year’s publication also catalogued 40 different museums in the region.

"Shadow Dance" #18, 2017, 200 x 400 cm. Nyoman Erawan. "Linkage" OHD Museum. Image R. Horstman“Shadow Dance” #18, 2017, 200 x 400 cm – Nyoman Erawan. “Linkage” OHD Museum, Magelleng

As the main draw card of JAW, this year celebrating its tenth edition with ART|JOG|10 Changing Perspective, every year additional foreigners and art industry insiders experience Indonesia’s oldest art fair, with it’s unique model that supports artists over galleries. This extraordinary grassroots event evolves each year, its new venue, the Jogja National Museum (JNM) practically, and historically a precise match with the event. The JAW Guide Book functioned perfectly as a hands-on information source, and while professionally organized art tourism is in its infancy in the country, the Guide Book is a bonus to the sustainability of the local art eco-system. Such supporting infrastructure aids the development of art tourism in Yogyakarta, which inevitably becomes a model for other parts of the Indonesia.

“Initially we believed that the popular idea of city branding during ART|JOG and JAW was the responsibility of the government as the increased tourism helps drive the local and wider economies,” Pemad said. “HPAM requested financial support for the making of the guide-book, and finally this year the Yogyakarta Cultural Office agreed to help sponsor its implementation.”

20170518_111858            Made Mahendra Mangku “The Gift” at Sangkring Art Space

One of the JAW highlights involved the hour and a half journey to Magelleng for the annual opening at the OHD Museum. Commemorating the 20th anniversary of the museum founded by the leading patron of Indonesian art, Dr Ooi Hong Djien, Linkage celebrated 51 Indonesia artists who had been a part of the museum’s collection for over two decades. Twenty-four artists were invited to create new works that were presented alongside their older works. This exhibition of outstanding quality attracted many international visitors, works by Ivan Sagita, Nyoman Erawan, Handiwirman Saputra, along with others underlining the uniqueness of the OHD collection.

Amok Tanah Jawa was an exhibition of paintings and installations by East Javanese artist Moelyono, known for his interactions with traditional artists highlighting subversive narratives, in collaboration with Yusuf Muntaha. Featured were paintings of excellent technical precision, along with in-depth investigation of East Javanese performance art at Lenggeng Art Foundation. Wood, leaves, rattan and mending (Chinese water chestnut) were the medium of historical, educational and environmental exploration by Nindityo Adipurnomo, Adek Dimas Ajisak, Maharani Mancanagara and Zulfian Amrullah in Meraka-reka at Galerie Lorong.

"Pengantin Revolusi" 2017 Moelyono. "Amok Tanah Jawa" Langgeng Art Foundation Image R Horstman“Pengantin Revolusi”, 2017 – Moelyono “Amok Tanah Jawa” Langgeng Art Foundation

Nancy Nan’s Red Base Art Foundation has quickly established its presence in Indonesia, it highlighted photography with two separate exhibitions, Processione Dei Misteri by Anastasia Darsono and RAW by foreigner Vanessa Van Houten.   West Sumatran Sakato Art Community presented their 6th annual exhibition Bakaba. Themed IndONEsia, and at the Jogja Gallery, well-known members exhibited with their counterparts. Open for one month, exploring ideas of what it means to be an Indonesian artist, this was one of the strongest collective showings during JAW. Works by Gusman Heraldi, Jumaldi Alfi and Erizal were noteworthy, while artists such as Dwita Anja Asmara, Fika Ria Santika, Zulfirman Syah, Tariq Muntaha reveal enormous talent within Sakato.

Balinese artist and long-term Yogyakarta resident Putu Sutawijaya and his Malaysian wife Jenny have created an important community complex Sangkring which presented 3 separate exhibitions. Following on from last year’s Jogja International Miniptint Biennale #2, Jogja Editions Print Fair displayed selected graphic works, both conventional and contemporary from Indonesian and international artists at the Sangkring Art Project. The Gift celebrated the tenth anniversary of Sangkring Art Space and featured a selection of some of the Indonesia’s finest, including eleven Balinese artists. Included were Nasirun, Ugo Untoro, Sutjipto Adi, Made Djirna, Mangu Putra and Yunizar. Bale Banjar, the latest addition to Sangkring, featured BergerakYogya Art Annual #2 a strong and diverse showcasing of over 40 local artists.

