Monthly Archives: January 2019

empowering Balinese woman artists – FUTUWONDER

 

participants in the "puan empu seni edit-athon" at rumah sanurMembers of Futuwonder and volunteer participants in the “Puan Empu Seni Edit-athon” at Rumah Sanur

 

During 2018 a small, yet enthusiastic gathering of volunteers set out to make a very significant contribution to Balinese art. “Puan Empu Seni: Edit-a-thon”, was conducted 7 July in Bali within a fun and learning environment at Rumah Sanur-Creative Hub. It was a part of a national drive to increase the amount of information on Indonesian female artists to be found on the Internet’s most go-to source of information – Wikipedia.

The landscape of information and knowledge about Indonesian art on the Wikipedia Indonesia Page is far from comprehensive and is not reliable as a valid source of knowledge. Profile entries of Indonesian painters and sculptors total forty-six, of which only three entries are profiles of female artists. Inspired by a similar event held in March this year by IVAA (Indonesian Visual Art Archives) in Yogyakarta, the “Puan Empu Seni: Edit-a-thon” (women who master arts) event was the premiere event held by Futuwonder, a new Bali woman’s art collective, in collaboration with Wikimedia Indonesia.

volunteers, futuwonder members and wiki pedia indonesia at work on laptops during the edit-athonMembers of Futuwonder and volunteer participants at work during the “Puan Empu Seni Edit-athon

 

From the words future and wonder, Futuwonder is an interdisciplinary group of artists, curators, writers and designers from different fields dedicated to encouraging development of the arts through discourse and artistic activities, especially for women.

“Our goal through this Wikilatih (Wikipedia article writing) workshop was to discuss, and write together inserting valid information about Balinese female artists so it may be accessed by many people,” said Putu Sridinari, a visual designer born in Ubud who is one of the four woman team members of Futuwonder. “From this workshop, we contributed 18 new articles on female artists from Bali.”

“We hope the information gap about Balinese female artists can lessen so as to help in the positioning of women in the arts, while adding more knowledge to the Bali arts writings through a collective site such as Wikipedia,” Putu said.

citra sasmita - metamorphosis(the flowers of carnage) 2018 acrylic and oil on canvas, image courtesy of the artistMetamorphosis (The Flowers of Carnage) 2018 by Futuwonder member Citra Sasmita

 

Along with Putu Sridinari, Futuwonder consists of Ruth Onduko, one of the most experienced and respected art managers in Bali who has worked in artist and gallery management for more than ten years. One of Ruth’s recent projects includes the instagram-based Bali art and creative sector information platform Senidibali. Citra Sasmita, a Balinese-born self-taught artist who was one of the recipients of the Gold Award Winner in the 2017 UOB Indonesian Painting of the Year painting competition. Her paintings, installations and performances which have been presented throughout Indonesia and abroad embody issues regarding women’s cultural identity and position within a patriarchal culture, along with social and cultural realities, and

Savitri Sastrawan, a Balinese-born curator who has a master’s degree from Goldsmith University of London. She was one of the curaters of the 2016 landmark exhibition “Celebrating Murni”, a tribute exhibition for the iconic Balinese female artist IGAK Murniasih (1966-2006) who raised issues of sexuality and identity in her works.

44694816_300366523902050_2307222136097341440_oFutuwonder exhibition “Masa Subur: Efek Samping” at Karja Art Space, Ubud, Bali

 

“A meeting in 2017 of four young women from different backgrounds yet with similar visions determined to create a platform to support women’s art activities and encourage visual discourse inspired the beginnings of Futuwonder,” Putu said. “The driving question that motivates our initiative is: ‘Why are there not many established women artists in Bali?’”

Balinese society is very patriarchal and while the visual art world is dominated by men, there are, however many talented female Balinese artists who successfully complete their academic art training. Few, however, continue on to become successful artists or to make a career from the visual arts. In 1991 the Seniwati Gallery of Art by Women opened in Ubud in reaction to the invisibility of women artists in the galleries and museums in Bali. Founded by Mary Northmore, the gallery and art studio taught women and girls art and held exhibitions, competitions and helped to market their artwork. It closed in 2010 and the Seniwati Art Space continued on for a few years in Batubulan from December 2012.

44652780_300363373902365_1687779777752072192_oPerformance by Citra Sasmita and friend during the opening of “Masa Subur: Efek Samping”  20 October

 

Artist’s collectives have historically played an essential role in the development and representation of Balinese art. The first being the highly influential Pita Maha Artists Cooperative founded in Ubud in the 1930’s. Seniwati was instrumental in helping to launch the careers of well-known artists IGAK Murniashi and Ni Nyoman Sani, yet for the past 6 years, until the founding of Futuwonder, there has neither been a venue, or organization, that champions women artists in Bali.

Open from 20 October – 9 November at Karja Art Space, Penestanan, Ubud “Masa Subur: Efek Samping” – Futuwonder’s premiere exhibition showcases a selection of women artists from Bali. The participants have been selected through an open call method and the event includes a program focussing on issues surrounding women’s art and politics through writing, discussions, workshops and the recording of fine art databases by women. This inaugural exhibition will be the starting point of a sustainable movement, driven by female artists.

44794797_300367053901997_5091191517565943808_oParticipating artists and members of Futuwonder during the opening of “Masa Subur: Efek Samping” at Karja Art Space

43652063_300362650569104_3072101591847796736_oArt audience at the opening of “Masa Subur: Efek Samping” at Karja Art Space

 

https://futuwonder.wordpress.com/

https://www.instagram.com/futuwonder/

 

Words: Richard Horstman

Images: Coutesy of Futuwonder

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Previewing Larasati’s Traditional, Modern & Contemporary Art Auction, Bali, August 2018

dewa putu mokoh "iringan pengantin" image courtesy of larasati                     “Iringan Pengantin” – Dewa Putu Mokoh 

 

Each year Larasati Auctioneer’s, Indonesia’s oldest fine art auction house, present two auctions in Ubud highlighting Balinese traditional art. Upcoming Sunday 26 August is seventy-four items for sale in the Traditional, Modern & Contemporary Art Auction. Open to the public, viewing begins 11am Friday 24 August at the Larasati Art Space at Tebesaya Gallery, Ubud, Bali.

The sale is led by a collection of Mr & Mrs Charles Powell, USA, and three beautiful traditional paintings by Wayan Radjin from the 1970’s. The sale presents works by old masters of traditional genres, some unique and rare paintings, works with investment potential, and an array of compositions that allow good entry opportunities into the market for new collectors.

wayan radjin "ramayana membebaskan dewi sita" image courtesy of larasati               “Ramayana Membebaskan Dewi Sita”- Wayan Radjin

 

Catering for a range of tastes works on offer include ink, and watercolour on paper, Indonesian modern art, Balinese modern and contemporary paintings and works in traditional styles, along with a wood carving. Distinguished Balinese artists featured are Ida Bagus Made Poleng, Ida Bagus Made Widja, Gusti Ketut Kobot and Nyoman Gunarsa. For new buyers wishing to enter the market, estimated prices in this sale begin at IDR 500,000 (USD $35). Auctions offer buying opportunities at prices much cheaper than purchasing works directly from the artist studio, or galleries.