Agung Prabowo - Seven colors linocut print on washi paper, 2017. Jogja Editions Print Fair, Sangkring Art Project. Image R. HorstmanAgung Prabowo – Seven colors linocut print on washi paper, 2017. Jogja Editions Print Fair, Sangkring Art Project

Gajah Gallery is renowned for presenting not only Indonesian, yet regional contemporary art into Asia, and beyond. Taking advantage of the captive international and local audience Gajah surveyed some of Singapore’s best in the group exhibition Supernatural, at their Yogyakarta complex. Presenting a level of quality that set it apart, it featured 18 Singaporean artists exploring ways in which their practices meditate with the perceptions of nature, reality and belief systems. Incredible depth, including Sarah Choo Jing, Zen Teh, Ruben Pang, to name a few, while Ng Joon Kiat’s Untitled Cities 3, 2016 his 3-dimensional abstract composition inspired by his fascination with maps and Asia’s vastly changing terrains and territories, is a masterwork.

As a university city, Yogyakarta attracts the youthful, energetic talent of ethnic groups from all over the country. The depth of this is cultural diversity translated into enormous array of creative expressions and the long list of musical events and performances during JAW was world-class, along with being a HPAM organizational feat. JNM hosted daily ART|JOG music and performance events, while many others within the JAW program were hosted around the city. Special mention goes to Satan Jawa, the silent black and white movie directed by Garin Nugroho, with live gamelan orchestra and music composed by Rahayu Supanggah. On a closing note was the charity tribute group exhibition at the Tanah Liat Museum for the iconic Yogyakarta artist S Teddy Darmawan (1976-2016), who passed away last year after a long battle with cancer.

20170519_184023               Ruben Pang from the exhibition “Supernatural” at Gajah Gallery

The development of Indonesian art has suffered greatly due to the lack of institutional and government support, along with local galleries without strong international business models.

Infrastructure like JAW, and especially ART|JOG which has now become the ‘voice’ of Indonesian contemporary art, defining its unique character, helps consolidate Yogyakarta onto the global art map. First time visitors are guaranteed many wonderful surprises! JAW is a boon for the region, and a repeat destination for collectors and art lovers.

20170520_094728 PemangkasanHandiwirman Saputra – Bakaba #6 Sakato Art Community, Jogja National Gallery

Ali Umar by Ali Umar, 400 pen sketches on paper & sculptures 1997-2017 during JAWAli Umar by Ali Umar, 400 pen sketches on paper & sculptures, 1997-2017, during JAW

"Above, 2016 - Willy Halaman, Banjar Bale during JAW  Above, 2016 – Willy Halaman,  Bergerak – Yogya Art Annual #2, Bale Banjar, during JAW

20170519_184112Untitled Cities 3, 2016 – Ng Joon Kiat, in the exhibhtion Supernatural at Gajah Gallery

 

www.jogjaartweeks.com

Words & Images: Richard Horstman

 

 

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Reviewing ART|JOG|10

"Fashion As A Weapon" Hendra 'Blankon' Priyadhani. Image Richard Horstman             Fashion As A Weapon, 2017 – Hendra “Blangkon” Priyadhani

How may we define Indonesian art?

Unlike other nations, Indonesia is without an international standard museum as a foundation through which its distinct art narratives and identity may be imparted internationally, and locally. We can, however, reference a different platform ART|JOG, the art fair that supports artists over galleries. Celebrating this year its tenth edition, it has grown into an icon, presenting the ‘voice’ of Indonesian contemporary art diversity to the global audience.

ART|JOG|10 Changing Perspective opened with a limited preview 19 May, at the Jogja National Museum (JNM), Yogyakarta, officiated by GKR Mangkubumi, the eldest child of Yogyakarta Governor Sultan Hamengkubuwono. Annually the event attracts additional foreign visitors, this year there were more international art industry insiders, many expressing ideas about future collaborations.

Mulyana Mogus "Silent Prayers"                         Silent Prayers, 2017 – Mulyana Mogus

Running parallel with Jogja Art Weeks, a month-long abundance of events set throughout the Special Regency, and now in its second year, (another organizational feat by Heri Pemad Art Management), ART|JOG is a fixture on the international art map, a boon for cultural tourism in Central Java.

“The combination of an art fair founded for artists by an artist, hosted at the Jogja National Museum, over a relaxed time frame with daily performances and artist interactivity against a backdrop of the uniquely engaging energy of the Yogyakarta arts community is highly inspiring in a world where art fair fatigue is prevalent,” said artists, art historian, curator, gallerist and collector Jane Walker, who is London and Singapore based, also on her first visit to the fair.

ART|JOG|10’s Open Call Application granted fifteen artists eligibility, while invited artists numbered 58 of a total of 73. One of the most enjoyable features of its format is the freedom to observe works without any presence/pressure of sales, gallery staff, and infrastructure.

J Aryadhitya Pramuhendra - Holy Lamb               Holy Lamb, 2017 – J Aryahitya Pramuhendra

Both local and foreign, emerging and established artists exhibit side-by-side over 3 floors. The JNM’s design of alternative shaped showrooms offers possibilities for varying art encounters. Artists granted individual space, who understood how to capitalize upon this creating intimate art experiences, were generally the most memorable.

A giant batik parasol depicting the sky spans the ceiling and a mural rendered in clay revealing order and disorder are the two prominent features of Seti Legu’s installation, Universal Syndrome. Observers are immersed within an intriguing reconstruction of opposing positive and negative forces – the world according to Javanese cosmology – where human and environmental exploitation contrasts with ideology, religion and materialism; the modern world in conflict with the past. Legu sits and reads poetry aloud, while a traditionally attired elderly musician completes the distinctive ambience.

Invited Chinese artist Geng Xue presents a 13-minute animation, Mr Sea. Her two characters, set within a surreal forest landscape are all made from porcelain. In this extraordinarily sensitive tale, that takes the art form to wonderful innovative heights, breath-taking beauty and tragedy go hand-in-hand. This is a mesmerizing, emotional journey.

"Mr. Sea" Geng Xue, 13 minute porcelain animation. Image Richard Horstman                                Mr. Sea, 2014 – Geng Xue

Syagini Ratna Wulan’s Chromatic Chimera, and Chromatic Myth 1,2&3 together create a tangible atmosphere. Her ‘gloomy’ skyscapes feature tiny colored ‘figures’ floating seemingly without purpose. A hanging geometric form projected with colored light creates beautiful patterns up into a corner, its energetic distinctions, married with her painted compositions create a potent, mysterious abstract experience. While other artists exhibit abstract works, many fail to excite, Wulan’s imagination, however fully engages our senses via the subtle powers of suggestion.

Season In The Abyss, Jim Allen Abel’s commemorative installation honoring 102 people lost in 2007 on an Adam Air flight from Surabaya, East Java to Manado is thought provoking, and ultimately touching. At front a display case presents facts and details including archive photos. Within the darkened space the installation merges elements, projected images, and flashing lights reflect upon mirrors from the ceiling to the floor, and wall. The experience is intriguing and upsetting, yet beautiful as well. Such a thematic is bold, revealing artistic maturity.

ArtJog 10 Merchandise Project - Wearable Art. Scarf by Radi Arwinda, Image by Richard Horstman       ArtJog 10 Merchandise Project – Wearable Art, Scarf by Radi Arwinda

Angki Purbandono collaborated with adventure traveller/actor and advocate for the preservation of Indonesia’s endangered Sumatran elephant, Nicholas Saputra, to make a documentary describing the alarming decline of this specie. Post Jungle – Tangkahan Project introduces an alternative story, in a visual art language aimed to incite the public’s curiosity and concern towards grave Indonesian environmental issues.

Floating Eyes, the commissioned work by Wedhar Riyadi of giant eyeballs floating in water is spectacular. Positioned at the front façade of JNM, evening time it contrasts wonderfully against the white building and the night sky, in the presence of the new, honorary R.J Katamsi statue, flanked by majestic banyan trees. The work, however, lacks local iconography.

Some other works of note include J Aryadhitya Pramuhendra’s Holy Lamb, Mulyana Mogus’ beguiling visual world, Silent Prayers, Agung Prabowo’s linocut reduction print on handmade paper, Study of Convex and Concave by M.C Escher 1955, and Hendra “Blangkon” Priyadhani’s, Fashion As A Weapon. Recipients of this year’s Young Artists Award, a program open to artists under 33 years in appreciation of artistic endeavour are Bagus Pandega and Syaiful Garibaldi.

Indonesian artists, including Wedhar Riyadi, along with art lovers, with "Floating Eyes" JNM. Image Richard HorstmanIndonesian artists, including Wedhar Riyadi, center, along with art lovers, with “Floating Eyes”, Riyadi’s commissioned work.

The popular Fringe Program, headlined by the Curator’s Tour, Meet The Artists, and the ASRI Historical Tour, enhanced the public’s engagement. This year’s new Merchandise Project presents selected local creative communities and artists to showcase their signature works. The strong line-up of Daily Performances including performance art, music, dance, fashion shows and theatre, featured well-known artists Melati Suryodharmo, Garin Nugroho and Rahayu Supanggah, Bimo Wiwohatmo and Astri Kusuma Wardani.

Post preview consensus was, however, the quality of art was down from 2016. “The works were less innovative and less challenging this year compared to last,” said art critic Jean Couteau. “While the local component was minor, the visual and symbolic language is global.”

A deacade of ART|JOG is a huge distinction. Such an event faces great challenges, both internal and external. The vision of Heri Pemad, along with the vigor of Heri Pemad Art Management deserves enormous credit. Indonesia, and the global art world please take note!

20170519_130530                        Universal Syndrome, 2017 – Seti Legu

20170519_125340                             Angki Purbandono, 2017

20170519_131058                Situ Ciburuy; Museum Plan, 2017  – Aliansyah Chaniago

20170519_132125                  Season In The Abyss, 2017 – Jim Allen Abel

20170519_134058                  On the Way, 2017 – “SurantoKenyang

 

ART|JOG|10

19 May – 19 June 2017

Jogja National Museum

Jalan Prof. Ki Amri Yahya No. 1, Yogyakarta

www.artjog.co.id

Words & Images: Richard Horstman

 

 

ART|JOG|10 – Changing Perspective

RJ Katamsi WIP 5Yogyakarta artists work on the R.J Katamsi statue, a project designed and overseen by Wahyu Santoso, honouring the artist, and one of the founders, and the president director of Akademi Seni Rupa Indonesia (ASRI), the first fine arts campus in Indonesia, opened in 1950 (now known as ISI). The work will be erected at the historical JNM, the original ASRI site.

 

A milestone in Indonesian art will be celebrated in May during the Grand Opening of ART|JOG|10, marking a decade in the ART|JOG journey, beginning 19 May at the Jogja National Museum (JNM). Themed: Changing Perspective, the fair will exhibit immerging and established artists side-by-side, while featuring some of Indonesia’s hottest contemporary talent.

An initiative born from the collective will of the Yogyakarta art community, ART|JOG’s significance is its model: a supporting and promotional platform for artists, not galleries, introducing fresh names to the market. The vision of Heri Pemad, who through his support of the local art scene starting some 20 years ago developed strong relationships of trust within the community, the springboard for bigger and brighter things.

"Floating Eyes" Wedhar Riyadi, Jogja National Museum front entry. Image by Richard HorstmanART|JOG|10 2017 commissioned art work “Floating Eyes” by Yogyakarta artist Wedhar Riyadi, at the front facade of the Jogja National Museum.

“ART | JOG has grown quickly since 2008, when it was Jogja Art Fair (JAF). From 2009 we included curators, selected special themes, and artists, and commissioned artists to remodel the façade of the building, originally Taman Budaya Yogyakarta. Wanting to create an international event, in 2010 we renamed it ART | JOG,” said CEO and founder of ART|JOG Heri Pemad.

“We attracted more and more international visitors in 2011 due to increasingly widespread publication, and began inviting international artists for special presentations. From 2012 our curatorial themes evolved. In short, ART | JOG has grown along with the development of the art world itself, because it has presented the development of artwork from Indonesia and the world.”

A Decade of ArtJog's Journey. Image Richard Horstman                                    A decade of ART|JOG’s journey

With a keen eye for the artist’s needs, Pemad launched Heri Pemad Art Management (HPAM) in 2004, an organization that evolved out of his personalized art services. HPAM has since played a defining role in the development of Indonesian contemporary art. This year ART|JOG|10 will exhibit over 120 artworks; 2 & 3 dimensional works, installations, videos, site-specific objects, and performances.

ART|JOG is the anchor event for the Jogja Art Weeks, a month long abundance of openings and events around the Yogyakarta Special Regency, which has developed into an art and cultural tourism boon, attracting national and international art lovers, industry insiders, and collectors.

20170519_125233                                   Poor Yorick – Ichwan Noor

“We have selected 73, national and international artists, this year, via our Open Call Application, whether by invitation, or those who self-applied,” said ART|JOG|10 co-curator Ignatia Nilu. “Our selection process is not only based on the compatibility between the artwork and curatorial concept, but also the presentation method, and the freshness of the artistic concept.” Nilu adds, “The Open Call program is an unsurpassed way to scout the best young talent.”

ART|JOG|10’s main program includes the exhibition by Indonesian, and also artists from Singapore, Japan, England, USA and Australia. Some of the local names showing are Angki Purbandono in collaboration with Nicholas Saputra, Agus Suwage, I Nyoman Masriadi, Tromarama and Agan Harahap. This year’s Commissioned Works are by Wedhar Riyadi, a young Yogyakarta artist, presenting his balloons installation, decorated with eye icons, transforming the main facade of JNM.

20170519_125333.jpg                   Souvenir from Tangahan – Angki Purbandono

“Through the theme, Changing Perspectives: The Challenge For The Artist, we dare the artists to take a fresh look at how they work from various point of views,” said Bambang “Toko” Witjaksono, of the curatorial team. “Not only from technical aspect, but also the interpretation, to hopefully enhance, and achieve beyond what we have had, and have experienced to now.”

A new and special highlight of ART|JOG|10 is The Making Of The Statue Of R.J Katamsi, a 2.5 bronze made in conjunction with Wahyu Santoso. The statue honours the artist, and one of the founders, and the president director of Akademi Seni Rupa Indonesia (ASRI), the first fine arts campus in Indonesia, opened in 1950 (now known as ISI). The work will be erected at the historical JNM, the original ASRI site.

20170519_125429                                   Dasar – Rudi Mantofani

The event’s Supporting Program includes an Open Air Cinema, a collaboration with Jogja-Netpac Asian Film Festival (JAFF). The Young Artist Award, an award for the best young participating artists under 33 years old or below. Jogja Art Weeks, a publication providing comprehensive information about art and cultural happenings in Yogyakarta from May-June, (the free guide book will enhance the visitor experience, while being an essential supportive platform for the art tourism program), and the Merchandise Project has invited 20 artists, including Eko Nugroho, Papermoon Theatre, Oky Rey Montha, Farid Stevy, and Bob Sick Yudhita to create special buyables.

For ART|JOG|10 VIP guests the special preview on 19 May begins 5 hours prior to the exhibition officially opens.

Supporting Program Time & Dates:

Curatorial Tours: Saturday, 27 May & 10 June, 3 PM, Sunday, 4 & 18 June, 3 PM.

Meet The Artists: Sunday 28 May & 11 June, 3 PM, Santurday, 3 & 17 June, 3 PM.

Open Air Cinema: Tuesday 23 & 30 May, 6 & 13 June, 7:30 PM.

ASRI Tours: Tueday 6 & 13 June, 3 PM.

20170519_130238                              Be Ready – Nyoman Masriadi

ART|JOG|10

Open from 7pm 19 May

Continuing through to 19 June 2017

Daily from 9am – 5pm

Jogja National Museum

Jalan Prof. Ki Amri Yahya No. 1, Yogyakarta

www.artjog.co.id

Words: Richard Horstman

Images: Courtesy ArtJog10 & Richard Horstman

20170519_132451Study of convex and concave by M.C Escher, 1955 – Agung Prabowo