These works by respected old masters will be of interest to the connoisseurs of Balinese art. Tjokorda Oka Gambir (1902-1975) is one of the founders of the Ubud School of Painting, lot# 549 Mythological Scene in Kamasan Style is a large 248 x 132cm work in natural colour on cloth with an estimated price of between IDR 65 – 80 million, while lot #550 Garuda & Wisnu is by one of the esteemed masters of the influential Pitamaha Artists Association from Ubud (1936-1945), Gusti Ketut Kobot (1917-1999) with an estimated price of between IDR 95 – 110 million.

dewa ketut rungun "burung burung bangau" image courtesy of larasati                   “Burung – Burung Bangau” – Dewa Ketut Rungun

 

Lot #574 Taris Bali is a superbly balanced composition of traditionally attired Balinese warrior emerging from the forest performing the unique warrior dance by Ida Bagus Made Poleng (1915 – 1999) who is regarded as one of the finest Balinese painters of the past century. This work bears the stamped identification that guarantees authenticity from the Ida Bagus Made Foundation, and has an estimated price of between IDR 165 – 190 million.

The following are rare pieces lot #544, Sarasvati is an early work by the respected Batuan painter Wayan Taweng (1922 – 2004) who trained under Nyoman Ngendon (1906 – 1946) with an estimated price of between IDR 10 – 15,000,000 million. Wayan Radjin (b.1945) is the son of the celebrated Batuan artist I Djata, considered the founding father of the Batuan School. Lot #527 Ramayana Membebaskan Dewi Sita by Radjin is a beautiful acrylic on canvas composition with an estimated price of between IDR 28 – 38 million. Most of Radjin’s works are on paper, and rarely does such a quality work come onto the market.

gusti ketut kobot "garuda wisnu" image courtesy of larasati                          “Garuda Wisnu” – Gusti Ketut Kobot

 

Lot # 572 Iringan Pengatin is a unique work because it is a crowded composition by the renowned painter of the unconventional, Dewa Putu Mokoh (1913 – 2010), and has an estimated price of between IDR 7 – 10 million, while lot #521 Ibu dan Anak, featuring a composition of a mother and child is too an unusual work by Dewa Ketut Rungun (1922-1986), who is noted for his bird compositions. It has an estimated price of between IDR 15 – 20 million.

Opportunities for good investments are lot #513 a. Di Malam Ini and b. Aku dan Dia Bermain, two paintings by Indonesia’s most important woman artist I Gusti Ayu Kadek Murniashi (1966 – 2006), with a combined estimated price of between IDR 18 – 25 million, and lot #520 Bali Life by Ketut Gelgel, which has an estimated price of between IDR 95 – 110 million.

i gusti ayu kadek murniashi "di malam ini" image courtesy of larasati                  “Di Malam Ini” – I Gusti Ayu Kadek Murniashi (Murni)

 

New collectors have opportunities to enter the market with lot #507 Hierarkie by Susilo Budi Purwanto, Berburu Kuda, lot# 512 by Made Wiradana, and two abstract oil paintings, lot #540 Kampung Nelayan Kusamba and lot #541 Gunungan Semar by noted Javanese painter Bagong Kussudiardjo (1928-2004), and the beautiful flowing flora and fauna forms within Burung Burung Bangau, lot #573 by Dewa Ketut Rungun. Emerging Balinese artist Ngakan Putu Agus Arta Wijaya is a young artist worth keeping an eye on, with excellent technical skills, good ideas and a distinctive style, lot# 508 Upgrade comes with an estimated price of between IDR 7.5 – 9 million.

Other popular artists within the sale are renowned Dutch colourist Arie Smit, Otto Djaja, Mochtar Apin, Jehan, Ida Bagus Nyoman Rai, Nyoman Dewa Jati, Dewa Putu Bedil and Agung Mangu Putra.

For buyers seeking to invest it is important to have a strategy, with the view of buying and holding for at least 10-15 years, and to invest early in an artist before everyone is getting on to the market. Look for works that are rare and unique – uniqueness referring to the quality and how often the artist makes such image or composition. A painting’s provenance is important for the established taste and also for authenticity, with the more prominent the previous owners, the better. This also includes the works history of exhibitions and inclusion in books or catalogues.

ida bagus made poleng "taris bali" image courtesy of larasati                           “Taris Bali” – Ida Bagus Made Poleng

 

Potential buyers bidding over the phone, or via real-time Internet bidding who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati